{"id":12573,"date":"2025-03-27T16:02:39","date_gmt":"2025-03-27T13:02:39","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=12573"},"modified":"2025-03-27T16:02:46","modified_gmt":"2025-03-27T13:02:46","slug":"femei-fata-cu-declinul-lumii","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=12573","title":{"rendered":"Femei fa\u021b\u0103 cu declinul lumii"},"content":{"rendered":"
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Lauren Groff, Florida,<\/em> traducere de Ludovic-\u0218tefan Skult\u00e9ty, Editura Curtea Veche, 2024<\/figcaption><\/figure>\n<\/div>\n\n\n

\u201eFlorida este schimb\u0103toare \u0219i mereu contradictorie, astfel c\u0103 un portret al acestei regiuni ar fi prea vast pentru o singur\u0103 carte. Colec\u021bia mea de povestiri este un portret al propriei mele incredibile ambivalen\u021be privind acest stat \u00een care locuiesc de mai bine de doisprezece ani. Am sentimente necump\u0103tate fa\u021b\u0103 de Florida, iubesc lumea natural\u0103 pe cale de dispari\u021bie, soarele \u0219i uluitoarea frumuse\u021be a locului \u00een m\u0103sura \u00een care detest c\u0103ldura, umiditatea, \u0219i milioanele de creaturi a c\u0103ror unic\u0103 dorin\u021b\u0103 este s\u0103 te omoare. Am scris aceast\u0103 colec\u021bie de povestiri foarte \u00eencet \u0219i am fost surprins\u0103 s\u0103 constat c\u0103 ele au conturat o lung\u0103 demonstra\u021bie a acestor contradic\u021bii\u201d, m\u0103rturisea Lauren Groff (n. 1978), autoarea american\u0103 a cinci romane (Destin \u0219i furie<\/em> \u0219i Matrix <\/em>s-au tradus \u0219i la noi) \u0219i a dou\u0103 volume de povestiri, nominalizat\u0103 de c\u00eeteva ori la National Book Award, considerat\u0103 drept una dintre cele mai bune prozatoare ale genera\u021biei sale \u0219i proprietar\u0103 de libr\u0103rie.<\/p>\n\n\n\n

Volumul Florida,<\/em> publicat \u00een 2018, nominalizat la National Book Award \u0219i premiat cu The Story Prize, cel mai prestigios premiu american destinat c\u0103r\u021bilor de proz\u0103 scurt\u0103 (apropo, dintre cele 126 de volume nominalizate & premiate din 2004 \u00eencoace cu The Story Prize, Florida<\/em> este abia al cincilea tradus \u00een limba rom\u00e2n\u0103), cuprinde unsprezece proze, dintre care, pe m\u0103sur\u0103 ce au fost publicate \u00een reviste, multe au fost deja antologate. A\u0219a cum Groff \u00eens\u0103\u0219i a fost editoarea invitat\u0103 s\u0103 fac\u0103 selec\u021bia pentru edi\u021bia The Best American Short Stories 2024.<\/em><\/p>\n\n\n\n

\u00centr-adev\u0103r, o bun\u0103 parte dintre povestiri s\u00eent plasate \u00een mediul tropical din Florida, caracterizat de vegeta\u021bia abundent\u0103, c\u0103ldur\u0103, umiditate \u0219i populat cu o vast\u0103 varietate de insecte, p\u0103s\u0103ri \u0219i, mai ales, reptile, alte c\u00eeteva urm\u0103rind personaje plecate sau fugite \u00een Salvador sau Fran\u021ba. Personaje feminine, c\u0103ci Lauren Groff, ca multe alte autoare din genera\u021bia ei, incorporeaz\u0103 \u00een fic\u021biune temele politice predilecte ale zilei: feminism, privilegii de clas\u0103, imigra\u021bie, clim\u0103. Cu o singur\u0103 excep\u021bie, povestirile au protagoniste femei, b\u0103rba\u021bii exist\u0103 doar ca personaje ter\u021biare, absenteaz\u0103 de l\u00eeng\u0103 femei, atunci c\u00eend nu lipsesc cu totul din peisaj.<\/p>\n\n\n\n

De altfel, proza de deschidere, \u201eGoluri \u0219i n\u0103luci\u201d, marcheaz\u0103 clar acest teritoriu \u00een care femeile pleac\u0103, fug, se rup de l\u00eeng\u0103 b\u0103rba\u021bi: o so\u021bie, mam\u0103 a doi b\u0103ie\u021bi, pleac\u0103 \u00een fiecare sear\u0103 de acas\u0103, d\u00eend raite lungi printr-un cartier nu foarte sigur, pentru a putea face fa\u021b\u0103 vie\u021bii \u0219i lumii. \u201eCasa mea cea c\u0103lduroas\u0103 e \u0219i mai plin\u0103 de primejdii. \u00cen timpul zilei, c\u00eend b\u0103ie\u021bii s\u00eent la \u0219coal\u0103, citesc articole despre toate dezastrele care lovesc lumea, ghe\u021barii care mor \u00eentocmai ca ni\u0219te fiin\u021be vii, marea insul\u0103 de gunoaie din Pacific, sutele de specii care se sting chiar f\u0103r\u0103 ca cineva s\u0103 le fi descoperit \u00eenc\u0103, milenii de via\u021b\u0103 \u0219terse de parc\u0103 n-ar avea nici o valoare. Citesc, plin\u0103 de o jale feroce, de parc\u0103 lectura mi-ar putea potoli aceast\u0103 insa\u021biabil\u0103 poft\u0103 de doliu, c\u00eend, dimpotriv\u0103, nu face dec\u00eet s\u0103 o \u00eente\u021beasc\u0103.\u201d<\/p>\n\n\n\n

\u201eAceast\u0103 insa\u021biabil\u0103 poft\u0103 de doliu\u201d, conjurarea diverselor formelor de dezastru \u0219i de moarte r\u0103zbate toate povestirile. Un b\u0103rbat refuz\u0103 s\u0103-\u0219i v\u00eend\u0103 domeniul ml\u0103\u0219tinos \u00een jurul c\u0103ruia au loc ample dezvolt\u0103ri imobiliare, risc\u00eend s\u0103 devin\u0103, asemenea tat\u0103lui s\u0103u, victima s\u0103lb\u0103ticiei pe care o prezerv\u0103 (\u201e\u00cen col\u021burile imaginare ale p\u0103m\u00eentului nostru rotund\u201d). Dou\u0103 feti\u021be s\u00eent l\u0103sate singure \u00eentr-o caban\u0103 de pescuit de pe o insul\u0103 pustie (circumstan\u021bele nu s\u00eent clare) \u0219i, dup\u0103 ce fetele epuizeaz\u0103 proviziile, \u00eencearc\u0103 s\u0103 supravie\u021buiasc\u0103 singure p\u00een\u0103 \u00een momentul c\u00eend se v\u0103d nevoite s\u0103 se ascund\u0103 de un str\u0103in care nu pare venit pe insul\u0103 s\u0103 le salveze (\u201e…\u0219i c\u00eeinele se f\u0103cu lup\u201d). O mam\u0103 cu doi b\u0103ie\u021bi, r\u0103mas\u0103, de asemenea, singur\u0103 \u00eentr-o caban\u0103 de v\u00een\u0103toare \u00een mijlocul unei p\u0103duri tropicale, are un accident casnic grav \u0219i copiii se v\u0103d nevoi\u021bi s\u0103 aib\u0103 grij\u0103 de ea (\u201eAbis\u201d). O t\u00een\u0103r\u0103 mam\u0103 pleac\u0103 cu cei doi b\u0103ie\u021bi \u00eentr-o lung\u0103 vacan\u021b\u0103 prin Fran\u021ba rural\u0103 pe urmele scriitorului Guy de Maupassant, despre care inten\u021bioneaz\u0103 s\u0103 scrie o lucrare academic\u0103 (\u201eYport\u201d). O alt\u0103 t\u00een\u0103r\u0103 femeie educat\u0103 fuge de acas\u0103, imediat dup\u0103 terminarea facult\u0103\u021bii, pentru a duce o via\u021b\u0103 de vagabondaj la limita subzisten\u021bei (\u201eCele de sus \u0219i cele de jos\u201d). O alt\u0103 femeie, de data asta la v\u00eersta crizei mijlocii, pleac\u0103 de acas\u0103, unde-\u0219i \u00eengrijea mama bolnav\u0103, \u00een Salvador, pentru a se sim\u021bi dorit\u0103 \u0219i a se oferi b\u0103rba\u021bilor str\u0103ini (\u201eSalvador\u201d).<\/p>\n\n\n\n

Dou\u0103 povestiri s\u00eent preferatele mele. \u00cen \u201eOchiul ciclonului\u201d, o femeie refuz\u0103 s\u0103-\u0219i p\u0103r\u0103seasc\u0103 casa \u00eenaintea venirii unui ciclon \u0219i, astfel, devine singura martor\u0103 a \u201edesfr\u00eeului naturii\u201d chiar \u00een inima lui, atunci c\u00eend nu are halucina\u021bii cu b\u0103rba\u021bii mor\u021bi din via\u021ba ei. Este o proz\u0103 scris\u0103 admirabil prin felul \u00een care descrie \u00een detaliu spulberarea lumii la propriu \u0219i la figurat. Cealalt\u0103 proz\u0103, \u201ePentru Dumnezeul iubirii, pentru iubirea de Dumnezeu\u201d, mi-a atras aten\u021bia prin dinamica personajelor, tensiunea situa\u021biei \u0219i extinderea planului narativ: o femeie, \u00eenso\u021bit\u0103 de iubitul ei care se preg\u0103te\u0219te \u00een secret s\u0103 o p\u0103r\u0103seasc\u0103, \u00ee\u0219i viziteaz\u0103 \u00een Fran\u021ba rural\u0103 prietena din adolescen\u021b\u0103, purt\u00eend acum un nume fran\u021buzit \u0219i m\u0103ritat\u0103 \u00eentre timp cu un baron elve\u021bian sc\u0103p\u0103tat \u0219i bolnav, cu care a f\u0103cut \u0219i un copil. Acestui grup \u00een declin i se al\u0103tur\u0103 \u0219i nepoata \u201efran\u021buzoaicei\u201d, o t\u00een\u0103r\u0103 splendid\u0103 care iradiaz\u0103 via\u021b\u0103 \u0219i le pune \u00een fa\u021b\u0103 oglinda propriilor dec\u0103deri.<\/p>\n","protected":false},"excerpt":{"rendered":"

Flashbook de Marius Chivu<\/p>\n","protected":false},"author":9,"featured_media":12574,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[59,52],"tags":[88,87,2384],"coauthors":[1242],"class_list":["post-12573","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-flashbook","category-rubrici","tag-flashbook","tag-marius-chivu","tag-nr-1-2025"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/03\/Groff.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12573"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12573\/revisions"}],"predecessor-version":[{"id":12575,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12573\/revisions\/12575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/12574"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12573"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=12573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}