{"id":14542,"date":"2026-01-06T19:04:41","date_gmt":"2026-01-06T16:04:41","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=14542"},"modified":"2026-01-06T19:04:49","modified_gmt":"2026-01-06T16:04:49","slug":"pactul-razbunarii-si-papusa-perfecta","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=14542","title":{"rendered":"Pactul r\u0103zbun\u0103rii \u0219i p\u0103pu\u0219a perfect\u0103\u00a0"},"content":{"rendered":"
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Yukio Mishima, Culorile interzise<\/em>, trad. Andreea Sion, Humanitas, 2025<\/figcaption><\/figure>\n<\/div>\n\n\n

Mishima a \u00eenceput s\u0103 scrie de la 12 ani. \u00cen 1949 apare romanul Confesiunile unei m\u0103\u0219ti<\/em>, care deschide o carier\u0103 uluitoare (l-a scris \u00een \u0219ase luni). \u00cen cinci luni a scris Soif d\u2019amour<\/em>, \u00een nou\u0103 \u2013 Couleurs interdites<\/em>. E convins c\u0103 doar \u201ecuvintele pot schimba lumea\u201d. Dup\u0103 r\u0103zboi, las\u0103 postul de la Ministerul Finan\u021belor, ca s\u0103 aib\u0103 timp s\u0103 scrie, de\u0219i crede c\u0103 poeziile sale nu au valoare. Uneori are o tres\u0103rire premonitorie: \u201eo s\u0103 fiu celebru!\u201d. Accept\u0103 c\u0103 nu va fi iubit niciodat\u0103, c\u0103 \u201earta e o umbr\u0103\u201d, c\u0103 orice scriitor e un \u201evoyeur par excellence\u201d. Nu se teme de moartea corpului, ci de a spiritului. Ar fi bine s\u0103 \u201ete sinucizi \u00een apogeul frumuse\u021bii\u201d \u2013 crede el. Actorul \u0219i homosexualul se sperie de degradarea corpului \u2013 afirm\u0103 la un moment dat. Chiar dac\u0103 e c\u0103s\u0103torit, Mishima  poart\u0103 o masc\u0103, homosexual fiind. Face antrenamente fizice dure, practic\u0103 \u0219i Kendo, <\/em>sportul cu s\u0103bii de bambus. E fotomodel \u0219i joac\u0103 \u00een filme. De\u021bine rolul principal \u00een filmul Speriat de moarte<\/em>, regizat de Masamura \u00een 1960. Are o armat\u0103 privat\u0103 \u0219i pledeaz\u0103 pentru reinstalarea \u00eemp\u0103ratului ca \u0219ef al guvernului. \u00cen 25 noiembrie 1970 (ultima zi a vie\u021bii sale) termin\u0103 romanul \u00cengerul dec\u0103zut, <\/em>\u00eembrac\u0103 uniforma \u0219i se \u00eent\u00e2lne\u0219te cu patru tineri din armata sa. Ajung la general, \u00eel imobilizeaz\u0103, apoi Mishima se adreseaz\u0103 armatei Japoniei, convins c\u0103 ea trebuie s\u0103 reprezinte sufletul \u021b\u0103rii. To\u021bi \u00eel huiduiesc, astfel c\u0103 se sinucide prin seppuku.<\/em><\/p>\n\n\n\n

Romanul Culorile interzise <\/em>a fost scris \u00een 1953 \u0219i e tradus la noi abia acum, \u00een 2025 (Humanitas, traducere de Andreea Sion \u2013 o traducere cursiv\u0103, energic\u0103, de parc\u0103 Mishima ar fi scris \u00een rom\u00e2ne\u0219te!). \u00cen Japonia postbelic\u0103, b\u0103tr\u00e2nul scriitor Shunsuke, cu opera \u00eencheiat\u0103, e fascinat de frumuse\u021bea lui Y\u1fe1ichi, un t\u00e2n\u0103r homosexual. Imediat se na\u0219te un pact diabolic: t\u00e2n\u0103rul va deveni arma sa \u00eempotriva femeilor. Cum s-a n\u0103scut misoginia crunt\u0103? Shunsuke a fost respins de multe femei, care l-au f\u0103cut s\u0103 sufere. Acum le va curta Y\u1fe1ichi (insensibil la frumuse\u021bea feminin\u0103), iar ele vor cunoa\u0219te nefericirea, iubirea ne\u00eemp\u0103rt\u0103\u0219it\u0103. Scriitorul va concepe astfel o \u201eoper\u0103\u201d inedit\u0103, un alt fel de \u201efinis coronat opus\u201d. Ce va oferi t\u00e2n\u0103rului? Bani \u0219i sfaturi. \u00cen momentul \u00een care l-a v\u0103zut pe Y\u1fe1iki ie\u0219ind din mare (frumuse\u021bea ca \u00een Moarte la Vene\u021bia<\/em>), ideea r\u0103zbun\u0103rii se na\u0219te pe loc: \u201ece noroc s\u0103 g\u0103sesc p\u0103pu\u0219a perfect\u0103\u2026 el e insensibil la etic\u0103\u2026 odat\u0103 ce \u00eencepe s\u0103 fac\u0103 ceva, etica devine inutil\u0103\u201d. Ultima iubire f\u0103r\u0103 reciprocitate a lui Shunsuke a fost t\u00e2n\u0103ra Yasuko, de aceea ea va fi oferit\u0103 t\u00e2n\u0103rului, care o va lua de nevast\u0103. Manipularea e prezent\u0103: Shunsuke concepe un program oribil, ca \u00een filmul lui Lanthimos (Forme de bun\u0103tate)<\/em>, adic\u0103 \u201e\u00een seara asta nu vei face dragoste, m\u00e2ine da\u2026\u201d, d\u00e2nd curs misoginiei: \u201efemeia trebuie tratat\u0103 strict ca un obiect, ea nu are suflet\u201d. Yasuko va fi, a\u0219adar, so\u021bia unui t\u00e2n\u0103r lipsit de iubire, atras de b\u0103rba\u021bi. Mirosul cadaveric acumulat din biblioteca lui Shunsuke \u201eera purificat de umbra chipului t\u00e2n\u0103r ce se \u00eentindea peste pagini\u201d. Toate ac\u021biunile scriitorului devin \u201e\u00eencerc\u0103ri st\u00e2ngace ale unui mort de a se re\u00eentoarce la via\u021b\u0103\u201d. De multe ori, Shunsuke nu con\u0219tientiza faptul c\u0103 \u00eel privea pe Y\u1fe1iki doar ca pe o \u201emarionet\u0103 a propriului spirit\u201d.<\/p>\n\n\n\n

Scenele cu \u00eent\u00e2lnirile b\u0103rba\u021bilor gay nu au nimic vulgar, pres\u0103rate cu reflec\u021bii despre cultul falic, amintind uneori de Sodoma \u0219i Gomora<\/em> proustian\u0103. Shunsuke \u0219tie c\u0103 nu exist\u0103 sentiment care s\u0103 nu aib\u0103 leg\u0103tur\u0103 cu atrac\u021bia carnal\u0103 \u0219i c\u0103 puterea lui Y\u1fe1iki de a-i face neferici\u021bi pe to\u021bi cei din jur nu vine doar din frumuse\u021be, ci, mai ales, pentru c\u0103 el e mai nefericit dec\u00e2t oricine. P\u00e2n\u0103 la urm\u0103, infernul homosexualilor \u0219i al femeilor e b\u0103tr\u00e2ne\u021bea \u2013 conchide scriitorul dezabuzat. A\u0219adar, mul\u021bi b\u0103rba\u021bi homo au calit\u0103\u021bi deosebite, \u201ecu excep\u021bia unui singur defect nevinovat, ne\u0219tiut de nimeni\u2026  o fisur\u0103 care n\u0103ruia totul\u201d.<\/p>\n\n\n\n

Travers\u0103m \u201eleg\u0103turi primejdioase\u201d \u0219i adieri faustice, \u00eentr-o lectur\u0103 fluid\u0103, genial\u0103, r\u0103scolitoare,  f\u0103r\u0103 s\u0103 deranjeze sutele de pagini. Un roman ambi\u021bios, insolit, de o sinceritate brutal\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cronica traducerilor de Alexandru Jurcan<\/p>\n","protected":false},"author":208,"featured_media":14543,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2153,52],"tags":[1417,1796,2646,2644,2645],"coauthors":[1416],"class_list":["post-14542","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cronica-traducerilor","category-rubrici","tag-alexandru-jurcan","tag-cronica-traducerilor","tag-culorile-interzise","tag-nr-11-2025","tag-yukio-mishima"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2026\/01\/Mishima.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14542"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14542\/revisions"}],"predecessor-version":[{"id":14544,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14542\/revisions\/14544"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/14543"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14542"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=14542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}