{"id":1966,"date":"2021-04-22T20:20:43","date_gmt":"2021-04-22T17:20:43","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=1966"},"modified":"2021-04-22T20:20:49","modified_gmt":"2021-04-22T17:20:49","slug":"griul-nostru-cel-de-toate-zilele","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=1966","title":{"rendered":"Griul nostru cel de toate zilele"},"content":{"rendered":"\n<p>Luna martie a debutat la Teatrul Regina Maria cu premiera <em>Genul acuzativ <\/em>\u00een ceea ce este prima colaborare a institu\u021biei or\u0103dene cu Mimi Br\u0103nescu, cel care semneaz\u0103 dramaturgia \u0219i regia spectacolului. Este, de altfel, pentru a doua oar\u0103 c\u00e2nd acesta \u00ee\u0219i monteaz\u0103 textul \u00eentr-un teatru din Rom\u00e2nia, dup\u0103 debutul absolut din 2017 de la Teatrul Metropolis din Bucure\u0219ti (<em>\u0218i negru \u0219i alb \u0219i gri<\/em>), av\u00e2nd \u00een distribu\u021bie nume precum Carmen T\u0103nase, Mirela Opri\u0219or, Adrian Titieni \u0219i Dana Dogaru, fiind totodat\u0103 selec\u021bionat \u00een cadrul edi\u021biei din acela\u0219i an a Festivalului Na\u021bional de Teatru. Un spectacol care \u00ee\u0219i propune s\u0103 exploreze profunzimile rela\u021biilor interumane dintr-o perspectiv\u0103 nuan\u021bat\u0103 \u0219i s\u0103 remarce multilateralitatea caracterial\u0103, f\u0103r\u0103 a fi totul a\u0219ezat \u00eentr-o \u00eencadrare limitativ\u0103.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>Mimi Br\u0103nescu se folose\u0219te de personaje pentru a demonstra fragilitatea rela\u021biilor interumane, dar \u0219i revela\u021biile care se pot na\u0219te din evenimente marcante.<\/p><\/blockquote>\n\n\n\n<p>\u00cen prim-plan o avem pe Marina, o v\u0103duv\u0103 care \u00ee\u0219i caut\u0103 dreptatea \u00een fa\u021ba apropia\u021bilor t\u0103i, \u00eend\u00e2rjit\u0103 s\u0103 dezgroape mor\u021bii \u0219i s\u0103 \u00ee\u0219i \u00eencheie socotelile cu to\u021bi cei care consider\u0103 c\u0103 i-au gre\u0219it \u00een vreun fel sau altul de-a lungul anilor. Acuza\u021biile pe care le lanseaz\u0103 sunt agravate \u0219i de situa\u021bia ei medical\u0103, aceasta suferind de un AVC, ceea ce \u00eempiedic\u0103 orice dialog coerent \u00eentre ea \u0219i restul protagoni\u0219tilor. O situa\u021bie nea\u0219teptat\u0103 pune cap\u0103t \u201emisiunii\u201d Marinei de a-\u0219i face dreptate, iar sarcina \u00eei revine fiicei, Lena (Denisa Vlad), care se folose\u0219te de noti\u021bele l\u0103sate de mam\u0103 \u00eentr-un jurnal. La nivel simbolic, jurnalul devine o veritabil\u0103 cutie a Pandorei, ajung\u00e2nd s\u0103 dezv\u0103luie cele mai ad\u00e2nci secrete pe care se fundamenteaz\u0103 rela\u021biile dintre personaje, dar \u0219i familia \u00eens\u0103\u0219i. \u00cen ciuda dispari\u021biei premature a Marinei, aceasta continu\u0103 s\u0103 d\u0103inuie prin fiica ei, care devine un agent destabilizator at\u00e2t pentru rudenii, c\u00e2t \u0219i pentru propria c\u0103snicie. Totodat\u0103, m\u0103rturiile care survin din nota\u021biile mamei sale, dar \u0219i din ripostele celor viza\u021bi direct de acestea ajung s\u0103 \u00eei deschid\u0103 Lenei o nou\u0103 perspectiv\u0103 asupra vie\u021bii, \u00een general, \u0219i asupra existen\u021bei proprii, \u00een particular.<\/p>\n\n\n\n<p>Gabriela Codrea o interpreteaz\u0103 pe Marina \u0219i este, \u00een ciuda unei apari\u021bii fragmentate, pilonul principal al spectacolului, fiind o prezen\u021b\u0103 impozant\u0103 \u0219i sigur\u0103. Aceasta reu\u0219e\u0219te s\u0103 \u00ee\u0219i contureze personajul cu mult\u0103 naturale\u021be, cu tu\u0219e atent controlate care \u00eei confer\u0103 credibilitate \u0219i substan\u021b\u0103, f\u0103r\u0103 \u00eens\u0103 a-\u0219i suprajuca partea. O contrapondere care poate fi v\u0103zut\u0103 ca o voce a lucidit\u0103\u021bii este reprezentat\u0103 de Ioana Drago\u0219 Gajdo, \u00een rolul Catiei, care \u00ee\u0219i demonstreaz\u0103 vasta experien\u021b\u0103 acumulat\u0103 pe scen\u0103 printr-o presta\u021bie puternic\u0103 \u0219i plin\u0103 de robuste\u021be. De remarcat este \u0219i cuplul format din Richard Balint \u0219i Adela Laz\u0103r, a c\u0103ror chimie scenic\u0103 amplific\u0103 \u00eentr-o not\u0103 pozitiv\u0103 direc\u021bia impus\u0103 spectacolului, o leg\u0103tur\u0103 care se poate observa \u0219i \u00een spectacole precum <em>Cre\u0219tini<\/em> sau <em>\u00cendr\u0103gosti\u021bii din Ancona<\/em>.<\/p>\n\n\n\n<div class=\"wp-block-jetpack-slideshow alignfull\" data-effect=\"slide\"><div class=\"wp-block-jetpack-slideshow_container swiper-container\"><ul class=\"wp-block-jetpack-slideshow_swiper-wrapper swiper-wrapper\"><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"940\" height=\"788\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1968\" data-id=\"1968\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-1.jpg\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-1.jpg 940w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-1-300x251.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-1-768x644.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-1-480x402.jpg 480w\" sizes=\"(max-width: 940px) 100vw, 940px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1969\" data-id=\"1969\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-2-1024x681.jpg\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-2-1024x681.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-2-300x200.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-2-768x511.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-2-1536x1022.jpg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-2-720x480.jpg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-2-480x319.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-2.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1970\" data-id=\"1970\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-3-1024x683.jpg\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-3-1024x683.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-3-300x200.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-3-768x512.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-3-1536x1025.jpg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-3-720x480.jpg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-3-480x320.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-3.jpg 1694w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1971\" data-id=\"1971\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-4-1024x682.jpg\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-4-1024x682.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-4-300x200.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-4-768x512.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-4-1536x1024.jpg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-4-720x480.jpg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-4-480x320.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-4.jpg 1667w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"599\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1973\" data-id=\"1973\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-6.jpg\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-6.jpg 900w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-6-300x200.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-6-768x511.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-6-720x480.jpg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-6-480x319.jpg 480w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"599\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1974\" data-id=\"1974\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-7.jpg\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-7.jpg 900w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-7-300x200.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-7-768x511.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-7-720x480.jpg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-7-480x319.jpg 480w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1972\" data-id=\"1972\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-5-1024x681.jpg\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-5-1024x681.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-5-300x200.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-5-768x511.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-5-1536x1022.jpg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-5-720x480.jpg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-5-480x319.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-5.jpg 1623w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><\/ul><a class=\"wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white\" role=\"button\"><\/a><a class=\"wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white\" role=\"button\"><\/a><a aria-label=\"Pause Slideshow\" class=\"wp-block-jetpack-slideshow_button-pause\" role=\"button\"><\/a><div class=\"wp-block-jetpack-slideshow_pagination swiper-pagination swiper-pagination-white\"><\/div><\/div><\/div>\n\n\n\n<p>Regia lui Mimi Br\u0103nescu este discret\u0103, l\u0103s\u00e2ndu-le culoar liber actorilor s\u0103 se manifeste f\u0103r\u0103 constr\u00e2ngeri compozi\u021bionale. Astfel, reu\u0219e\u0219te s\u0103 \u00eenchege un spectacol solid, \u00een care umorul bine dozat se \u00eentrep\u0103trunde armonios cu momente de dramatism veridic. De altfel, reu\u0219e\u0219te \u00eentr-un mod ideal s\u0103 \u00ee\u0219i echilibreze textul astfel \u00eenc\u00e2t s\u0103 se men\u021bin\u0103 pe linie dreapt\u0103, f\u0103r\u0103 a derapa nici \u00een comedie bulevardier\u0103, nici \u00een melodram\u0103 exagerat\u0103. Mimi Br\u0103nescu se folose\u0219te de personaje pentru a demonstra fragilitatea rela\u021biilor interumane, dar \u0219i revela\u021biile care se pot na\u0219te din evenimente marcante. \u00cen felul acesta, el provoac\u0103 publicul la o introspec\u021bie atent\u0103 \u0219i am\u0103nun\u021bit\u0103 at\u00e2t fa\u021b\u0103 de propriile considera\u021bii, c\u00e2t \u0219i fa\u021b\u0103 de mecanismele \u00een care este angrenat, tocmai cu scopul de a propune o reevaluare a ceea ce tr\u0103iesc spectatorii. Scriitura \u0219i viziunea sa scenic\u0103 sunt sincere \u0219i la obiect, lucru care se poate observa \u0219i \u00een ceea ce prive\u0219te scenografia Oanei Cernea, care are un aspect simplist \u0219i utilitar, cerut tocmai de modul de abordare tematic\u0103, respectiv compozi\u021bia general\u0103 a spectacolului. Lipsa spectaculozit\u0103\u021bii este suplinit\u0103 de verosimilitatea structural\u0103 a raporturilor \u0219i a conflictelor care se isc\u0103 \u00eentre personaje, men\u021binute prin dialoguri plauzibile \u0219i r\u0103sturn\u0103ri de situa\u021bie care, la prima vedere, ar putea p\u0103rea senza\u021bionale, dar care \u00ee\u0219i g\u0103sesc o \u00eencadrare fireasc\u0103 \u00een planul general al produc\u021biei.<\/p>\n\n\n\n<p><em>Genul acuzativ<\/em><strong> <\/strong>este un spectacol care propune multiple chei de interpretare, \u00een func\u021bie de optica \u0219i de capacitatea fiec\u0103rui spectator de a empatiza cu ceea ce se deruleaz\u0103 pe scen\u0103. Con\u021bin\u00e2nd elemente at\u00e2t comice, c\u00e2t \u0219i dramatice, cea mai nou\u0103 premier\u0103 a Teatrului Regina Maria reprezint\u0103 un melanj complex \u0219i omogen, \u00een care elementele constituente se \u00eembin\u0103 armonios \u00eentr-o reprezentare verosimil\u0103 a vie\u021bii, cu nuan\u021bele ei de alb, cu nuan\u021bele ei de negru, dar, mai ales, cu nuan\u021bele ei de gri.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background\"><strong>Text \u0219i regie<\/strong>: Mimi Br\u0103nescu<br><strong>Cu<\/strong>: Denisa Vlad, Gabriela Codrea, Adela Laz\u0103r, Ioana Drago\u0219 Gajdo, Sorin Ionescu, Richard Balint, Pavel S\u00eerghi<br><strong>Scenografia<\/strong>: Oana Cernea<br><strong>Light design \u0219i muzic\u0103 original\u0103<\/strong>: \u0218erban Ionescu<\/p>\n","protected":false},"excerpt":{"rendered":"<p><i>Genul acuzativ<\/i> este un spectacol care propune multiple chei de interpretare, \u00een func\u021bie de optica \u0219i de capacitatea fiec\u0103rui spectator de a empatiza cu ceea ce se deruleaz\u0103 pe scen\u0103.<\/p>\n","protected":false},"author":47,"featured_media":1967,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,31],"tags":[390,391,389,136,392],"coauthors":[],"class_list":["post-1966","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-teatru","tag-genul-acuzativ","tag-mimi-branescu","tag-razvan-rocas","tag-teatru","tag-teatrul-regina-maria-oradea"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2021\/04\/Genul-acuzativ-afis\u0326.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/47"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1966"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1966\/revisions"}],"predecessor-version":[{"id":1977,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/1966\/revisions\/1977"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/1967"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1966"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1966"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=1966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}