{"id":15281,"date":"2026-04-17T11:52:22","date_gmt":"2026-04-17T08:52:22","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=15281"},"modified":"2026-04-17T11:52:29","modified_gmt":"2026-04-17T08:52:29","slug":"invazivul-domn-deepfake","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=15281","title":{"rendered":"Invazivul domn Deepfake"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/04\/Desteptarea.webp\" alt=\"\" class=\"wp-image-15282\" style=\"width:600px\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/04\/Desteptarea.webp 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/04\/Desteptarea-300x200.webp 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/04\/Desteptarea-768x512.webp 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/04\/Desteptarea-720x480.webp 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/04\/Desteptarea-480x320.webp 480w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Z\u0103pezile de alt\u0103dat\u0103 mai revin, dar adolescen\u021bii de odinioar\u0103 s-au disipat \u00een labirintul inven\u021biilor, profit\u00e2nd de progresele \u0219tiin\u021bifice. De re\u021belele sociale, de inteligen\u021ba artificial\u0103. Adio, plimb\u0103ri \u00een natur\u0103, socializare sub raze de soare! Virtualul a \u00eenvins, ca un drog malefic. Reversul focus\u0103rii pe internet arat\u0103 o degringolad\u0103 jalnic\u0103 spre tot felul de disfunc\u021bionalit\u0103\u021bi. Ce \u00eenseamn\u0103 un spectacol necesar, un SOS exploziv? Exact premiera de la Teatrul Regina Maria din Oradea, adic\u0103 <em>De\u0219teptarea <\/em>de Doru Vatavului, \u00een regia lui Bobi Pricop. Asistent de regie: Mihai Gligan. Un spectacol dedicat adolescen\u021bilor. Spre \u00een\u021belegere, reorientare, de\u0219teptare.<\/p>\n\n\n\n<p>Amalia e o adolescent\u0103 de 16 ani, elev\u0103 la un liceu prestigios. S-a calificat la olimpiada de rom\u00e2n\u0103, iar pe pagina liceului reac\u021biile sunt diverse, culmin\u00e2nd cu imaginea ei compromi\u021b\u0103toare. Invidie? Pur\u0103 r\u0103utate ? Incon\u0219tien\u021b\u0103 maladiv\u0103? Un carusel al agresiunilor verbale, pigmentate cu cuvinte vulgare. Actorul Sorin Ionescu apare la \u00eenceput pe scen\u0103, \u00eentr-un fel de prolog explicativ. Da, vom asista la un spectacol incendiar, extrem de dur. Vom \u00een\u021belege c\u0103 unii adolescen\u021bi sunt \u201emon\u0219tri mai mari dec\u00e2t cuvintele vulgare\u201d.<\/p>\n\n\n\n<p>Actorii nu joac\u0103 pe scen\u0103, sunt \u00een sal\u0103, filma\u021bi \u00een direct cu telefoane, cu camere, iar spectatorii v\u0103d proiec\u021biile pe un ecran mare. Ca la un cinema viu, cu un fel de metafilm, metatext, cu interac\u021biuni \u00een scurtele pauze, de tipul \u201ea\u021bi mai auzit de un asemenea caz?\u201d. Muzic\u0103\/Videoart: iRonic Distors (Alin Sterian). &nbsp;Motion Graphic: Bogdan \u021aolea. Programare video: Constantin \u0218imon. Unii actori joac\u0103 al\u0103turi de copiii lor. Toate partiturile sunt generoase, exist\u0103 spontaneitate, veridicitate, dezinvoltur\u0103. Din distribu\u021bie fac parte Anastasia Vicoveanu, R\u0103zvan Vicoveanu, Robert Balint, Richard Balint, Sorin Ionescu, Filip Ionescu, Alexandru Rusu, Rebeca Rusu, Adela Laz\u0103r, Alina Leonte, Dania Uifalu\u0219i, Benjamin Kendi. Mai exist\u0103 \u0219i invita\u021bi speciali la apari\u021biile video.<\/p>\n\n\n\n<p>Vedem pe ecran via\u021ba adolescen\u021bilor pe internet. Limbaj dur, vulgar, adesea cifrat, argotic. Bulling, porecle, englezisme la tot pasul, al\u0103turi de ticurile verbale la mod\u0103 (\u201ecoaie\u201d, \u201egen\u201d), al\u0103turi de \u201el\u0103bar pervers\u201d, \u201ecurv\u0103\u201d, plus izbucniri necontrolate \u00een fa\u021ba p\u0103rin\u021bilor (\u201e\u00eemi fac laba din clasa a cincea!\u201d). Invazivul domn Deepfake e la el acas\u0103, domin\u00e2nd spiritele adolescen\u021bilor. Oricine poate fi pus la zid, def\u0103imat pe nedrept. Glume proaste, tendin\u021be <em>fake<\/em>, lupte sinistre pentru <em>like-<\/em>uri. Va putea Amalia s\u0103 reziste la presiunile din mediul online? Discu\u021biile (mecanice) cu psihologa vor reu\u0219i s\u0103 elimine ru\u0219inea, izolarea, stigmatizarea public\u0103, fragilitatea amenin\u021bat\u0103? B\u00e2rfa prolifereaz\u0103, poten\u021b\u00e2nd nevoia de validare. Regizorul a construit un spectacol insolit, \u201eca o polifonie de voci digitale \u0219i confesiuni intime\u201d (caietul program). Un spectacol visceral, pe care ar trebui s\u0103-l vad\u0103 p\u0103rin\u021bii \u0219i elevii. E o radiografie asumat\u0103, grevat\u0103 pe redemp\u021biune, astfel c\u0103 ultimele minute ale spectacolului \u00eenseamn\u0103 ie\u0219irea din virtual \u0219i o \u00eembr\u0103\u021bi\u0219are concret\u0103, \u00eentr-o lume real\u0103. Personal, fac parte din sistem, lucrez cu elevi, cu adolescen\u021bi \u0219i pot afirma c\u0103 piesa nu exagereaz\u0103 cu nimic, pune accente tragice pe responsabilit\u0103\u021bi pr\u0103fuite, pe reac\u021bii bizare, invit\u00e2nd la reflec\u021bii constructive. Te mai po\u021bi \u00een\u021belege cu propriii t\u0103i copii? Cum g\u00e2ndesc, ce posteaz\u0103, pe ce\u2026 planet\u0103 au s\u0103rit, arz\u00e2nd adev\u0103ratele etape spirituale? E doar vina lor c\u0103 nu se mai potrive\u0219te \u201ealte m\u0103\u0219ti, aceea\u0219i pies\u0103?\u201d. Pentru c\u0103 lumea a ales c\u0103i obscure. Prevaleaz\u0103 r\u0103ul. Ca un t\u0103v\u0103lug. Oare va deveni pacea o anomalie \u00een istoria omenirii?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cronic\u0103 de teatru de Alexandru Jurcan<\/p>\n","protected":false},"author":208,"featured_media":15282,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,2404],"tags":[1417,2405,2747,392],"coauthors":[1416],"class_list":["post-15281","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-cronica-de-teatru","tag-alexandru-jurcan","tag-cronica-de-teatru","tag-nr-2-2026","tag-teatrul-regina-maria-oradea"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/04\/Desteptarea.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15281"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15281\/revisions"}],"predecessor-version":[{"id":15283,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15281\/revisions\/15283"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/15282"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15281"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=15281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}