{"id":14449,"date":"2025-12-23T12:35:36","date_gmt":"2025-12-23T09:35:36","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=14449"},"modified":"2025-12-23T12:35:42","modified_gmt":"2025-12-23T09:35:42","slug":"ecrane-paralele-si-oglinzi-interioare","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=14449","title":{"rendered":"Ecrane paralele \u0219i oglinzi interioare"},"content":{"rendered":"
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La Teatrul Regina Maria din Oradea a avut loc premiera Oglinda spart\u0103\/Broken Glass<\/em>. Roman Doljanski a conceput un scenariu dinamic dup\u0103 piesa lui Arthur Miller din 1994. Regia \u00eei apar\u021bine lui Timofei Kuliabin, important regizor versatil, recompensat cu premii notabile. De la \u00eenceputul reprezenta\u021biei or\u0103dene realizezi c\u0103 vei asista la un spectacol de excep\u021bie, mai ales c\u00e2nd decorul lui Oleg Golovko propune \u2013 mutatis mutandis \u2013 <\/em>un fel de ecrane paralele, care se lumineaz\u0103 sau se \u00eenchid, permi\u021b\u00e2nd o derulare continu\u0103 a scenelor, f\u0103r\u0103 pauze. Trei interioare \u00een succesiuni epice orchestrate savant, cu un ecleraj lipsit de striden\u021be. Panouri-u\u0219i \u00een stil japonez, care gliseaz\u0103 imperceptibil.<\/p>\n\n\n\n

Piesa este o dram\u0103 psihoterapeutic\u0103, \u00een care firele epice converg spre rela\u021bia doctor-pacient\u0103. A folosit medicul metode corecte pentru vindecare, dac\u0103 la unii din jurul lor s-a imprimat un e\u0219ec nociv? O tensiune perpetu\u0103, un suspans cu un halou frisonant de semnifica\u021bii. \u00cen piesa lui Miller persist\u0103 ecouri ale Nop\u021bii de cristal<\/em> (pogromul evreilor din 1938). Cum era de a\u0219teptat, dramaturgul Roman Doljanski mut\u0103 accentele spre problemele contemporane, p\u0103str\u00e2nd mesajul ini\u021bial. Ba mai mult, a creat un personaj nou (absent din textul lui Miller) \u2013 directorul clinicii, care conduce investiga\u021bia despre doctorul care a s\u0103v\u00e2r\u0219it un miracol incredibil. Piesa face un  slalom visceral printre conflicte, vinov\u0103\u021bie, speran\u021b\u0103, depresii, frici politice.<\/p>\n\n\n\n

Un alt atu al spectacolului: muzica original\u0103 semnat\u0103 de Timofei Pastuhov, devenind un \u201epersonaj\u201d continuu, cu inflexiuni premonitorii. Parc\u0103 nu e muzic\u0103, e un fel de t\u0103cere r\u0103zvr\u0103tit\u0103, vorbitoare, un sc\u00e2ncet simfonic atenuat, o reverbera\u021bie \u00eendep\u0103rtat\u0103 e unui clopot r\u0103nit. Greu de descris, dar creeaz\u0103 o magie psihedelic\u0103, o \u201efric\u0103 de ceva\u201d. Joac\u0103 \u00een spectacol R\u0103zvan Vicoveanu (doctorul ambi\u021bios, \u00eentre profesionalism \u0219i fragilitate uman\u0103, \u00eentre obstina\u021bie \u0219i empatie abscons\u0103), Richard Balint (directorul clinicii, echilibrat \u0219i credibil, ca de obicei), Denisa Irina Vlad (pacienta Sylvia, un rol complex \u2013 o interpretare senza\u021bional\u0103, adesea fascinant\u0103, cu expresivitate facial-gestual\u0103),  Eugen Neag (so\u021bul chinuit, interpretat plauzibil, cu sinuozit\u0103\u021bi cizelate), Anda T\u0103m\u0103\u0219anu (Jessica \u2013 \u00eentre vitalitate \u0219i directe\u021be), Alexandru Rusu (managerul pragmatic, ra\u021biune \u0219i echilibru). Sylvia devine deodat\u0103 paralizat\u0103. Philip, so\u021bul ei, \u00eel contacteaz\u0103 pe Dr. Harry Hyman, care crede c\u0103 paralizia Sylviei e psihosomatic\u0103 \u0219i o trateaz\u0103 conform diagnosticului s\u0103u, descoperind gradat problemele pacientei \u00een c\u0103snicie. \u00cen spectacol se realizeaz\u0103 o pendulare temporal\u0103, care poten\u021beaz\u0103 marca de policier. <\/em>Adic\u0103 o vedem pe Sylvia vindecat\u0103, dar dorim re\u00eentoarcerea \u00een trecut, s\u0103 punct\u0103m etapele vindec\u0103rii. Regizorul Timotei Kuliabin a finisat spectacolul ca un ceasornicar magic, f\u0103r\u0103 exager\u0103ri sau alunec\u0103ri imprecise. Scenele sunt riguros create, elaborate ingenios, cu nuan\u021be, gesturi, t\u0103ceri ap\u0103s\u0103toare, dar pline de sens. Un spectacol de referin\u021b\u0103 \u00een repertoriul teatrului din Oradea.                                                                                                  <\/p>\n","protected":false},"excerpt":{"rendered":"

Cronica de teatru de Alexandru Jurcan<\/p>\n","protected":false},"author":208,"featured_media":14450,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2404],"tags":[1417,2405,2616,2635],"coauthors":[1416],"class_list":["post-14449","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cronica-de-teatru","tag-alexandru-jurcan","tag-cronica-de-teatru","tag-nr-10-2025","tag-teatrul-regina-maria"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/12\/Oglinda-sparta.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14449"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14449\/revisions"}],"predecessor-version":[{"id":14452,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14449\/revisions\/14452"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/14450"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14449"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=14449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}