{"id":13350,"date":"2025-07-14T20:42:50","date_gmt":"2025-07-14T17:42:50","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=13350"},"modified":"2025-07-14T20:42:57","modified_gmt":"2025-07-14T17:42:57","slug":"richard-iii-si-aburii-puterii","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=13350","title":{"rendered":"Richard III \u0219i aburii puterii"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-13-1024x683.jpg\" alt=\"\" class=\"wp-image-13351\" style=\"width:600px\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-13-1024x683.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-13-300x200.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-13-768x512.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-13-1536x1024.jpg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-13-720x480.jpg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-13-480x320.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-13.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Premiera mult-a\u0219teptat\u0103 la Teatrul Regina Maria din Oradea a avut loc \u00een 5 \u0219i 6 aprilie anul acesta, 2025. E vorba de <em>Richard III <\/em>de Shakespeare, \u00een traducerea lui Horia G\u00e2rbea \u2013 versiune scenic\u0103 de Alexandra Felseghi \u0219i Andrei M\u0103jeri, cu inser\u021bii din <em>Henric VI. <\/em>Regia: Andrei M\u0103jeri, care anul trecut a primit Uniter pentru spectacolul <em>Cine l-a ucis pe tata<\/em>. Regizor ambi\u021bios, care n-a dezam\u0103git niciodat\u0103.<\/p>\n\n\n\n<p>\u0218tim c\u0103 Richard e hot\u0103r\u00e2t s\u0103 ia tronul cu orice pre\u021b, distrug\u00e2nd totul \u00een jur, ucig\u00e2ndu-\u0219i posibilii concuren\u021bi \u00een Turnul Londrei. Un subiect mereu actual: dictaturi \u0219i tirani manipulatori. De la \u00eenceput impresioneaz\u0103 puternic scenografia (Adrian Balc\u0103u). Scena turnant\u0103, sc\u0103rile lucitoare, balconul, ecranul, configur\u00e2nd un carusel de o dev\u0103lm\u0103\u0219ie alchimic\u0103, suger\u00e2nd chiar \u0219i culisele puterii, acolo unde Richard unelte\u0219te pe patul ascuns, care va fi demascat la final. Sc\u0103rile sugereaz\u0103 ambi\u021bia urcu\u0219ului nesigur, viclean, \u00een slalom perfid.<\/p>\n\n\n\n<p>Video design: Andrei Cozlac. Lighting design: Sabina Reus. Pe ecran se perind\u0103 chipuri nebuloase, nori premonitorii, n\u0103luci de fum. Adic\u0103 \u201eaburii puterii\u201d \u00eentr-o \u201elume r\u0103sucit\u0103\u201d. Mai apoi, pete dante\u0219ti \u00een v\u00e2rtej proteic. Se nasc imagini, se \u0219terg, marc\u00e2nd instabilitatea palimpsestului virtual. Imagini fulgurante ale puterii \u00een\u0219el\u0103toare. Un ecleraj bine articulat marcheaz\u0103 nesiguran\u021ba, \u201eiarna dezbin\u0103rii noastre\u201d. Costumele au culori monocrome, secondate discret de un albastru \u0219i un ro\u0219u. Din c\u00e2nd \u00een c\u00e2nd apar drapele, iar la un moment dat domin\u0103 drapelul negru al mor\u021bii. Muzica (Adrian Piciorea) e omniprezent\u0103, imersiv\u0103, f\u0103r\u0103 accente distonante, integr\u00e2nd elementele \u00een elaborata sinestezie insolit\u0103. Nu exist\u0103 vreun hiatus \u00eentre o scen\u0103 \u0219i alta, totul curge \u00een mi\u0219c\u0103ri studiate, care nasc o dinamic\u0103 emo\u021bional\u0103, asigurat\u0103 de coregrafia semnat\u0103 de Hunor Varga. Spectacolul e plasat \u00eentr-o ram\u0103 at\u00e2t de novatoare, \u00eenc\u00e2t te \u00eentrebi cum s-a pliat at\u00e2t de bine textul lui Shakespeare peste maniera modern\u0103 r\u0103scolitoare.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-1024x683.jpg\" alt=\"\" class=\"wp-image-13352\" style=\"width:600px\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-1024x683.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-300x200.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-768x512.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-1536x1024.jpg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-720x480.jpg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-480x320.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Joac\u0103 \u00een spectacol Petre Ghimb\u0103\u0219an (Richard), R\u0103zvan Vicoveanu (Buckingham), Richard Balint (4 roluri), Denisa Irina Vlad (Lady Elisabeth), Alina Leonte (Lady Anne), Corina Cernea (Lady Margret), Ioana Drago\u0219 Gajd\u1f40 (Ducesa de York), Cosmin Petru\u021b, Robert Balint \u0219i Luca Bran. Absolut ingenioas\u0103 interpretarea actorului Petre Ghimb\u0103\u0219an, red\u00e2nd un Richard cu fa\u021b\u0103 de Hitler (uneori), descins din <em>Dictatorul <\/em>lui Chaplin. M\u0103sc\u0103rici, clovn, arogant, alunecos, insolent, cu priviri ambigue. Spada nelipsit\u0103 plute\u0219te adesea \u00een amenin\u021b\u0103ri v\u0103tuite. Se ca\u021b\u0103r\u0103, revine, \u00een unduiri otr\u0103vite, convins c\u0103 \u201ejoc bine rolul lui Satan\u201d, apoi devine speriat, la\u0219, atunci c\u00e2nd \u201eregatul mi-e fragil ca sticla\u201d, disperat \u00een celebrul strig\u0103t de ajutor \u201edau regatul meu pentru un cal\u201d. Richard Balint e la fel de impozant \u00een cele patru roluri, redate printr-un filtru conceptual plasat sub semnul unei anduran\u021be scenice de absolut\u0103 excep\u021bie. Toate actri\u021bele sunt conving\u0103toare, profesioniste, credibile, \u00een portretiz\u0103ri elocvente. O men\u021biune special\u0103 pentru Ioana Drago\u0219 Gajd\u1f40, vulcanic\u0103, tenebroas\u0103, tragedian\u0103 de marc\u0103 interna\u021bional\u0103. R\u0103zvan Vicoveanu e mereu impozant, aluvionar, glis\u00e2nd spre parodic, mai ales \u00een scena cu lum\u00e2n\u0103rile, emblematic\u0103 pentru evolu\u021bia factual\u0103 ulterioar\u0103, cu discursuri perfide \u0219i aluzii la actualitate. Forma scenic\u0103 include subtil mesajul. Totul e o plutire, o instabilitate, un <em>fugit irreparabile tempus.<\/em> Dansul ritmat din final e o sfidare a contorsiunilor istoriei, a disolu\u021biei puterii. Regizorul Andrei M\u0103jeri, cu talentul s\u0103u poliedric, a realizat un spectacol somptuos, sublim. Absolut monumental. De v\u0103zut \u0219i de rev\u0103zut. Convins, ca Augusto Boal, c\u0103 fiin\u021ba devine uman\u0103 c\u00e2nd inventeaz\u0103 teatrul.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cronic\u0103 de teatru de Alexandru Jurcan<\/p>\n","protected":false},"author":208,"featured_media":13351,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2404],"tags":[1417,2405,2485],"coauthors":[1416],"class_list":["post-13350","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cronica-de-teatru","tag-alexandru-jurcan","tag-cronica-de-teatru","tag-nr-4-2025"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/07\/Richard-III-13.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13350"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13350\/revisions"}],"predecessor-version":[{"id":13353,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13350\/revisions\/13353"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/13351"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13350"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=13350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}