{"id":15543,"date":"2026-05-29T09:30:54","date_gmt":"2026-05-29T06:30:54","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=15543"},"modified":"2026-05-29T09:31:27","modified_gmt":"2026-05-29T06:31:27","slug":"florin-ghebosu-farmecul-discret-al-copilariei","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=15543","title":{"rendered":"Florin Ghebosu: farmecul discret al copil\u0103riei"},"content":{"rendered":"\n

Titlul este o parafraz\u0103 la filmul lui Luis Bu\u00f1uel, Farmecul discret al burgheziei <\/em>(1972), \u0219i mi-a venit \u00een minte mai degrab\u0103 ca un fel de g\u0103selni\u021b\u0103 poetic\u0103, f\u0103r\u0103 s\u0103 m\u0103 \u00eentreb prea mult dac\u0103 proiectul lui Florin Ghebosu, Boyhood<\/em>, are oarecari potriviri structurale cu satira suprarealist\u0103 a lui Bu\u00f1uel. N-are. Dar mi-a pl\u0103cut cum sun\u0103, a\u0219a c\u0103 am teleportat titlul. Apoi, aplecat ceva mai abitir asupra portofoliului s\u0103u, mi-am dat seama c\u0103 rezonan\u021ba cuvintelor \u0219i formularea \u00een sine se potrivesc perfect cu fotografiile sale, f\u0103r\u0103 \u00eens\u0103 vreo aluzie, oric\u00e2t de discret\u0103, la pamfletul cinematografic. Dimpotriv\u0103.<\/p>\n\n\n\n

Arta, \u00een general (literatura \u0219i cinematografia, \u00een special), este plin\u0103 de produc\u021bii care examineaz\u0103 lumea fascinant\u0103 a copil\u0103riei \u0219i adolescen\u021bei, \u00een abord\u0103ri \u0219i grade sensibil diferite. \u00cen fotografie e suficient s\u0103 amintim doar numele unor Helen Lewit, Robert Doisneau, Jaques Henri Lartigue \u2013 ca spa\u021biu al jocului \u0219i imagina\u021biei, sau Lewis Hine, Dorothea Lange, Mary Ellen Mark, Sebasti\u00e3o Salgado \u2013 ca realitate social\u0103 vulnerabil\u0103. A nu se uita excep\u021bionala serie semnat\u0103 de Sally Man, Immediate family<\/em>, intim\u0103, poetic\u0103, dar \u0219i controversat\u0103, pentru a ne da seama de generozitatea seduc\u0103toare a temei.<\/p>\n\n\n\n

\u00cen Boyhood <\/em>este vorba despre emo\u021bie \u0219i imaginile sunt calde ca o zi de var\u0103, \u00een ciuda faptului c\u0103 nu avem culoare, iar alb-negrul te-ar putea arunca \u00eentr-o tensiune vizual\u0103 nu tocmai optimist\u0103. Se produce \u00een schimb efectul contrar: tocmai pentru c\u0103 elimin\u0103 culoarea, aten\u021bia se concentreaz\u0103 pe lumin\u0103, contrast, form\u0103 \u0219i expresie. Cu at\u00e2tea foloase, proiectul s\u0103u reu\u0219e\u0219te s\u0103 transmit\u0103 o palet\u0103 larg\u0103 de senza\u021bii: nostalgia generat\u0103 de paradisul pierdut al copil\u0103riei, intimitate \u0219i profunzime emo\u021bional\u0103, sobrietate, autenticitate, reflec\u021bie, fragilitate. Toate sub umbrela elegan\u021bei \u0219i rafinamentului atemporal al alb-negrului.<\/p>\n\n\n\n

V\u00e2rste de grani\u021b\u0103<\/strong><\/p>\n\n\n\n

Florin Ghebosu reduce lumea vizual\u0103 a copil\u0103riei la esen\u021b\u0103. Majoritatea subiec\u021bilor s\u0103i \u00eenc\u0103 vie\u021buiesc \u00een cercul concentric al spa\u021biului rural, dup\u0103 ce au experimentat mai pu\u021bin con\u0219tien\u021bi pe cel al universului embrionar, al camerei, al cur\u021bii. Nu \u0219tiu \u00eenc\u0103 nimic de lumea larg\u0103, de evadarea din burta balenei pentru a se reg\u0103si mai apoi, f\u0103r\u0103 speran\u021b\u0103, \u00een burta unei balene \u0219i mai mari, ca Iona lui Marin Sorescu. Copiii lui Florin Ghebosu \u00ee\u0219i tr\u0103iesc micile \u0219i marile bucurii \u0219i frici \u00een proximitatea ludicului, iar fotograful nu face altceva dec\u00e2t s\u0103 le contabilizeze expresiile, tr\u0103irile, nu \u00eentotdeauna fericite, pentru c\u0103 vedem destule chipuri meditative, fr\u0103m\u00e2ntate de g\u00e2nduri. Parc\u0103 e o copil\u0103rie vinovat\u0103, uneori at\u00e2t de pierdute par privirile lor… Meritul fotografului este dat de faptul c\u0103 a explorat, f\u0103r\u0103 prejudec\u0103\u021bi \u0219i inten\u021bii afi\u0219ate, o dimensiune mai pu\u021bin telegenic\u0103, dar mult mai uman\u0103 \u0219i mai aplicat\u0103 pe realitate.<\/p>\n\n\n\n

\u00cenc\u0103 \u00een derulare, Boyhood <\/em>este un proiect tulbur\u0103tor despre avatarurile unei v\u00e2rste fragile, de grani\u021b\u0103, \u00een care lipsurile sociale nu erau deloc un impediment pentru fericire. Revelator \u00een acest sens este cadrul cu cei doi copii care se \u021bin dup\u0103 um\u0103r, ca doi prieteni de n\u0103dejde \u00een furtuna vie\u021bii. Expresia \u00eencruntat\u0103 de pe chipul am\u00e2ndurora vorbe\u0219te f\u0103r\u0103 echivoc despre determinare \u0219i camaraderie. \u201eBoyhood<\/em>, spune Florin Ghebosu, este o reflexie a copil\u0103riei mele. Sunt redescoperiri sensibile care m\u0103 \u00eenva\u021b\u0103 s\u0103 fiu vulnerabil, deschis \u0219i sincer\u201d. Exact ca \u0219i imaginile sale: sensibile, comunicative, oneste, cu o puternic\u0103 amprent\u0103 social\u0103.<\/p>\n\n\n\n

Preocuparea pentru social \u0219i \u0219tiin\u021ba de a surprinde \u0219i documenta diferitele comunit\u0103\u021bi sunt, de altfel, tr\u0103s\u0103turi distinctive ale fotografiei lui Florin Ghebosu, prezente \u00een aproape toate celelalte proiecte ale sale, \u00een variante alb-negru \u0219i color: Dobromir commune<\/em>, Teleorman<\/em>, Trache family<\/em>, Log\u0103ne\u0219ti<\/em>, Logre\u0219ti<\/em>. Singurul proiect care face not\u0103 discordant\u0103 este The familiarity of sadness<\/em>, o veritabil\u0103 medita\u021bie asupra confortului \u0219i lini\u0219tii paradoxale reg\u0103sibile \u00een singur\u0103tate \u0219i triste\u021be. Acest ultim proiect pare teribil de personal \u0219i poate fi socotit, f\u0103r\u0103 teama de-a gre\u0219i, \u201ears poetica\u201d sa, atmosferic \u0219i extrem de senzorial, r\u0103sfr\u00e2ngere necenzurat\u0103 a lumii sale interioare.<\/p>\n\n\n\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

de Florin \u0218ipo\u0219<\/p>\n","protected":false},"author":76,"featured_media":15545,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,63],"tags":[155,2818,599,2777],"coauthors":[1202],"class_list":["post-15543","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-artistul-lunii","tag-artistul-lunii","tag-florin-ghebosu","tag-florin-sipos","tag-nr-3-2026"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/05\/Florin-Ghebosu.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15543"}],"version-history":[{"count":5,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15543\/revisions"}],"predecessor-version":[{"id":15562,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15543\/revisions\/15562"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/15545"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15543"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=15543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}