{"id":15908,"date":"2026-08-13T09:48:27","date_gmt":"2026-08-13T06:48:27","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=15908"},"modified":"2026-08-13T09:48:33","modified_gmt":"2026-08-13T06:48:33","slug":"reflexul-abstract-metodica-eco","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=15908","title":{"rendered":"Reflexul abstract, metodica eco"},"content":{"rendered":"
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Andrei Dobo\u0219, Panou<\/em>, Editura Art, Bucure\u0219ti, 2025<\/figcaption><\/figure>\n<\/div>\n\n\n

Politica ambiguizant\u0103 a percep\u021biilor, conceptualizarea \u0219i filtrul cerebral fac din Panou<\/em>, ultimul volum al lui Andrei Dobo\u0219, o sintez\u0103 localizat\u0103 \u00een zona poemului experimental, preocupat de reverbera\u021bii umane \u0219i non-umane (postumane, mai exact). Despre creier, corp \u0219i tot spa\u021biul dintre ele a mai scris \u0219i alt\u0103dat\u0103, dar tot acest releu fin prizeaz\u0103 aici foarte ingenios un soi de criz\u0103 a sensului care are loc undeva la intersec\u021bia dintre corporalitate \u0219i spa\u021biul domestic, cel pu\u021bin \u00eentr-o prim\u0103 faz\u0103. Se cite\u0219te chiar din primele texte, care deschid placheta programatic: \u201eUneori v\u0103d prin panou. Ca prin lumina distorsionat\u0103\/ de un perete gros de sticl\u0103.\/\/ Entit\u0103\u021bile de plastic. Sunetul curat. Uleiul crud.\/ Albastrul cerului.\/\/ [\u2026] G\u00e2ndurile \u00eemi seam\u0103n\u0103 cu zidul gol de c\u0103r\u0103mid\u0103,\/ cu mu\u0219c\u0103tura gerului.\/\/ G\u00e2ndurile \u00eemi intr\u0103 \u00een combina\u021bii de zi cu zi.\/ Un pic dureroase, un pic sfioase.\/\/ Mintea are parte de coliziuni.\/ Pasul \u00eemi \u00eenghea\u021b\u0103 \u00een aer.\/ M\u0103 g\u0103sesc pus \u00een imposibilitatea de a p\u0103\u0219i.\/ Casete verzi. Conuri picurate de somn.\/ Tinere\u021bea unei semin\u021be care \u00een\u021belege piatra.\u201d, Panou<\/em>, vs. \u201eC\u00e2nd un corp petrece prea mult timp \u00eentr-o \u00eenc\u0103pere,\/ \u021besuturile sale \u00eencep s\u0103 fuzioneze cu \u021besuturile imobiliare.\/ Degetele de la picioare se \u00een\u0219urubeaz\u0103 \u00een parchet ca rizomii\/ ad\u00e2ncindu-se \u00eentr-o parcel\u0103 umed\u0103 de \u021b\u0103r\u00e2n\u0103.\u201d, \u021aesut<\/em>. Sensul \u0219i implica\u021biile lui iau calea interoga\u021biei cognitive contorsionate echivalent\u0103 cu o sensibilitate \u201eimobiliar\u0103\u201d, b\u00e2ntuit\u0103 de reflexe locative convulsive, dirijate printr-o intui\u021bie extrem de precis\u0103 a modula\u021biilor poemului.<\/p>\n\n\n\n

\u00centre dou\u0103 repere a\u0219 plasa toat\u0103 oscila\u021bia asta extrem de cerebral\u0103 pe care poemele lui Andrei Dobo\u0219 o reproduc aproape visceral; odat\u0103, observa\u021bia prizat\u0103 ca metod\u0103 specific\u0103 de filtrare a datelor din jur. Discretele reflexe elegiace, rarefiate c\u00e2nd sub forma discursului monoton-impersonalizat, c\u00e2nd a unor reverii naturist-devitalizate, rima \u00een c\u00e2teva locuri \u0219i, \u00een general, recuperarea formelor clasice prin inser\u021bia rondelurilor \u00een cheie ingenuu-ironic\u0103 (Rondelul zgomotului alb<\/em> vs. Rondelul ciupercilor culese<\/em>), tonul artificial-\u0219amanist, rece, prin care poetul pare c\u0103 \u00ee\u0219i ruleaz\u0103 \u00een gol, cu con\u0219tiinciozitate, proiec\u021biile \u0219i teoriile \u0219tiin\u021bifice, trimit spre ritual empiric. Sunt mici demonstra\u021bii teoretice, vezi poemele Cap \u0219i piele<\/em>, sau Fragment \u0219i bucat\u0103<\/em> (a c\u0103ror direc\u021bie demonstrativ\u0103 e evident\u0103 \u00eenc\u0103 din titlu) care ghideaz\u0103 poemele spre mi\u0219c\u0103ri \u00een emergen\u021b\u0103, amplific\u0103 tensiunea \u0219i, \u00een tot acest flux bine controlat, se contureaz\u0103 treptat ca ni\u0219te nuclee poetice tari ale poeziei Panoului<\/em>, specifice.<\/p>\n\n\n\n

Cel\u0103lalt ar fi o evident\u0103 ecologie metodic\u0103, spre care poemele alunec\u0103 gradual (inevitabil, a\u0219 zice), \u00eempreun\u0103 cu o tendin\u021b\u0103 de esen\u021bializare a lucrurilor, de contragere la vegetal\/ animal prin conceptualizare \u2013 un exerci\u021biu care nu-i iese nim\u0103nui a\u0219a cum \u00eei iese lui Andrei Dobo\u0219: \u201eSub lichid\/ M\u00e2lul e gravid\/\/ O subtil\u0103 scintila\u021bie\/ \u00cen ecoloca\u021bie\/\/ Curen\u021bi neaderen\u021bi\/\/ Genuni \u00een circumvolu\u021biuni\/\/ Magneziu din reflex\/\/ \u0218i un fel de transparen\u021b\u0103 \u2013\/\/ Timpul lung se descarc\u0103\/ \u00centr-un \u021bip\u0103t de \u021barc\u0103\u201d, Plancton<\/em>. Ba chiar printr-o fuziune a materiei pe care poetul o urm\u0103re\u0219te cu o voluptate \u00eencr\u00e2ncenat\u0103: \u201eCapul este ca o st\u00e2nc\u0103 din cenu\u0219a soarelui\/ Cu mu\u0219chi \u0219i licheni \u00een cre\u0219tet\/ \u00cei s\u0103punesc funinginea\/ \u0218i c\u00e2nd cl\u0103tesc\/\/ Nisipuri curg, de frunzi\u0219uri\/ \u0218i schije de crengu\u021be\/ Pe g\u00e2t \u00een joc\/ \u0218uvoiul cu ce s-a str\u00e2ns \u00eentre lamele\/ \u00ce\u0219i \u00eencepe deplasarea, [\u2026]\u201d, Du\u0219ul<\/em>. \u00centre ermetism \u00eembl\u00e2nzit, puseuri lucide \u0219i efervescen\u021b\u0103 subtil\u0103 eco, poezia lui Andrei Dobo\u0219 \u00ee\u0219i arat\u0103 posibilit\u0103\u021bile mai mult ca oric\u00e2nd.<\/p>\n\n\n\n

*<\/p>\n\n\n

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Vlad Moldovan, NOS<\/em>, Editura OMG Publishing, Alba Iulia, 2025<\/figcaption><\/figure>\n<\/div>\n\n\n

\u00cen aceea\u0219i linie, \u00eens\u0103 cu rezultate u\u0219or diferite, revine \u0219i Vlad Moldovan cu NOS<\/em> \u2013 \u201eNew Old Stock\u201d, acest volum ce ruleaz\u0103 la foc continuu poeme care construiesc un ceremonial deloc subtil al spiritualiz\u0103rii. Diferen\u021ba vine mai ales din felul \u00een care \u00een\u021belege s\u0103 reconstituie realitatea disipat\u0103 din jur, printr-o tatonare a\u0219 zice aproape pervers\u0103 a limitelor sensurilor \u0219i printr-un discurs care are ceva dintr-o fars\u0103 cinic\u0103 a e\u0219ecului lingvistic. Departe de calmul mai degrab\u0103 ritualic din poemele lui Andrei Dobo\u0219, cele de aici sunt seduse de o retoric\u0103 a pierderii identit\u0103\u021bii \u0219i a proiec\u021biilor ironic-demitizante ce vizeaz\u0103, \u0219i aici, o reconciliere corp\/minte \u00een cheie eco-rural\u0103.<\/p>\n\n\n\n

E evident\u0103, de la bun \u00eenceput, latura performativ\u0103 a poemelor, din care emo\u021bia pare c\u0103-i epurat\u0103 cu totul, sau, \u00een orice caz, pus\u0103 sub ad\u0103postul verbiajului incandescent, prin texte care iau na\u0219tere la intersec\u021bia dintre reflec\u021bie aluvionar\u0103 \u0219i detaliu abstractizat \u0219i care \u00eencearc\u0103 recuperarea unor peisaje \u0219i geografii afective care frizeaz\u0103 abstractul: \u201es\u0103tuce ie\u0219ite din pietre \u0219i soare\/ \u00een care am ag\u0103\u021bat pl\u0103tic\u0103\/ sistemul deplaseaz\u0103\/ sistemul \u00eencaseaz\u0103\/ apoi nu mai ajung, prin coronament, s\u0103 urmez frontul\/ semnele sosesc via [lun\u0103 crestat\u0103]\/ supus! ofer\u0103 vedenii\/ opre\u0219te-\u021bi podoabe, \u00eensufle\u021bire;\/ c\u00e2te puteri cunosc\u0103torului?\/\/ pe faleza cu pietri\u0219\/ \u021bi-am \u00eentins m\u00e2na deposedat,\/ am \u00eenchinat spre regatul lui Avidya\/ lucrurile m\u0103 \u00eemp\u00e2nziser\u0103 de-o fire argintat\u0103\/ dar tot prin Ea\/ dinspre Padi\u0219, frac\u021bionar,\/ orice surat\u0103 pe Cri\u0219\/ \u00eemi trasa cu zboruri\/ c\u00e2te un dram de paradis.\u201d, Votiv subscript<\/em>. Incantatoriu \u0219i obscur, peisajul are, la Vlad Moldovan, ceva din rigoarea unui desc\u00e2ntec ironic-naiv. Trase pe ritmuri alchimice, imaginile cultiv\u0103 programatic un spectacol vizual \u00een care miza ecologic\u0103 (Pay Glovo<\/em>), reverbera\u021biile naturist-elegiace (18000 de IU<\/em>), medita\u021biile agricultural-muzicale (Moldomnulea<\/em>) se succed rapid, ca mediatoare ale non-sensului \u0219i dau o form\u0103 de discursivitate ermetic\u0103 ce func\u021bioneaz\u0103 prin mobilitate \u00een tot esoterismul ei.<\/p>\n\n\n\n

Nu lipsesc, tot ca \u201emostre\u201d ale gesticula\u021biei greu perceptibile din poezia lui Vlad Moldovan, referin\u021bele subtile la proiecte mai vechi (\u201eStai las\u0103 problema expresiei \u0219i\/ Mai spune odat\u0103:\/ \u00cen via\u021ba asta ce ai cunoscut\/ O bal\u0103\/ C\u00e2nd disparsul\/ Te-a \u00eempresurat\/ Ce ai decis?\u201d, P\u0103du-Gel<\/em>, vs. \u201eNu \u00eencerca s\u0103 te blank-uie\u0219ti\/ S\u0103 vin\u0103 orice poate, voie\u0219ti\/ O dospire matinal\u0103\/ Sub p\u0103tura de lichen, seminal\u0103.\u201d, ezosun<\/em>), dar cele mai la \u00eendem\u00e2n\u0103 argumente \u00een favoarea unei astfel de metamorfoze vizionare continue din NOS<\/em> sunt de g\u0103sit \u00een textele care duc miza volumului undeva \u00een pragul unei disolu\u021bii vegetale: \u201esunt vecinul \u00eenecat \u00een lumin\u0103 m\u00e2nioas\u0103\/ artist al mor\u021bii de regul\u0103 din \u201980\/ duc o plas\u0103 de pere\/ \u00een mine pa\u0219te paraiso\/ dezaproprieri\/ sub urme vegetale\/ o sumedenie de raze nepovestibile.\/ renun\u021b \u0219i amplific\u201d, Copac intern<\/em>, vs. \u201ep\u0103\u0219ind \u00eenstr\u0103inat\/ \u00een jungla prezentului\/ iradiind con\u0219tien\u021b\u0103\/ \u0219i trasmut\u0103ri\/ alienaje translucide ale vie\u021bii\/ \u00eencerc\u0103nat de sample\/ \u00een albia foii\/ vizualizez\/ gloria ploii\u201d, Samplat 34<\/em>, vs. \u201ePe favela miri\u0219tii\/ owing little\/ crawing less\/ \u00een ultimii ani am fost:\/ \u2013 p\u0103zitor paranoid al lini\u0219tii\/ am \u021binut jurnale de afecte\/ fascinat de misterul ce mije\u0219te \u00een oricare;\/ f\u0103uritor de pace \u2013 nici pe departe;\/ terminator al disolu\u021biei ce doar \u00een mine zace.\u201d, Amnezic.<\/em> Prin astfel de reflec\u021bii existen\u021biale bine ascunse \u00een spatele fervorii ideatice, incandescen\u021ba poemelor din NOS<\/em>, care altfel, cum spuneam, tr\u0103iesc \u00een \u0219i pentru experiment, cristalizeaz\u0103 o filier\u0103 minimalist\u0103, distileaz\u0103 poemul eco sub forma unor reverii aproape sobre, mai departe de tehnic\u0103 \u0219i ceva mai aproape de viziune grav\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dou\u0103 cronici literare de Andreea Pop<\/p>\n","protected":false},"author":15,"featured_media":15909,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[111,1543,106,2866,1569],"coauthors":[1139],"class_list":["post-15908","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-andreea-pop","tag-andrei-dobos","tag-cronica-literara","tag-nr-5-2026","tag-vlad-moldovan"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/08\/Dobos-c1.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15908"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15908\/revisions"}],"predecessor-version":[{"id":15912,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15908\/revisions\/15912"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/15909"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15908"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=15908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}