{"id":13042,"date":"2025-05-10T13:16:06","date_gmt":"2025-05-10T10:16:06","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=13042"},"modified":"2025-05-10T13:16:11","modified_gmt":"2025-05-10T10:16:11","slug":"fiul-straina-si-robotul","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=13042","title":{"rendered":"Fiul, str\u0103ina \u0219i robotul"},"content":{"rendered":"
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Speran\u021ba nu urc\u0103 niciodat\u0103 cu liftul<\/em> de Simona Mihu\u021biu, Teatrul Regina Maria, regia: Toni Nica<\/figcaption><\/figure>\n<\/div>\n\n\n

Devine clasic\u0103 urm\u0103toarea situa\u021bie: copiii pleca\u021bi \u00een alte \u021b\u0103ri, p\u0103rin\u021bii singuri bolnavi, vecinii binevoitori, str\u0103inii pl\u0103ti\u021bi ca s\u0103 aib\u0103 grij\u0103 de ei… Iat\u0103 o tem\u0103 extrem de actual\u0103, fierbinte, dureroas\u0103. Simona Mihu\u021biu, reputat medic oncolog din Oradea, a abordat o asemenea problem\u0103 \u00een piesa Speran\u021ba nu urc\u0103 niciodat\u0103 cu liftul<\/em>.<\/p>\n\n\n\n

Oradea, 12 ianuarie, 2025. V\u0103d piesa la Teatrul Regina Maria, sala Transilvania. Regia: Toni Nica. O mare provocare la debutul s\u0103u regizoral: s\u0103 creeze un univers viabil, veridic, cu oameni \u0219i androizi. Simona Mihu\u021biu scrie literatur\u0103 de c\u00e2\u021biva ani. Romanul Fereastr\u0103 spre m\u00e2ine <\/em>din 2019, o poveste de dragoste cople\u0219itoare, a avut mult succes \u00een r\u00e2ndul tinerilor.<\/p>\n\n\n\n

\u00cenainte de \u00eenceperea spectacolului te \u00eent\u00e2mpin\u0103 un interior cald, familial: pat, covor, veioz\u0103, televizor, bibliotec\u0103. Scenografia conving\u0103toare a Oanei Cernea \u00ee\u0219i propune un contrast izbitor cu suferin\u021ba uman\u0103. A doamnei Mia, bolnava \u00eengrijit\u0103 de Vetu\u021ba, care vorbe\u0219te \u021b\u0103r\u0103ne\u0219te \u0219i st\u00e2rne\u0219te un umor necesar pentru o contrapondere ce elimin\u0103 o posibil\u0103 tent\u0103 lacrimogen\u0103. \u00cen acest rol, actri\u021ba Adela Laz\u0103r convinge pe deplin, \u00eentr-o interpretare empatic\u0103. Revela\u021bia r\u0103m\u00e2ne Mirela Ni\u021b\u0103 Lupu, care o interpreteaz\u0103 pe Mia. Excelente zv\u00e2cniri robotice, un rictus versatil, mi\u0219c\u0103ri chinuite, dureri adesea cenzurate. Din pat ajunge \u00een scaunul cu rotile, apoi \u00een fotoliu. O adev\u0103rat\u0103 aventur\u0103 a senectu\u021bii tragice. Omul: evolu\u021bie \u0219i involu\u021bie. Pentru c\u0103 Vetu\u021ba nu se mai poate ocupa de ea, pentru c\u0103 fiul absent tr\u0103ie\u0219te undeva departe, Mia va fi \u00eengrijit\u0103 de doi androizi, programa\u021bi special pentru o asemenea misiune (joac\u0103 Georgia C\u0103pr\u0103rin \u0219i David Constantinescu \u2013 roluri grele, insolite, asumate cu un talent rafinat). G\u00e2ndirea lor e analitic\u0103, rela\u021bionarea devine rigid\u0103, obositoare, umilitoare. Empatia e \u00eenl\u0103turat\u0103 de o \u00eenstr\u0103inare brusc\u0103. Omul bolnav e tratat mecanic, f\u0103r\u0103 c\u0103ldur\u0103, aruncat \u00eentr-o solitudine de co\u0219mar. Ca s\u0103 colaborezi cu Centrul robotic \u00eenseamn\u0103 s\u0103 ajungi pe planeta Kafka. Mereu se aude: \u201eFirma noastr\u0103… genera\u021bia noastr\u0103 nu poate fi corectat\u0103\u201d. E perfec\u021biunea \u00eens\u0103\u0219i. Androizii repet\u0103 papagalice\u0219te truisme obositoare, defini\u021bii plate. Cum s\u0103 \u00een\u021beleag\u0103 ei expresia \u201el\u0103sa\u021bi-o balt\u0103!\u201d, dec\u00e2t cu \u201el\u0103sa\u021bi o balt\u0103\u201d, astfel arunc\u00e2nd ap\u0103 pe jos?! Oricum, vom decela p\u00e2n\u0103 la urm\u0103 un fel de reconciliere a celor dou\u0103 lumi. Pot fi, oare, umaniza\u021bi cei doi robo\u021bi?<\/p>\n\n\n\n

S\u0103 zicem c\u0103 ai un copil \u0219i poate e\u0219ti prea protector. Sau indiferent, permisiv, posesiv, anxios. Oricum, pe un drum eronat al educa\u021biei. Ui\u021bi ce ziceau ugandezii, c\u0103 un copil e ca vi\u021ba-de-vie: dac\u0103 nu e educat, \u021bi se va urca \u00een cap. Ori e\u0219ti prea perfec\u021bionist \u0219i sufoci copilul. Ce mai conteaz\u0103? E\u0219ecul a survenit, fiin\u021ba e pierdut\u0103. Atunci te consolezi \u0219i apelezi la inteligen\u021ba artificial\u0103? \u00cenlocuie\u0219ti copilul cu un robot.  Dramaturgul englez Thomas Eccleshare a scris \u00een 2018  pe aceast\u0103 tem\u0103 un text sustenabil, absolut necesar, cu situa\u021bii recognoscibile \u2013 Instruc\u021biuni pentru asamblare corect\u0103<\/em>, preocupat de ideea de… a programa pe cineva. Cumperi produsul, asamblezi, m\u00e2nuie\u0219ti telecomanda. \u00cenlocuie\u0219ti copilul ratat cu un robot care se supune, te ascult\u0103. C\u00e2t timp? De la demolarea uman\u0103 se va ajunge la alt\u0103 eroziune inevitabil\u0103.<\/p>\n\n\n\n

Revenind la spectacolul nostru, consider c\u0103 spre final s-a produs un fel de diluare, spre explicativ \u0219i lacrimogen, \u00eens\u0103 avem de-a face cu o pies\u0103 de o stringent\u0103 actualitate universal\u0103, iar regizorul reu\u0219e\u0219te s\u0103 asigure o dinamic\u0103 emo\u021bional\u0103 solid\u0103, \u00eentr-un spectacol bine articulat, impozant.   <\/p>\n","protected":false},"excerpt":{"rendered":"

Cronic\u0103 de teatru de Alexandru Jurcan<\/p>\n","protected":false},"author":208,"featured_media":13043,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,2404],"tags":[1417,406,2458,2429],"coauthors":[1416],"class_list":["post-13042","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-cronica-de-teatru","tag-alexandru-jurcan","tag-arte","tag-cronica-de-teatru-2","tag-nr-3-2025"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/05\/Speranta-nu-urca-niciodata-cu-liftul-4.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13042"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13042\/revisions"}],"predecessor-version":[{"id":13045,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/13042\/revisions\/13045"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/13043"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13042"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=13042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}