{"id":12471,"date":"2025-03-12T19:09:41","date_gmt":"2025-03-12T16:09:41","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=12471"},"modified":"2025-03-12T19:09:47","modified_gmt":"2025-03-12T16:09:47","slug":"amos-oz-si-rimele-din-caruselul-narativ","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=12471","title":{"rendered":"Amos Oz \u0219i rimele din caruselul narativ"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"692\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/03\/Amos-Oz.jpg\" alt=\"\" class=\"wp-image-12472\" style=\"width:450px;height:auto\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/03\/Amos-Oz.jpg 450w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/03\/Amos-Oz-195x300.jpg 195w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption class=\"wp-element-caption\">Amos Oz, <em>Rime despre via\u021b\u0103 \u0219i moarte<\/em>, Humanitas, Bucure\u0219ti, 2022, traducere de Ioana Petridean<\/figcaption><\/figure>\n<\/div>\n\n\n<p>O carte minunat\u0103 despre rela\u021bia literatur\u0103-via\u021b\u0103 este romanul lui Amos Oz, <em>Rime despre via\u021b\u0103 \u0219i moarte<\/em> (Humanitas, 2009, 2011, 2022), \u00een traducerea elaborat\u0103, fluid\u0103, a Ioanei Petridean. Tradus\u0103 \u00een peste patruzeci de limbi, povestea se desf\u0103\u0219oar\u0103 pe parcursul unei singure seri. Suntem \u00een Tel Aviv. Un scriitor celebru e invitat la un eveniment literar \u00een onoarea sa, desigur, cu ocazia lans\u0103rii recentului s\u0103u roman. Facem cuno\u0219tin\u021b\u0103 cu o sumedenie de personaje, coagulate \u00eentr-o posibil\u0103 viitoare oper\u0103. Sunt reale, inventate? Amos Oz demonstreaz\u0103 o extraordinar\u0103 mobilitate a persoanelor nara\u021biunii. Vocea naratorului, persoana \u00eent\u00e2i, apoi a doua, a treia. F\u0103r\u0103 s\u0103 fii derutat, \u00een calitate de cititor, participi efectiv la acest carusel narativ, la <em>facerea <\/em>scriiturii. Scriitorul ader\u0103 la o solu\u021bie: \u201es\u0103-i descrie asemenea unui fotograf de portrete sepia, un fotograf al reuniunilor de familie&#8230; care alearg\u0103 printre personaje, st\u0103 la taclale cu toat\u0103 lumea, se \u00eemprietene\u0219te, glume\u0219te, \u00eei roag\u0103 \u00een cele din urm\u0103 s\u0103 \u00ee\u0219i ocupe locurile dinainte stabilite, \u00eei dispune pe to\u021bi \u00een semicerc\u201d. Iat\u0103, \u021bi se d\u0103 materia prim\u0103, o sum\u0103 de persoane, pe care \u2013 dac\u0103 ai voca\u021bie \u2013 le transformi \u00een personaje. O chelneri\u021b\u0103, un adolescent, o admiratoare, un func\u021bionar bolnav, un poet c\u0103zut \u00een uitare, o t\u00e2n\u0103r\u0103 frumoas\u0103&#8230; \u00centre ace\u0219ti oameni, autorul \u021bese pove\u0219ti \u0219i nu-i mai elibereaz\u0103 din&#8230; p\u00e2nza de p\u0103ianjen fic\u021bional\u0103. \u00cen locul unei intrigi solide, el emite ipoteze viabile. O noapte doar a lui, a scriitorului, printre siluete nedefinite. S\u0103 fug\u0103? S\u0103 nu fug\u0103? \u2013 \u201edar se poate \u00eent\u00e2mpla, la fel de bine, ca scriitorul nostru s\u0103 nu fug\u0103 \u00een clipa \u00een care aude zgomotul acela u\u0219or venind din\u0103untrul apartamentului, ci s\u0103 \u00eempietreasc\u0103 pe loc, paralizat de fric\u0103\u201d<\/p>\n\n\n\n<p>Orice scriitor tr\u0103ie\u0219te momente de derut\u0103, de \u00eendoial\u0103, \u00eentreb\u00e2ndu-se \u201ece rol au pove\u0219tile tale, cui folosesc? Cine are nevoie, dac\u0103 \u00eemi permi\u021bi s\u0103 \u00eentreb, de fanteziile tale, de toate absurdit\u0103\u021bile acestea legate de aventuri sexuale cu chelneri\u021be frustrate, cu recitatoare nem\u0103ritate care locuiesc \u00eempreun\u0103 cu pisicile lor\u201d. \u0218i mai departe: \u201ede ce scrii a\u0219a? ce ofer\u0103 scrierile tale, dac\u0103 \u00eentr-adev\u0103r ofer\u0103 ceva, societ\u0103\u021bii, \u021b\u0103rii, \u0219i cu ce contribuie la edificarea unui sistem de valori incontestabile?\u201d. &nbsp;Referitor la schimbarea persoanelor narative, amintim plecarea scriitorului de la Ruhale Reznik.&nbsp; \u201eTe sun cur\u00e2nd\u201d, zice el, dar \u00een surdin\u0103, apare ironic\u0103 persoana a doua \u2013 \u201en-o s\u0103 suni, de ce ai face-o?\u201d. Scenele de dragoste cu Ruhale sunt adev\u0103rate bijuterii stilistice, autentice \u0219i conving\u0103toare. El \u201ecapteaz\u0103 murmurul ce se na\u0219te \u00een ad\u00e2ncurile fiin\u021bei ei, continu\u00e2nd s\u0103 o \u00eenv\u0103luie \u00een pl\u0103cere, primind \u0219i inventariind f\u0103r\u0103 discern\u0103m\u00e2nt p\u00e2n\u0103 \u0219i cele mai subtile diferen\u021be dintre gemetele ei, ascult\u00e2nd cu pielea, nu cu urechile\u201d.<\/p>\n\n\n\n<p>Romanul, scris cu un umor subtil, rafinat, e o s\u0103rb\u0103toare a fic\u021biunii. Poate c\u0103 totul e real, iar atunci autorul a plimbat (probabil) oglinda lui Stendhal de-a lungul propriei sale vie\u021bi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>de Alexandru Jurcan<\/p>\n","protected":false},"author":208,"featured_media":12472,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2153,52],"tags":[1417,867,1796,2352],"coauthors":[1416],"class_list":["post-12471","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cronica-traducerilor","category-rubrici","tag-alexandru-jurcan","tag-amos-oz","tag-cronica-traducerilor","tag-nr-11-12-2024"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/03\/Amos-Oz.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12471"}],"version-history":[{"count":1,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12471\/revisions"}],"predecessor-version":[{"id":12473,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12471\/revisions\/12473"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/12472"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12471"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=12471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}