{"id":12765,"date":"2025-04-15T16:52:13","date_gmt":"2025-04-15T13:52:13","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=12765"},"modified":"2025-04-15T16:52:17","modified_gmt":"2025-04-15T13:52:17","slug":"parthenope","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=12765","title":{"rendered":"Parthenope"},"content":{"rendered":"
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Parthenope<\/em> (regia: Paolo Sorrentino, 2024). Foto: Gianni Fiorito<\/figcaption><\/figure>\n<\/div>\n\n\n

Via\u021ba se compune din miracolul fiec\u0103rei clipe, risipindu-se asemenea valurilor \u00eenspumate ale m\u0103rii. E at\u00e2ta poezie, at\u00e2ta emo\u021bie \u0219i fream\u0103t \u00een cel mai recent film al lui Paolo Sorrentino, at\u00e2ta zbucium, \u00eenc\u00e2t unele momente \u2013 de stranietate, de inadecvare \u2013 nu fac dec\u00e2t s\u0103 accentueze magia acestei lumi. Nu e lipsit de importan\u021b\u0103 faptul c\u0103 pelicula regizorului italian debuteaz\u0103 cu reflec\u021biile eroinei, un preambul solar la propria istorie de via\u021b\u0103 \u2013 \u201ee enorm\u0103 via\u021ba care se pierde peste tot\u201d, via\u021ba care \u021b\u00e2\u0219ne\u0219te cu putere din toate p\u0103r\u021bile \u0219i care se confund\u0103 cu suferin\u021ba, cu a\u0219teptarea, cu neputin\u021ba, cu de\u0219ert\u0103ciunea.<\/p>\n\n\n\n

Parthenope se na\u0219te \u00een ap\u0103, o mic\u0103 Venus purt\u00e2nd pe umeri povara frumuse\u021bii \u0219i a singur\u0103t\u0103\u021bii \u00een care va tr\u0103i. Fina unui magnat italian, micu\u021ba Parthenope prime\u0219te la na\u0219terea sa o calea\u0219c\u0103 de la Versailles \u2013 iluzie a opulen\u021bei \u0219i a de\u0219ert\u0103ciunii, car alegoric \u00een oglind\u0103 cu erotismul juvenil, ofrand\u0103 adus\u0103 senzualit\u0103\u021bii, dar \u0219i cu cortegiul funerar care \u00eel conduce pe fratele s\u0103u pe ultimul drum, curm\u00e2ndu-i-se prematur \u0219i tragic escapada.<\/p>\n\n\n\n

\u00cen lungile zile de var\u0103 napolitan\u0103, Parthenope cite\u0219te The Way Some People Live<\/em> de John Cheever. Pe autor \u00eel va \u00eent\u00e2lni apoi \u00een c\u0103l\u0103toria f\u0103cut\u0103 al\u0103turi de fratele Raimondo (interpretat de Daniele Rienzo) \u0219i de iubitul s\u0103u, Sandrino (Dario Aita), \u00eentr-o var\u0103 de complicit\u0103\u021bi, tergivers\u0103ri, alegeri, imagini poetice, \u00een care marea este celebrat\u0103 \u00een tandem cu frumuse\u021bea \u0219i tinere\u021bea. \u201eMai \u00eent\u00e2i s\u0103 ne uit\u0103m la var\u0103\u201d devine un \u00eendemn ce am\u00e2n\u0103 pierderea inocen\u021bei, o \u00eencremenire a timpului care ne traverseaz\u0103.<\/p>\n\n\n\n

Cunoscut\u0103 pentru rolurile din miniseriile Beyond Passion<\/em> (2020) \u0219i din Red Mirror<\/em> (2022), Celeste dalla Porta o interpreteaz\u0103 impecabil pe vis\u0103toarea Parthenope, idealist\u0103, necru\u021b\u0103toare, temerar\u0103. Dac\u0103 eroul din La Grande Bellezza<\/em> (2013) ajunge la Roma la 26 de ani \u0219i vrea s\u0103 fie regele acelei lumi concupiscente, voluptuoase, nemaivr\u00e2nd s\u0103 o p\u0103r\u0103seasc\u0103, eroina celui mai recent film al lui Sorrentino, Parthenope, ilustreaz\u0103 senzualitatea, dar \u0219i o singur\u0103tate privilegiat\u0103.<\/p>\n\n\n\n

\u00centreb\u00e2ndu-se ce e antropologia, Parthenope cerceteaz\u0103 lumea cu \u00eencrederea fiin\u021bei care are tot timpul la dispozi\u021bie. \u0218tiin\u021b\u0103 care studiaz\u0103 originea, evolu\u021bia \u0219i diversele tipuri fizice ale omului, \u00een corela\u021bie cu condi\u021biile naturale \u0219i social-culturale, antropologia poate fi definit\u0103 prin posibilitatea de \u201ea vedea\u201d, numai c\u0103, a\u0219a cum m\u0103rturise\u0219te profesorul Marotta, \u201ee foarte greu s\u0103 vezi, fiindc\u0103 e ultimul lucru pe care \u00eel \u00eenv\u0103\u021b\u0103m\u201d. \u00cenv\u0103\u021b\u0103m s\u0103 vedem abia atunci c\u00e2nd toate celelalte aspecte ale vie\u021bii \u00eencep s\u0103 dispar\u0103: dragostea, tinere\u021bea, dorin\u021ba, emo\u021bia, pl\u0103cerea. Mai mult dec\u00e2t at\u00e2t, \u201ec\u00e2nd cre\u0219ti, totul devine plictisitor\u201d.<\/p>\n\n\n\n

Purt\u00e2nd numele ora\u0219ului \u00een care se na\u0219te, Parthenope \u0219tie c\u0103 \u201efrumuse\u021bea e ca r\u0103zboiul \u2013 deschide u\u0219i\u201d, f\u0103r\u0103 s\u0103 fie, totu\u0219i, ocolit\u0103 de triste\u021be \u0219i de dezam\u0103giri. P\u0103rin\u021bii o blameaz\u0103 de moartea prematur\u0103 a fratelui mai mare, ignor\u00e2nd natura vulnerabil\u0103, cvasi-incestuoas\u0103 a lui Raimondo.<\/p>\n\n\n\n

C\u00e2nd se hot\u0103r\u0103\u0219te asupra titlului lucr\u0103rii de doctorat, profesorul Devoto Marotta (magistral interpretat de actorul italian Silvio Orlano, pe care \u00eel \u00eent\u00e2lnim \u0219i \u00een mini-seria regizat\u0103 de Paolo Sorrentino, The Young Pope<\/em>), mentor exigent, lucid \u0219i bun sf\u0103tuitor atunci c\u00e2nd t\u00e2n\u0103ra Parthenope are nevoie de o busol\u0103, \u00eei recomand\u0103 s\u0103 cerceteze Fundamentele culturale ale miracolului<\/em>, astfel c\u0103 protagonista \u00ee\u0219i asum\u0103 ca proiect existen\u021bial cercetarea vie\u021bii: de la \u201emarea fuziune\u201d a familiilor mafiote napolitane, menit\u0103 s\u0103 le asigure continuitatea \u0219i unitatea, cu spectatori din toate genera\u021biile, p\u00e2n\u0103 la investigarea miracolului Sf\u00e2ntului Ianuarie, eroina observ\u0103, analizeaz\u0103, discerne, formuleaz\u0103 \u00eentreb\u0103ri, g\u0103se\u0219te r\u0103spunsuri care o mul\u021bumesc par\u021bial. Apreciind frumuse\u021bea \u0219i complexitatea vie\u021bii, accept\u0103 provoc\u0103rile care i se lanseaz\u0103, de\u0219i cele mai multe o condamn\u0103 la singur\u0103tate, la o form\u0103 atroce de izolare. Alege cariera universitar\u0103, \u0219tiind c\u0103 \u201eun profesor trebuie s\u0103 fie ca o lec\u021bie de moral\u0103 pentru studen\u021bii s\u0103i\u201d. La senectute, \u00ee\u0219i reaminte\u0219te de contrastele, de temerile, de resorturile libert\u0103\u021bii \u00een care tr\u0103ise (\u201eabandona\u021bi \u00een vara perfect\u0103, am fost tineri \u0219i neferici\u021bi\u201d).<\/p>\n\n\n\n

Sorrentino surprinde cadre neverosimile ale ora\u0219ului sc\u0103ldat mereu de soare, un Napoli al amplelor proiecte existen\u021biale, iar muzica anilor \u201970 \u2013 \u201980 completeaz\u0103 exemplar aceast\u0103 panoram\u0103 a desf\u0103t\u0103rii, \u00een care nuan\u021be psihedelice alterneaz\u0103 cu ritmuri braziliene, ecouri ale unei triste\u021bi vagi se \u00eempletesc cu expansiuni suflete\u0219ti, de la Warmth<\/em> (de Peter Gregson) la Era Gi\u00e0 Tutto Previsto<\/em> (Riccardo Cocciante \u0219i Marco Luberti) ori Valsul trist<\/em> al lui Sibelius, Exodus <\/em>compus de Wojciech Kilar. Ca un refren, revine \u201eA Gira\u201d (Trio Ternura).<\/p>\n\n\n\n

Chiar dac\u0103 pelicula lui Sorrentino nu are o intrig\u0103 foarte clar articulat\u0103, tocmai \u00een volatilitatea aceasta imperfect\u0103, \u00een echilibrul fin al nuan\u021belor st\u0103 frumuse\u021bea lumii pe care o red\u0103 at\u00e2t de firesc. Participarea lui Gary Oldman (interpret\u00e2ndu-l pe b\u0103tr\u00e2nul John Cheever) este luminoas\u0103, senin\u0103. Amplele secven\u021be \u00een care Parthenope cunoa\u0219te actri\u021be fanate, ce s-au bucurat c\u00e2ndva de recunoa\u0219tere \u00een Napoli, dar care au c\u0103zut \u00een dizgra\u021bie ori au fost uitate odat\u0103 cu v\u00e2rsta sunt un semn al de\u0219ert\u0103ciunii.<\/p>\n\n\n\n

Petrecerile bahice, vara etern\u0103, imprevizibilitatea gesturilor, generozitatea dragostei, cadrele de basm \u00een care eroina \u00ee\u0219i tr\u0103ie\u0219te fiecare poveste de iubire sunt doar c\u00e2teva dintre dimensiunile celui mai recent film al lui Sorrentino, n\u0103scut la Napoli \u00een 1970 \u0219i \u00eendr\u0103gostit, la r\u00e2ndul s\u0103u, de frumuse\u021bea atemporal\u0103 a Italiei, fix\u00e2nd \u00een mai toate peliculele o lume a c\u0103rei transparen\u021b\u0103 dezarmeaz\u0103 \u0219i purific\u0103, mai ales \u00een ultimele sale proiecte cinematografice, \u00een La Grande Bellezza<\/em> (2013) ori \u00een \u00c8 stata la mano di Dio<\/em> (2021).<\/p>\n","protected":false},"excerpt":{"rendered":"

Cronic\u0103 de film de Irina-Roxana Georgescu<\/p>\n","protected":false},"author":21,"featured_media":12766,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,62],"tags":[406,142,141,2407,2421],"coauthors":[1223],"class_list":["post-12765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-cinemascop","tag-arte","tag-cinemascop","tag-irina-roxana-georgescu","tag-nr-2-2025","tag-paolo-sorrentino"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/04\/Parthenope.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12765"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12765\/revisions"}],"predecessor-version":[{"id":12767,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12765\/revisions\/12767"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/12766"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12765"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=12765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}