{"id":14438,"date":"2025-12-21T13:38:45","date_gmt":"2025-12-21T10:38:45","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=14438"},"modified":"2025-12-30T19:15:24","modified_gmt":"2025-12-30T16:15:24","slug":"anii-de-vraja","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=14438","title":{"rendered":"Anii de vraj\u0103"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"923\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/12\/Ferenike.jpg\" alt=\"\" class=\"wp-image-14439\" style=\"width:500px\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/12\/Ferenike.jpg 600w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/12\/Ferenike-195x300.jpg 195w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/12\/Ferenike-480x738.jpg 480w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\"><em>Ferenike<\/em>, de Doina Ru\u0219ti, Humanitas, 2025<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Doina Ru\u0219ti adun\u0103 \u00een <em>Ferenike<\/em> \u201efapte tr\u0103ite a\u0219ezate \u00eentr-o poveste\u201c, pentru c\u0103 \u201efic\u021biunea este for\u021ba unei pove\u0219ti de a trimite un mesaj c\u00e2t mai departe \u00een timp. \u00cen literatur\u0103, nu fabula\u021bia se afl\u0103 pe primul loc, ci puterea ei de a face ca ideea s\u0103 triumfe\u201c. Iar \u201eun roman autobiografic e literatur\u0103 (&#8230;) mai mult dec\u00e2t o confesiune <em>asumat\u0103<\/em>, ori dec\u00e2t un construct la persoana I, de care autorul se dezice cu mofturi\u201c.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">De\u0219i <em>Ferenike<\/em> poate fi considerat\u0103 (\u0219i) o carte de memorii, ea r\u0103m\u00e2ne, \u00een primul r\u00e2nd, un roman: alert, fermec\u0103tor, cu personaje care te cuceresc \u0219i r\u0103m\u00e2n cu tine chiar dup\u0103 ce ai \u00eenchis cartea. Planurile narative ne sunt dezv\u0103luite pe r\u00e2nd de autorul demiurg, ce jongleaz\u0103 cu o baghet\u0103 magic\u0103, sco\u021b\u00e2nd din neant nume ale unor oameni care au tr\u0103it cu adev\u0103rat, \u00eent\u00e2mpl\u0103ri ce poart\u0103 pecetea autenticit\u0103\u021bii. Romanul are toate ingredientele unei proze intense \u0219i percutante: subiect, component\u0103 social\u0103, personaje memorabile pe care po\u021bi s\u0103 le ur\u0103\u0219ti sau s\u0103 le iube\u0219ti, dar \u00een niciun caz nu-\u021bi r\u0103m\u00e2n indiferente.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Totul \u00eencepe cu o feti\u021b\u0103 ce \u00ee\u0219i descoper\u0103 un dar nea\u0219teptat: are o privire care, odat\u0103 a\u021bintit\u0103 \u00een ochii cuiva, \u00eel poate deschide ca pe un cuf\u0103r unde s\u0103 r\u0103scoleasc\u0103 prin amintiri, frici, speran\u021be \u0219i vinov\u0103\u021bii ascunse.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Personajul narator are marele noroc de a se fi n\u0103scut \u00eentr-o familie interesant\u0103. O bunic\u0103 tron\u00e2nd nu doar la ea acas\u0103, ci peste un \u00eentreg sat, un tat\u0103 mai mult prieten dec\u00e2t p\u0103rinte, o mam\u0103 a c\u0103rei autoritate nu o ia \u00een serios, un unchi care \u00eei este mai degrab\u0103 tovar\u0103\u0219 de joac\u0103. Suntem \u00een perioada comunist\u0103, \u00eentr-un sat de pe malul Jiului. Feti\u021ba cu ochi c\u0103rora nu le scap\u0103 nimic din ce e omenesc copil\u0103re\u0219te \u00eentr-un str\u0103vechi conac cu ogr\u0103zi, \u00eenc\u0103peri umbrite de draperii, dulapuri, u\u0219i, sc\u0103ri, biblioteci. Casa \u00eentreag\u0103 este un univers viu, ce nu s-a transformat \u00eenc\u0103 \u00een amintire \u0219i c\u0103ruia \u00eei trec pragul oaspe\u021bi din sat: \u201e\u00een mod normal, to\u021bi vor s\u0103-i admiri, s\u0103-i prive\u0219ti idolatru. Dar nu vor s\u0103-i examinezi, s\u0103-i observi. Nu sunt stingheri\u021bi, ci pur \u0219i simplu le e fric\u0103, nu de tine, ci de sl\u0103biciunile lor, c\u0103 n-o s\u0103-\u0219i poat\u0103 \u021bine por\u021bile \u00eenchise\u201c.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Como\u0219teni epoca domniilor fanariote n-a trecut \u00een istorie, prezentul fiind impregnat de bl\u00e2ndele fantome ale unui trecut plin de un farmec desuet. \u00cen conac au supravie\u021buit lucruri <em>de pe vremuri <\/em>p\u0103strate \u0219i \u00eengrijite ca pe o mo\u0219tenire pre\u021bioas\u0103. Membri ai familiei, rude \u0219i cunoscu\u021bi, devin personaje pivotante; fiecare ar putea s\u0103 coaguleze \u00een jurul s\u0103u ac\u021biunea unui roman de sine st\u0103t\u0103tor \u0219i toate graviteaz\u0103 \u00een spa\u021biul magic al casei din Como\u0219teni \u2013 la fel de straniu ca o alt\u0103 galaxie, la fel de familiar ca o fotografie \u00een sepia a bunicilor. Universul satului pare vast, suficient c\u00e2t s\u0103 cuprind\u0103 lumea copil\u0103riei. \u00cens\u0103 mai departe \u0219i \u00een afar\u0103 sunt alte lumi, mai largi, alte v\u00e2rste, contaminate de \u00eentreb\u0103ri \u0219i \u00eendoieli.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u0103minul, vegheat de umbra str\u0103bunicului \u00eenv\u0103\u021b\u0103tor, \u00eei include pe bunici \u0219i copiii lor; unul dintre ei este chiar tat\u0103l feti\u021bei, Cornel, un personaj pitoresc \u0219i nonconfomist, iar cel\u0103lalt, Tavic\u0103, cel care \u00eei va marca povestitoarei \u00eentreaga copil\u0103rie. Lumea Como\u0219tenilor r\u0103m\u00e2ne una stranie, care refuz\u0103 s\u0103 alunece \u00een uitare \u0219i se cere trecut\u0103 \u00een nemurirea literaturii, altfel devine obsesie, amenin\u021b\u0103 s\u0103 se deruleze singur\u0103, ca un film pe care proiec\u021bionistul nu-l mai poate opri. Dar cine controleaz\u0103 aparatul? S\u0103 fie Ferenike, alter ego-ul autoarei, singurul personaj fantastic \u00eentr-o construc\u021bie narativ\u0103 realist\u0103?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen satul aflat la v\u0103rsarea Jiului \u00een Dun\u0103re, care f\u0103cea parte \u00een perioada comunist\u0103 din G\u00e2ngiova, via\u021ba tuturor era legat\u0103 de prezen\u021ba fertil\u0103 \u0219i misterioas\u0103 a apei. \u201eJiul \u00eens\u0103 e viu, r\u0103sufl\u0103 cu ploile verii, c\u0103zute peste troscotul terfelit sub o talp\u0103. E \u00een el ceva dureros \u0219i fericit, strop de ap\u0103 abia ie\u0219it de sub teroarea n\u0103molului, \u00een fine, acel ceva care pentru mine a fost via\u021ba \u00een forma ei cea mai pur\u0103 \u0219i, de multe ori, refugiul \u2013 singurul care nu m-a tr\u0103dat.\u201d Tot \u00een Jiu se va \u00eeneca Tavic\u0103, iar acea prim\u0103 dram\u0103 din via\u021ba povestitoarei pare s\u0103 deschid\u0103 nu o cutie a Pandorei, ci un sipet al nenorocirilor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ani mai t\u00e2rziu, tat\u0103l ajunge contabil la CAP-ul cu un nume hilar <em>Prietenia<\/em> <em>Rom\u00e2no<\/em>&#8211;<em>Vietnamez\u0103<\/em>, \u00eens\u0103 comedia se transform\u0103 \u00een co\u0219mar pentru feti\u021ba de 11 ani al c\u0103rui univers se pr\u0103bu\u0219e\u0219te sub a doua \u0219i cea mai crunt\u0103 lovitur\u0103 a sor\u021bii. O nenorocire palpabil\u0103, din cele care r\u0103stoarn\u0103 o lume. Spre finalul romanului ne lu\u0103m r\u0103mas-bun de la naratorul-copil ce tr\u0103ise cu incon\u0219tien\u021ba <em>anilor de vraj\u0103<\/em>, intens, naiv \u0219i necenzurat de conven\u021bii sociale. Viitorul este al femeii mature care are curajul s\u0103 priveasc\u0103 \u00een urm\u0103. Iar trecutul doare \u0219i vindec\u0103, e un purgatoriu necesar pentru ca Ferenike s\u0103 poat\u0103 rena\u0219te. So\u021bia regelui din Rhodos r\u0103m\u00e2ne un simbol, o <em>purt\u0103toare a victoriei, <\/em>chiar dac\u0103 n-a reu\u0219it s\u0103 intre \u00een competi\u021bie cu b\u0103rba\u021bii olimpici, iar hainele de \u00eemprumut n-au putut s\u0103 ascund\u0103 ce era: o femeie cutez\u00e2nd s\u0103 \u00ee\u0219i desfid\u0103 limitele, s\u0103 \u00ee\u0219i dep\u0103\u0219easc\u0103 statutul.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dincolo de farmecul incontestabil al personajelor, tabloul de epoc\u0103 \u0219i ingeniozitatea narativ\u0103, romanul Doinei Ru\u0219ti fascineaz\u0103 prin sinceritatea vocii naratoarei, care ne plimb\u0103 cu dezinvoltur\u0103 printr-o lume smuls\u0103 timpului, \u00eencremenit\u0103 \u0219i disecat\u0103 sub ochii no\u0219tri avizi de <em>mai<\/em> <em>mult<\/em>. Doina Ru\u0219ti reu\u0219e\u0219te performan\u021ba de a construi o lume verosimil\u0103, cro\u0219et\u00e2nd \u00eempreun\u0103 realitatea \u0219i fantasticul, amintiri \u0219i vise devenite co\u0219maruri. Prins \u00een \u00eempletitura magic\u0103, cititorul n-are \u00eencotro, trebuie s\u0103 iubeasc\u0103, s\u0103 urasc\u0103 \u0219i s\u0103 spere odat\u0103 cu eroii c\u0103r\u021bii, devenit el \u00eensu\u0219i, cu masochist\u0103 voluptate, unul dintre personaje.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cronic\u0103 literar\u0103 de Rodica Bretin<\/p>\n","protected":false},"author":195,"featured_media":14439,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[106,103,2634,2616,1341],"coauthors":[1340],"class_list":["post-14438","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-cronica-literara","tag-doina-rusti","tag-ferenike","tag-nr-10-2025","tag-rodica-bretin"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/12\/Ferenike.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/195"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14438"}],"version-history":[{"count":3,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14438\/revisions"}],"predecessor-version":[{"id":14514,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14438\/revisions\/14514"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/14439"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14438"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=14438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}