{"id":15982,"date":"2026-08-18T08:02:30","date_gmt":"2026-08-18T05:02:30","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=15982"},"modified":"2026-08-18T08:02:41","modified_gmt":"2026-08-18T05:02:41","slug":"demnitate","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=15982","title":{"rendered":"Demnitate"},"content":{"rendered":"
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Hangarul ro\u0219u<\/em> (regia: Juan Pablo Sallato, 2026)<\/figcaption><\/figure>\n<\/div>\n\n\n

E 10 septembrie 1973. Santiago de Chile pare t\u0103cut ca un morm\u00e2nt. Telefoane misterioase \u00een miez de noapte. T\u0103ceri prelungite care augmenteaz\u0103 tensiunea. Se preg\u0103te\u0219te lovitura de stat \u0219i \u00eendep\u0103rtarea pre\u0219edintelui Allende. Timpul are efectul unui gong \u00een reverbera\u021biile c\u0103ruia nu se distinge curajul, doar neputin\u021ba.<\/p>\n\n\n\n

Inspirat din fapte reale, filmul lui Juan Pablo Sallato este extraordinar nu doar prin complexitatea personajului, ci \u0219i prin lumea pe care o pune sub lup\u0103. C\u0103pitanul Jorge Silva este un personaj puternic care nu doar c\u0103 salveaz\u0103 alte vie\u021bi, dovedind o formidabil\u0103 t\u0103rie de caracter, ci e gata s\u0103 \u00ee\u0219i sacrifice propria via\u021b\u0103. Ca ofi\u021ber care cunoscuse libertatea absolut\u0103, a decis c\u0103 locul s\u0103u nu este \u00een r\u00e2nd cu puterea, ci la periferia ei. Ba mai mult, pentru a-i salva pe cei doi tineri prin\u0219i c\u0103 \u00eempr\u0103\u0219tie manifeste \u00eempotriva regimului, \u00ee\u0219i \u00eenfrunt\u0103 tor\u021bionarii \u2013 p\u00e2n\u0103 mai ieri, colegi grada\u021bi asemenea lui \u2013 f\u0103r\u0103 s\u0103 se g\u00e2ndeasc\u0103 la consecin\u021be. Dincolo de premisele unui r\u0103zboi civil, c\u0103pitanul Jorge Silva (interpretat magistral de Nicol\u00e1s Z\u00e1rate) este para\u0219utist, membru al For\u021belor Aeriene \u2013 c\u00e2ndva, loial pre\u0219edintelui Allende \u2013 \u0219i \u00eei are grij\u0103 pe cei 164 de cade\u021bi ai \u0219colii de para\u0219uti\u0219ti (pentru care exist\u0103 doar 50 de para\u0219ute) la care este director.<\/p>\n\n\n\n

Filmul lui Sallato, construit din succesiunea magic\u0103 de imagini filmate din spate, din profil, \u00een oglind\u0103, este hipnotic, derutant, dar \u0219i destructurant, \u00eennebunitor. \u00centrebarea obsesiv\u0103 a lui Hernandez (Aron Hern\u00e1ndez), elevul care \u0219i-ar fi dorit s\u0103 fie asemenea mentorului s\u0103u, s\u0103 st\u0103p\u00e2neasc\u0103 nu doar cerul, ci s\u0103 \u00eembl\u00e2nzeasc\u0103 \u0219i s\u0103r\u0103cia \u2013 \u201ecum se simte s\u0103 cazi de la o \u00een\u0103l\u021bime at\u00e2t de mare?\u201d \u2013 devine un soi de motto al peliculei chiliene, iar c\u0103pitanul nu r\u0103spunde dec\u00e2t la final. \u0218i colonelul Jahn (interpretat de Marcial Tagle) \u00eei pune \u00eentrebarea \u201ecum se simte s\u0103 cazi de la o asemenea \u00een\u0103l\u021bime?\u201d, dar nu \u00eel intereseaz\u0103 r\u0103spunsul. Protagonistul este erou \u00eentr-un regim politic \u0219i devine paria \u00eentr-altul: \u201emartirul Silva\u201d este o etichet\u0103 aruncat\u0103 ironic de cei care au confiscat puterea, fiindc\u0103 Silva \u00eel denun\u021base pe Jahn, oprind \u00eencercarea de asasinare a pre\u0219edintelui republicii. Iar Jahn devine tor\u021bionarul lui Silva c\u00e2teva luni mai t\u00e2rziu. E at\u00e2ta forfot\u0103 \u00een \u00eencremenirea sa, pruden\u021b\u0103 \u0219i putere, c\u0103 nu po\u021bi intui mare lucru din ceea ce se petrece \u00een mintea eroului.  \u00cen ecua\u021bia stoic\u0103 a deta\u0219\u0103rii, eroul d\u0103 dovad\u0103 de consecven\u021b\u0103, perseveren\u021b\u0103, dar \u0219i de hot\u0103r\u00e2rea de a nu se abate de la propriile repere ale demnit\u0103\u021bii umane.<\/p>\n\n\n\n

Cele mai tulbur\u0103toare cadre sunt nu doar imaginile \u00eence\u021bo\u0219ate care \u00eel surprind pe Silva ca un soi de fiin\u021b\u0103 suprauman\u0103, nu doar mun\u021bii care se \u00eentrev\u0103d de pe pista aeroportului, martori f\u0103r\u0103 voie la atrocit\u0103\u021bi, ci \u0219i imaginea camionului care aduce oamenii la hangar, apoi duce c\u0103tre stadion condamna\u021bii f\u0103r\u0103 proces, unde urmeaz\u0103 s\u0103 fie asasina\u021bi \u2013 ce po\u021bi face c\u00e2nd \u0219tii c\u0103 nu po\u021bi face nimic, c\u00e2nd ordinele care trebuie executate at\u00e2rn\u0103 ca o sabie a lui Damocles deasupra capului t\u0103u?<\/p>\n\n\n\n

Replica lui Silva \u2013 \u201esunt c\u0103pitan \u00een For\u021bele Aeriene. Sunt aici s\u0103 execut ordine.\u201d \u2013 cade ca un tunet \u00een agita\u021bia violent\u0103, ap\u0103s\u0103toare a terorii. Noul guvern, reprezentat de Junta militar\u0103, asaneaz\u0103 orice zv\u00e2cnire a umanit\u0103\u021bii. Cum ora\u0219ul e pustiu \u00een toiul nop\u021bii \u0219i \u00een zorii zilei, ai impresia p\u0103r\u0103sirii \u0219i a lini\u0219tii care anun\u021b\u0103 un imediat cataclism. R\u0103spunsul c\u0103pitanului Silva, referitor la st\u0103rile prin care a trecut c\u00e2nd \u0219i-a desf\u0103cut para\u0219uta foarte aproape de sol este c\u0103 \u201ete sim\u021bi liber c\u00e2nd cazi din avion, \u0219tii c\u0103 e\u0219ti st\u0103p\u00e2n pe via\u021ba ta, e\u0219ti mai viu ca niciodat\u0103\u201d. De fapt, via\u021ba \u00eenseamn\u0103 s\u0103 iube\u0219ti adev\u0103rul \u0219i s\u0103 \u00ee\u021bi accep\u021bi propriile sl\u0103biciuni. Hangarul ro\u0219u<\/em> al lui Sallato, primul proiect artistic al s\u0103u, diferit de documentarele Ojos Rojos<\/em> (2010) \u0219i de seria Adictos al Claxon (2013)<\/em>, La Cultura del Sexo (2015)<\/em> \u0219i Libre<\/em> (2021 \u2013 distins pentru excelen\u021b\u0103 \u00een jurnalismul audiovizual), exploreaz\u0103 aleatoriul de a fi soldat \u0219i imperativul de a asculta ordine, fiind un film despre r\u0103zboi \u0219i despre paradoxurile libert\u0103\u021bii.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cinemascop de Irina-Roxana Georgescu<\/p>\n","protected":false},"author":21,"featured_media":15983,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,62],"tags":[142,141,2866],"coauthors":[1223],"class_list":["post-15982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-cinemascop","tag-cinemascop","tag-irina-roxana-georgescu","tag-nr-5-2026"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/08\/Hangarul.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15982"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15982\/revisions"}],"predecessor-version":[{"id":15984,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15982\/revisions\/15984"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/15983"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15982"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=15982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}