{"id":14389,"date":"2025-12-17T15:37:36","date_gmt":"2025-12-17T12:37:36","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=14389"},"modified":"2025-12-17T15:37:42","modified_gmt":"2025-12-17T12:37:42","slug":"vanatoare-de-idei","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=14389","title":{"rendered":"V\u00e2n\u0103toare de idei"},"content":{"rendered":"
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After the Hunt<\/em> (regia: Luca Guadagnino, 2025)<\/figcaption><\/figure>\n<\/div>\n\n\n

Luca Guadagnino, regizor cunoscut pentru filme care abordeaz\u0103 subiecte inedite, de la Suspiria<\/em> (2018) la Challengers<\/em> (2024), la care se adaug\u0103 Call Me by Your Name<\/em> (2017), film \u00een care \u00eel \u00eent\u00e2lnim pe Michael Stuhlbarg (\u00een rolul tat\u0103lui), al\u0103turi de Timoth\u00e9e Chalamet (\u00een rolul fiului) \u0219i Armie Hammer (Oliver). Curios este c\u0103 \u00een After the Hunt<\/em> \u2013 \u00een care \u00eei reg\u0103sim pe Julia Roberts (\u00een rolul Almei, profesoar\u0103 universitar\u0103 de etic\u0103 aflat\u0103 \u00een apogeul carierei), Michael Stuhlbarg (Frederik, so\u021bul Almei, expresie a bonomiei \u0219i a tandre\u021bii), Ayo Edebiri (Maggie, doctorand\u0103), Andrew Garfield (Hank, asistentul Almei), Chlo\u00e9 Sevigny (dr. Kim Sayers) \u2013 \u00eent\u00e2mpl\u0103rile sunt reduse la o \u00eenseriere de idei, enun\u021buri nerostite \u0219i preten\u021bia de a cunoa\u0219te adev\u0103rul, de\u0219i conceptul este for\u021bat pentru cei mai mul\u021bi dintre eroi. De aici, rezult\u0103 ambiguitatea personajelor, destul de bine construite pentru a genera contradic\u021bii, dar \u0219i pentru a l\u0103sa suficiente \u00eentreb\u0103ri f\u0103r\u0103 r\u0103spuns, ca \u0219i cum \u00een miezul unor conflicte flamboaiante rezist\u0103 cele mai ad\u00e2nci\/vechi secrete, dar \u0219i cele mai traumatizante experien\u021be.<\/p>\n\n\n\n

C\u00e2nd am v\u0103zut filmul, mi-a re\u021binut aten\u021bia o replic\u0103 a unuia dintre personaje \u2013 \u201es\u0103 fii mai presus de r\u0103spunderi, mai presus de consecin\u021be\u201d \u2013 fiindc\u0103 a te plasa deasupra celor mai tulbur\u0103toare momente \u00eenseamn\u0103 a juca totul pe o singur\u0103 carte: a c\u00e2\u0219tiga infinit sau a pierde darurile care \u021bi-au fost date. Filmul lui Guadagnino valorific\u0103 \u0219i binomul via\u021b\u0103 intim\u0103 \u2013 via\u021ba public\u0103. Intriga filmului pleac\u0103 de la faptul c\u0103 doctoranda Almei d\u0103 peste ni\u0219te poze, o bucat\u0103 de \u021bes\u0103tur\u0103, un fragment de ziar pe care le leag\u0103 de o experien\u021b\u0103 din tinere\u021bea profesoarei, \u00eentr-o epoc\u0103 guvernat\u0103 \u00eenc\u0103 de imaginea b\u0103rba\u021bilor albi, heterosexuali.<\/p>\n\n\n\n

After the Hunt<\/em> e un film preten\u021bios, care exploreaz\u0103 referin\u021be diverse \u2013 \u0219i muzicale, \u0219i de filosofie, \u0219i culturale, \u00een sens larg \u2013 de la A supraveghea \u0219i a pedepsi<\/em> de Michel Foucault, din care transpare conceptul de \u201epanopticum\u201d, la volumul din 1998 al lui Giorgio Agamben, Homo Sacer<\/em> (de unde diserta\u021bia lui Maggie este suspectat\u0103 c\u0103 se revendic\u0103 excesiv), Minima moralia<\/em> a lui Adorno (din care ne parvin ecouri ale butadei c\u0103 \u201eo via\u021b\u0103 gre\u0219it\u0103 nu poate fi tr\u0103it\u0103 corect\u201d) \u0219i altele.<\/p>\n\n\n\n

Maggie (al c\u0103rei rol este interpretat de Ayo Edebiri), o student\u0103 mediocr\u0103, ai c\u0103rei p\u0103rin\u021bi donaser\u0103 o sum\u0103 important\u0103 pentru campusul universit\u0103\u021bii, invitat\u0103 la cin\u0103 de profesoar\u0103, m\u0103rturise\u0219te c\u0103 ar fi vrut \u201eun nou mod de a face etic\u0103\u201d. Pleac\u0103 de la petrecerea Almei cu Hank (Andrew Garfield), iar a doua zi o caut\u0103 pe Alma s\u0103 \u00eei spun\u0103 c\u0103 Hank a dus lucrurile prea departe. T\u00e2n\u0103ra vrea o justi\u021bie restaurativ\u0103, vrea r\u0103zbunare, iar Alma o sus\u021bine p\u00e2n\u0103 \u00een punctul \u00een care propria via\u021b\u0103 se de\u0219ir\u0103 sub pretextul c\u0103ut\u0103rii adev\u0103rului.<\/p>\n\n\n\n

\u00cembr\u0103\u021bi\u0219area celor dou\u0103 femei din parcul aflat \u00een fa\u021ba Universit\u0103\u021bii Yale juxtapune dou\u0103 genera\u021bii diferite, student\u0103 \u0219i profesoar\u0103, reflect\u00e2ndu-se una \u00een experien\u021ba celeilalte, numai c\u0103 \u0219i reflectarea aceasta este \u201etrucat\u0103\u201d: studenta care copiaz\u0103 gesturile profesoarei, dorin\u021ba de a i se face dreptate \u0219i vulnerabilitatea sa jucat\u0103 devin pandantul unui comportament \u00een care nu mai \u0219tim precis dac\u0103 personajele, \u00een loc s\u0103 clarifice situa\u021bia, nu o fac tocmai mai problematic\u0103.<\/p>\n\n\n\n

\u00cen ciuda tuturor volutelor care surprind personaje complexe, \u00een a c\u0103ror intimitate nu intr\u0103m dec\u00e2t cu parcimonie, regizorul accentueaz\u0103 starea de \u00eenvinov\u0103\u021bire \u2013 a studentei, a t\u00e2n\u0103rului asistent, a Almei \u00eense\u0219i \u2013 de unde deriv\u0103 apoi impresia c\u0103 pierzi totul \u00eentr-o secund\u0103, c\u0103 trecutul \u0219i prezentul se suprapun violent \u0219i c\u0103 e\u0219ti \u00eencol\u021bit, fiindc\u0103 e important pentru echilibrul lumii \u00een care func\u021bionezi \u201es\u0103 nu permi\u021bi ca ceea ce e corect s\u0103 \u00eempiedice ceea ce e bine\u201d.<\/p>\n\n\n\n

E, \u00een multe secven\u021be \u2013 marcate de dialoguri, de repozi\u021bion\u0103ri fa\u021b\u0103 de lume, de o tensiune cresc\u00e2nd\u0103 \u2013 o loialitate fa\u021b\u0103 de demnitate \u0219i etic\u0103 (Alma \u0219i asistentul s\u0103u se v\u0103d, spre final, ca \u201edoi Icari\u201d).<\/p>\n\n\n\n

Pelicula lui Luca Guadagnino \u00eencepe cu un dialog inteligent despre rolul eticii, liberul arbitru \u0219i cercetare, despre echilibrul de for\u021be \u00eentre b\u0103rba\u021bi (albi) \u0219i femei (albe), despre ideologie \u0219i mode, plimb\u00e2ndu-ne prin cel pu\u021bin dou\u0103 istorii de via\u021b\u0103 ce se intersecteaz\u0103 rareori, privite prin lentila capitalismului devorator, a egalit\u0103\u021bii de \u0219anse \u0219i a asimetriei dintre indivizi.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cinemascop de Irina-Roxana Georgescu<\/p>\n","protected":false},"author":21,"featured_media":14390,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,62],"tags":[142,141,2628,2616],"coauthors":[1223],"class_list":["post-14389","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-cinemascop","tag-cinemascop","tag-irina-roxana-georgescu","tag-luca-guadagnino","tag-nr-10-2025"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/12\/after-the-hunt.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14389"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14389\/revisions"}],"predecessor-version":[{"id":14391,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/14389\/revisions\/14391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/14390"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14389"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=14389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}