{"id":15074,"date":"2026-03-18T18:05:28","date_gmt":"2026-03-18T15:05:28","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=15074"},"modified":"2026-03-18T18:05:35","modified_gmt":"2026-03-18T15:05:35","slug":"goana-in-ritm-de-hora","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=15074","title":{"rendered":"Goan\u0103 \u00een ritm de hor\u0103"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/03\/D-ale-carnavalului-1024x683.jpg\" alt=\"\" class=\"wp-image-15075\" style=\"width:600px\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/03\/D-ale-carnavalului-1024x683.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/03\/D-ale-carnavalului-300x200.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/03\/D-ale-carnavalului-768x512.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/03\/D-ale-carnavalului-1536x1024.jpg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/03\/D-ale-carnavalului-720x480.jpg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/03\/D-ale-carnavalului-480x320.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/03\/D-ale-carnavalului.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Foto \u00a9 Teatrul Regina Maria Oradea<\/figcaption><\/figure>\n<\/div>\n\n\n<p>La Teatrul Regina Maria din Oradea poate fi v\u0103zut spectacolul <em>D-ale carnavalului <\/em>de I.L. Caragiale, \u00een regia lui Vlad Trifa\u0219 (plus muzica original\u0103 \u0219i adaptarea textului). Premiera de fa\u021b\u0103 (24, 25 septembrie 2025) marcheaz\u0103 70 de ani de la prima premier\u0103 a trupei rom\u00e2ne\u0219ti permanente la Oradea, \u00een 1955, cu spectacolul <em>O scrisoare pierdut\u0103. <\/em>Din 2012, Vlad Trifa\u0219 este directorul festivalului \u201eS\u0103pt\u0103m\u00e2na Teatrului T\u00e2n\u0103r\u201d, organizat de Teatrul din Buz\u0103u. La Oradea a mai regizat <em>Tartuffe <\/em>\u00een 2021, spectacol care i-a adus premii substan\u021biale.<\/p>\n\n\n\n<p>Ce con\u021bine textul lui Caragiale? Mediul micii burghezii, ipocrizie, adulter, pasiuni, gelozii, intrigi, erori, imoralitate. Un vodevil ridicol, comic, grotesc, av\u00e2nd drept climax un bal mascat, metafor\u0103-parodie vulcanic\u0103. G. C\u0103linescu e convins c\u0103 \u201emonstruosul unei epoci a fost turnat \u00een bronz\u201d \u0219i c\u0103 \u201eomul e prezentat ca posibil bun, vi\u021biat doar prin proliferarea \u021besuturilor morale maligne\u201d. Original\u0103 e opinia Mariei Vod\u0103 C\u0103pu\u0219an, referitoare la <em>D-ale carnavalului<\/em>, \u00een sensul c\u0103 \u201egoana\u201d ar fi un laitmotiv al piesei, ce o leag\u0103 de \u201etoposul r\u0103t\u0103cirii ca fundamental condi\u021biei omene\u0219ti\u201d. Interesant cum Vlad Trifa\u0219 concepe \u00een spectacol o goan\u0103 \u00een ritm de hor\u0103 delirant\u0103. Fiecare bea \u0219i \u00ee\u0219i spune oful, \u00een timp ce joac\u0103, cuprins de o isterie bizar\u0103. Nu exist\u0103 oprire posibil\u0103 din acest carusel hipnotic, alimentat cu <em>qui-pro-quo-<\/em>uri explozive.<\/p>\n\n\n\n<p>Scenografia e semnat\u0103 de Oana Cernea \u2013 un decor clasic, cu spa\u021bii generoase, pe vertical\u0103, cu o scar\u0103-liant, extrem de necesar\u0103. Ionu\u021b Aldea asigur\u0103 un lighting design elaborat. Schimbarea decorului se realizeaz\u0103 rapid, deoarece \u00een fa\u021ba cortinei se produce o secven\u021b\u0103 binevenit\u0103, astfel c\u0103 ritmul spectacolului nu sufer\u0103 vreo cupur\u0103. Joac\u0103 Petre Ghimb\u0103\u0219an (Nae Girimea), \u0218erban Borda (Pampon), Pavel S\u00eerghi (Cr\u0103c\u0103nel), David Constantinescu (Catindatul), Ioana Drago\u0219 Gajdo (Iordache), Adela Laz\u0103r (Didina), Alina Leonte (Mi\u021ba), Sorin Ionescu (chelner). Ne place s\u0103 auzim din nou replici \u0219tiute, clasicizate \u2013 \u201eam s\u0103-l tachinez\u201d, \u201emangafaua\u201d, \u201em\u0103 magnetizez\u201d, \u201em\u0103 traducea\u201d, \u201esunt republican\u0103\u201d \u2013 descinse din mahalagism, prostie, suficien\u021b\u0103. C\u00e2nd Ghimb\u0103\u0219an strig\u0103 \u201eMi\u021booo!\u201d, parc\u0103 auzim inflexiuni de la Caragiu. Mi\u021ba e vulcanic\u0103, \u00een crize voit teatrale. O adev\u0103rat\u0103 surpriz\u0103: Ioana Drago\u0219 Gajd\u00f3, \u00een rolul lui Iordache, cu postur\u0103 de Gargantua, cu vorbire st\u00e2lcit\u0103 \u0219i ticuri imprevizibile irezistibile. Anumite scene adopt\u0103 culori de <em>commedia dell\u2019arte<\/em>, iar altele prefer\u0103 un joc mut (cei trei cu lum\u00e2n\u0103rile). Scena cu m\u0103seaua dezvolt\u0103 accente de <em>horror<\/em> grotesc, din sfera Tarantino. Excelent catindatul conceput de David Constantinescu. Cu certitudine, to\u021bi actorii sunt foarte buni, creativi, aten\u021bi la nuan\u021be, inclusiv Sorin Ionescu, gata mereu s\u0103 taie ceva cu cu\u021bitul, prepar\u00e2nd mici \u2013 adev\u0103rat simbol na\u021bional. Un final antologic: mi\u0219carea haotic\u0103 <em>au ralenti<\/em>,cu \u00eencetinitorul, afirm\u00e2nd clar c\u0103 totul continu\u0103, \u00eentr-o expandare impetuoas\u0103. E meritul regizorului de a fi g\u0103sit firele invizibile ale unei omogenit\u0103\u021bi plauzibile.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cronic\u0103 de teatru de Alexandru Jurcan<\/p>\n","protected":false},"author":208,"featured_media":15075,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,2404],"tags":[1417,2405,2741,2726],"coauthors":[1416],"class_list":["post-15074","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-cronica-de-teatru","tag-alexandru-jurcan","tag-cronica-de-teatru","tag-dale-carnavalului","tag-nr-1-2026"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/03\/D-ale-carnavalului.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15074"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15074\/revisions"}],"predecessor-version":[{"id":15076,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/15074\/revisions\/15076"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/15075"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15074"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=15074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}