{"id":13409,"date":"2025-07-20T12:40:31","date_gmt":"2025-07-20T09:40:31","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=13409"},"modified":"2025-07-20T12:40:38","modified_gmt":"2025-07-20T09:40:38","slug":"foenkinos-si-viata-cea-fericita","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=13409","title":{"rendered":"Foenkinos \u0219i via\u021ba cea fericit\u0103"},"content":{"rendered":"
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David Foenkinos, La vie heureuse<\/em>, Gallimard, Paris, 2024<\/figcaption><\/figure>\n<\/div>\n\n\n

David Foenkinos a scris numeroase romane, dintre care Charlotte <\/em>a primit premiul Renaudot \u00een 2014. Cartea recent\u0103 \u2013 La vie heureuse\/Via\u021ba fericit\u0103 <\/em>a ap\u0103rut la Gallimard <\/em>\u00een 2024.<\/p>\n\n\n\n

\u00cen calitate de nou\u0103 directoare la Comer\u021bul exterior, Am\u00e9lie Mortiers trebuie s\u0103-\u0219i formeze o echip\u0103 de excep\u021bie. \u00cel contacteaz\u0103 pe fostul coleg de liceu Eric, ca s-o \u00eenso\u021beasc\u0103 \u00een aceast\u0103 \u201eaventur\u0103\u201d. Eric are un post bun, stabil, dar nevoia de schimbare prevaleaz\u0103, mai ales c\u0103 starea lui depresiv\u0103 se accentua. A divor\u021bat c\u00e2nd a sim\u021bit reversul iubirii (un cuv\u00e2nt sugestiv: d\u00e9samour<\/em>), chiar dac\u0103 fiul Hugo n-a r\u0103mas cu el. Pe maic\u0103-sa o vedea rar, tat\u0103l \u00eei murise \u00eentr-un accident stupid. Iat\u0103 ocazia s\u0103 \u00eencerce alte bifurca\u021bii existen\u021biale, deoarece vine o vreme c\u00e2nd \u201etrebuie s\u0103 renun\u021bi la a-i salva pe al\u021bii, ca s\u0103 te salvezi pe tine\u201d (traducerile \u00eemi apar\u021bin). De ce s\u0103 nu \u00eenceap\u0103 o \u201eidil\u0103 economic\u0103\u201d? Eric accept\u0103 noul post \u0219i o \u00eenso\u021be\u0219te pe Am\u00e9lie \u00een Coreea de Sud, \u00een interese de serviciu. S\u0103 propun\u0103 dosarul economic din Mulhouse \u0219i s\u0103-l sus\u021bin\u0103. Fabricare de trotinete conectate.<\/p>\n\n\n\n

Eric nu suport\u0103 avionul \u0219i i se face r\u0103u. Ajuns la Seul, consult\u0103 un doctor. Oare a sesizat ceva neclar \u00een privirea doctorului, vreun verdict ascuns? La \u00eent\u00e2lnirea de afaceri, Eric le\u0219in\u0103 \u00een prezen\u021ba echipei coreene. La hotel \u00ee\u0219i revine. A doua zi trebuia s\u0103 mearg\u0103 cu Am\u00e9lie la o nou\u0103 \u00eent\u00e2lnire de promovare a dosarului. Am\u00e9lie se treze\u0219te singur\u0103 \u00een fa\u021ba comisiei, spumeg\u00e2nd de indignare, nepricep\u00e2nd absen\u021ba lui Eric.<\/p>\n\n\n\n

\u00cen acest punct al lecturii am avut un fel de revela\u021bie. Ceva ce nu mai citisem, nu auzisem, nu-mi imaginasem vreodat\u0103. Eric se plimb\u0103 singur printr-un ora\u0219 \u00een care oamenii alearg\u0103 \u00eentr-un stres cotidian du\u0219m\u0103nos, nociv. O goan\u0103 existen\u021bial\u0103 persistent\u0103, adesea ilogic\u0103. \u00cen mijlocul mul\u021bimii, Eric se simte \u00een dezacord cu oamenii \u0219i nu g\u0103se\u0219te vreo motiva\u021bie a vie\u021bii, nu vede sensul acelei \u201eepuizante comedii\u201d. Unde ajunge Eric din \u00eent\u00e2mplare? \u00centr-un loc ciudat, la Happy Life, o firm\u0103 menit\u0103 s\u0103 redea gustul vie\u021bii. O sal\u0103 silen\u021bioas\u0103, cu multe lum\u00e2n\u0103ri. Aici se organizeaz\u0103… \u00eenmorm\u00e2nt\u0103ri false. Pentru c\u0103 \u00een Coreea de Sud procentul sinuciderilor e foarte ridicat. A\u0219adar, cel dezgustat de via\u021b\u0103 poate \u00eencerca o \u00eenmorm\u00e2ntare: cel confruntat cu moartea ar putea reg\u0103si sensul vie\u021bii. Eric e hot\u0103r\u00e2t s\u0103 \u00eencerce. Alege sicriul. Func\u021bionarul Yoon \u00eei face o poz\u0103. E nevoie de o noti\u021b\u0103 biografic\u0103 \u0219i de un epitaf. Mai apoi Eric intr\u0103 \u00een sicriu, iar Yoon a\u0219az\u0103 capacul. Po\u021bi sta acolo c\u00e2t vrei, c\u00e2t rezi\u0219ti. Eric e relaxat, departe de orice probleme, \u00een mijlocul unei \u201em\u00e2ng\u00e2ieri infinite\u201d. La un moment dat, simte nevoia s\u0103… revin\u0103 la via\u021b\u0103. Bate \u00een lemnul sicriului \u0219i Yoon deschide. Deodat\u0103 se na\u0219te o poft\u0103 insolit\u0103 de via\u021b\u0103, plus imboldul \u201ede a merge spre frumuse\u021be\u201d. Iese \u00een ora\u0219 cuprins de o frenezie altruist\u0103, empatic\u0103. Ora\u0219ul i se pare diferit, chiar zgomotul pare armonios. E cuprins de o dorin\u021b\u0103 acut\u0103: s\u0103 dea un sens existen\u021bei sale. Devine empatic, afectuos, \u00ee\u0219i revede b\u0103iatul \u0219i fosta so\u021bie.<\/p>\n\n\n\n

De la cotidianul stresant, autorul trece printr-un fel de oniric, apoi se \u00eendreapt\u0103 spre o satir\u0103-parabol\u0103. Eric vrea deodat\u0103 s\u0103 realizeze \u0219i \u00een Fran\u021ba acea afacere profitabil\u0103, acea \u201eterapie revolu\u021bionar\u0103\u201d, prin care s\u0103 a\u0219eze moartea \u201e\u00een inima actualit\u0103\u021bii\u201d. Pentru \u00eenceput, el merge din nou la Seul \u0219i mai \u201emoare\u201d o dat\u0103. Revine \u0219i construie\u0219te Lycoris \u2013 numele francizei sale. La \u00eenceput, suspiciuni, ne\u00eencredere, apoi marele succes. Pagina Instagram explic\u0103 noul concept terapeutic, uimitoarea \u201erena\u0219tere\u201d. Mul\u021bi pacien\u021bi, personal nou. Eric deschide saloane \u0219i \u00een alte ora\u0219e. Iat\u0103 c\u0103 francezii aveau nevoie de a\u0219a ceva, conchide el. Proliferare maxim\u0103. Jurnalul Le Parisien <\/em>scrie: \u201eToat\u0103 lumea vrea s\u0103 moar\u0103\u201d. Eric \u00ee\u0219i determin\u0103 mama s\u0103 \u00eencerce experien\u021ba, iar rela\u021bia lor se \u00eembl\u00e2nze\u0219te. El e con\u0219tient c\u0103 \u201enici o alt\u0103 epoc\u0103 n-a fost marcat\u0103 at\u00e2t de mult de dorin\u021ba de a schimba via\u021ba… to\u021bi dorim la un moment dat s\u0103 devenim un altul\u201d. Fraza inaugural\u0103 din Moarte la Vene\u021bia <\/em>e: \u201ecel ce contempl\u0103 frumuse\u021bea e deja predestinat mor\u021bii\u201d. Sloganul pentru Lycoris con\u021bine opusul: \u201ecel ce contempl\u0103 moartea e deja predestinat frumuse\u021bii\u201d.<\/p>\n\n\n\n

Acum Foenkinos se \u00eentoarce la povestea Am\u00e9liei. Nu vreau s\u0103 devoalez marile surprize. Sper s\u0103 se traduc\u0103 \u00een rom\u00e2ne\u0219te acest roman dulce-amar, captivant, cu umor \u0219i personaje atipice \u00een c\u0103utarea sinelui, cu o analiz\u0103 psihologic\u0103 just\u0103. Re\u021bin \u00een final o fraz\u0103 interesant\u0103 din roman: \u201eanumite vie\u021bi par a fi scrise chiar f\u0103r\u0103 voia autorului\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cartea str\u0103in\u0103 de Alexandru Jurcan<\/p>\n","protected":false},"author":208,"featured_media":13410,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[550,52],"tags":[1417,551,2516,2511],"coauthors":[1416],"class_list":["post-13409","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cartea-straina","category-rubrici","tag-alexandru-jurcan","tag-cartea-straina","tag-david-foenkinos","tag-nr-5-2025"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Foenkinos-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13409"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13409\/revisions"}],"predecessor-version":[{"id":13411,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13409\/revisions\/13411"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/13410"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13409"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=13409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}