{"id":13643,"date":"2025-08-31T10:33:16","date_gmt":"2025-08-31T07:33:16","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=13643"},"modified":"2025-08-31T10:33:23","modified_gmt":"2025-08-31T07:33:23","slug":"amorul-ca-un-gaz","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=13643","title":{"rendered":"Amorul ca un gaz"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"785\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/08\/tuca.jpg\" alt=\"\" class=\"wp-image-13644\" style=\"width:500px\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/08\/tuca.jpg 600w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/08\/tuca-229x300.jpg 229w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/08\/tuca-480x628.jpg 480w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">Marius Tuc\u0103, <em>Dragoste \u00een vremea pandemiei<\/em>, ART, 2022<\/figcaption><\/figure>\n<\/div>\n\n\n<p>\u00cen anul 2002, c\u00e2teva dintre gimnastele noastre celebre au pozat nud pentru o revist\u0103 japonez\u0103. \u00cen presa din Rom\u00e2nia, dezbateri aprinse. C\u0103 s\u0103 dea medaliile \u0219i banii \u00eenapoi, c\u0103 ne-au f\u0103cut de r\u00e2s, c\u0103 au def\u0103imat \u021bara, steagul \u0219i gaura din el. Chestii tari, oameni cu principii.<\/p>\n\n\n\n<p>Marius Tuc\u0103, realizatorul emisiunii cu ingeniosul nume <em>Marius Tuc\u0103 Show<\/em>, foarte prizat\u0103 \u00een epoc\u0103, \u00eel sun\u0103 \u00een direct, \u00een plin scandal, pe so\u021bul unei foste gimnaste. \u0218i, d\u00e2nd glas b\u0103rbatului rom\u00e2n de pretutindeni \u0219i de oric\u00e2nd, care \u0219tie cine-i \u0219efu-n cas\u0103, \u00eel \u00eentreab\u0103 pe bietul om: \u201eI-a\u021bi dat acordul nevestei pentru a face aceste fotografii?\u201d Cu sensul ascuns, dar nerostit: sau s-a decis ea a\u0219a, singur\u0103, de capul ei, ca \u0219i cum n-ar fi sub autoritatea so\u021bului?<\/p>\n\n\n\n<p>Au trecut 23 de ani \u0219i, \u00eentre timp, dl Tuc\u0103 s-a convertit la poezie. \u0218i nu oricum, ci cu ni\u0219te volume \u00een care dovede\u0219te nu doar un talent stilistic ame\u021bitor, ci \u0219i o \u00een\u021belegere superioar\u0103 a femeii, v\u0103zut\u0103 acum ca o extensie a masculului care \u00ee\u0219i \u021bine mereu eul \u00eentr-\u00eensa: \u201eSe apropie miezul unei nop\u021bi de var\u0103\/ \u0218i strugurii sunt cop\u021bi de prin amurguri,\/ Eul meu e prin tine de cu sear\u0103\/ Culege roua fiin\u021bei tale, culege de lumin\u0103 muguri.\u201d (<em>Muguri de lumin\u0103<\/em>). Femeia, \u00een accep\u021biunea poetului, trebuie s\u0103 aib\u0103 dimensiuni standard, o \u201e\u00een\u0103l\u021bime fireasc\u0103\u201d, s\u0103 intre \u00eentr-un calapod al normalit\u0103\u021bii instituite de b\u0103rbat, ca s\u0103 devin\u0103 perfect compatibil\u0103 cu eventualul partener de via\u021b\u0103: \u201e<em>M-ai cucerit<\/em>[\u2026]\/ Cu z\u00e2mbetul t\u0103u at\u00e2t de fin\/ Cu \u00een\u0103l\u021bimea ta fireasc\u0103.\u201d (<em>M-ai cucerit<\/em>). Toate sim\u021burile sunt investite \u00een aceast\u0103 nou\u0103 \u00eendr\u0103gostire, \u00een aceast\u0103 experien\u021b\u0103 multi-senzorial\u0103 care dep\u0103\u0219e\u0219te cu gra\u021bie limitele lumii materiale. Logica, \u00een schimb, pare mutilat\u0103, c\u00e2t\u0103 vreme poetul declar\u0103 c\u0103 simte ni\u0219te lucruri fantastice \u00een ciuda unui coronavirus care \u00eel obsedeaz\u0103 \u0219i-l consum\u0103. Cu alte cuvinte, \u00een lipsa bolii, capacit\u0103\u021bile dumnealui de a sim\u021bi plenar iubirea ar fi atrofiate. Poetul \u0219tie ce gust are cometa, ce gust are o prim\u0103var\u0103 niciodat\u0103 contemporan\u0103, mai ales c\u00e2nd ea se manifest\u0103 \u00eentr-o perioad\u0103 a pandemiei: \u201eGustul t\u0103u de comet\u0103\/ M\u0103 str\u0103bate ca pe o galaxie necunoscut\u0103,\/ S\u0103rutul t\u0103u are gustul\/ Unei prim\u0103veri am\u00e2nate la nesf\u00e2r\u0219it\/ \u00cen ciuda coronavirusurilor.\u201d (<em>Dragoste \u00een vremea pandemiei<\/em>)<\/p>\n\n\n\n<p>Nici tehnologiile nu scap\u0103 asaltului erotic al poetului. Versurile sunt scurte, intense, av\u00e2nd muzicalitatea unui motor \u00eenfundat \u0219i caden\u021ba unui b\u0103t\u0103tor de covoare. Amorul tandru circul\u0103 ca un gaz, iar iPadul tremur\u0103 sub genunchii iubitei: \u201e\u00cemi place noua ta poz\u0103 de profil\/ Are un \u201ece\u201d aparte \u0219i ceva stil [\u2026] Lumea te \u0219tie de acum dup\u0103 look\/ E\u0219ti Venus din Facebook\/ [\u2026] \u0218i ce-\u021bi mai place amorul tandru,\/ Risipindu-l ca un gaz fin prin re\u021bea\/ [\u2026]&nbsp;\u0218i-\u021bi tremur\u0103 genunchii cu tot cu iPad\/ Iar eu, ca \u0219i-atunci, \u00eenc\u0103 mai cred\/ C\u0103 toate \u00eentreb\u0103rile lumii se risipesc.\/ Spun\u00e2ndu-\u021bi at\u00e2t de simpli \u00abte iubesc\u00bb.\u201d (<em>D\u0103-mi un share<\/em>). Tot despre Facebook e vorba \u0219i \u00een urm\u0103toarea poezie, \u00een care repro\u0219urile sunt tandre \u0219i ironice, poetul dorindu-\u0219i ca femeia lui s\u0103-\u0219i p\u0103streze puritatea \u00een acest univers vulgar \u0219i m\u0103runt: \u201e<em>Ai fost dat\u0103 afar\u0103 de pe Facebook<\/em>\/ \u0218i nu pentru c\u0103 ai fi f\u0103cut amor\/ \u00cen v\u0103zul re\u021belelor \u0219i-al tuturor,\/ Ci pentru c\u0103 postai numai pisoi\/ Nimic despre iubirea dintre noi\/ \u0218i nicio poz\u0103-n s\u00e2nii goi [\u2026]\/ <em>Ai fost dat\u0103 afar\u0103 de pe Facebook,<\/em>\/ Aici nu rezist\u0103 dec\u00e2t cei cu sf\u00e2rc \u0219i muc\/ Excep\u021bii fac uneori o pi\u021bipoanc\u0103, un eunuc\u201d (<em>Ai fost dat\u0103 afar\u0103 de pe Facebook<\/em>).<\/p>\n\n\n\n<p>\u00cen ciuda admira\u021biei pe care o exhib\u0103 la adresa eternului feminin, natura s\u0103lbatic\u0103 a poetului-alfa iese la suprafa\u021b\u0103 c\u00e2nd nu te a\u0219tep\u021bi. Chiar \u00een timpul unei acupl\u0103ri bucale, \u00een care limbile se zbat incon\u0219tiente \u00eentre din\u021bii periculo\u0219i ai celuilalt, poetul \u00ee\u0219i p\u0103r\u0103se\u0219te iubita, abandon\u00e2nd-o f\u0103r\u0103 drept de apel: \u201eCe-mi place\/ exerci\u021biul acesta de dic\u021bie,\/ tu spun\u00e2ndu-mi\/ \u00abte iubesc\u00bb\/ cu limba ta\/ \u00eentre din\u021bii mei\/ \u0219i eu cu limba mea\/ \u00eentre din\u021bii t\u0103i\/ spun\u00e2ndu-\u021bi adio.\u201d (<em>Dic\u021bie<\/em>)&nbsp;<\/p>\n\n\n\n<p>Nu doar mesajul poetic e ame\u021bitor \u00een acest volum, ci \u0219i felul \u00een care poetul \u201ebolduie\u0219te\u201d unele cuvinte care i se par esen\u021biale \u00een \u00een\u021belegerea mesajului liric. E un fel de subtitrare pentru cei mai prostu\u021bi, care nu p\u0103trund eficient mesajele ad\u00e2nci ale autorului. Dup\u0103 ce a cucerit lumea o dat\u0103, din scaunul emisiunii amintite, acum \u2013 gra\u021bie femeii \u2013, poetul reu\u0219e\u0219te s\u0103 redevin\u0103 regele nenumit al universului: \u201eCu tine \u00een g\u00e2nd\/ Am <em>curaj<\/em>\/ S\u0103 mai cuceresc lumea\/ \u00cenc\u0103 o dat\u0103.\u201d (<em>Curaj<\/em>). Sinestezic \u0219i nedumerit \u00een ceea ce prive\u0219te rolul metaforei, autorul se pr\u0103bu\u0219e\u0219te \u00een c\u00e2teva nenorociri stilistice, o be\u021bie de cuvinte care \u00eel ame\u021be\u0219te pe bietul cititor \u0219i-l face s\u0103 fug\u0103 de poezie: \u201eAst\u0103zi <em>miroase a dep\u0103rtare,<\/em>\/ Orizonturile sunt fr\u00e2nte de lumina v\u00e2ntului.\u201d (<em>Miroase a dep\u0103rtare<\/em>)<\/p>\n\n\n\n<p>\u00cen rarele momente \u00een care vrea s\u0103 fie ludic, poetul recurge st\u00e2ngaci la ni\u0219te cli\u0219ee livre\u0219ti, ca \u0219i cum ar face cu ochiul unui lector mai pu\u021bin atent: \u201eV\u00e2nd\/ Tinere\u021be f\u0103r\u0103 b\u0103tr\u00e2ne\u021be\/ \u0218i via\u021b\u0103 f\u0103r\u0103 de moarte.\/ Rog seriozitate.\u201d (<em>Mica publicitate<\/em>). De\u0219i generos din fire, b\u0103rbatul-poet se simte exploatat \u0219i abuzat. E at\u00e2t de bun la suflet (prost de bun), \u00eenc\u00e2t lumea hain\u0103 profit\u0103 de el \u00een permanen\u021b\u0103. Inima poetului e un carusel \u00eenc\u0103lecat f\u0103r\u0103 mil\u0103 de contemporanii lui, iar el se las\u0103 folosit doar dintr-un preaplin al bun\u0103t\u0103\u021bii lui: \u201eInima mea e o tiribomb\u0103\/ Se dau to\u021bi \u00een ea.\u201d (<em>Tiribomb\u0103<\/em>)<\/p>\n\n\n\n<p>Apodictic \u0219i senten\u021bios, poetul ne spune c\u0103 \u201eLuciditatea asta ne omoar\u0103 cu zile p\u00e2n\u0103 la urm\u0103.\u201d (<em>E miercuri, octombrie\u2026<\/em>). Citindu-i acest volum, mi-am dat seama c\u0103 norocul dumnealui e c\u0103, din punctul de vedere al autoevalu\u0103rii talentului poetic, el nu o are. E salvat. M\u0103car el, pentru c\u0103 noi vom r\u0103m\u00e2ne pe mai departe marca\u021bi de poeziile dlui Tuc\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cronic\u0103 literar\u0103 de Dan-Liviu Boeriu<\/p>\n","protected":false},"author":12,"featured_media":13644,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28],"tags":[106,99,2541,2510],"coauthors":[1187],"class_list":["post-13643","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica","tag-cronica-literara","tag-dan-liviu-boeriu","tag-marius-tuca","tag-nr-6-2025"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/08\/tuca.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13643"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13643\/revisions"}],"predecessor-version":[{"id":13646,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13643\/revisions\/13646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/13644"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13643"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13643"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13643"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=13643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}