{"id":12293,"date":"2025-02-23T15:52:05","date_gmt":"2025-02-23T12:52:05","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=12293"},"modified":"2025-02-23T15:54:30","modified_gmt":"2025-02-23T12:54:30","slug":"deturnari-intirzieri-blocaje","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=12293","title":{"rendered":"Deturn\u0103ri, \u00eent\u00eerzieri, blocaje"},"content":{"rendered":"
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Ana Maria Sandu, Salvatorii,<\/em> Editura Polirom, 2024<\/figcaption><\/figure>\n<\/div>\n\n\n

\u00cen anul 2017, dup\u0103 o carte-poem \u0219i trei romane, Ana Maria Sandu (n. 1974) publica primul ei volum de povestiri, Pere\u021bi sub\u021biri,<\/em> o colec\u021bie omogen\u0103 tematic de \u0219aptesprezece pove\u0219ti amplasate \u00eentr-un mic bloc bucure\u0219tean, \u00een care vie\u021bile \u0219i istoriile personajelor colocatare comunicau, \u00een diverse feluri, prin pere\u021bii sub\u021biri ale celor patru etaje. Tot despre intimitate \u0219i formele ei variate este vorba \u0219i \u00een cele \u0219ase povestiri ale acestui volum a c\u0103rui supratem\u0103 s\u00eent rela\u021biile de cuplu.<\/p>\n\n\n\n

Cele dou\u0103 volume poart\u0103 o conversa\u021bie discret\u0103 inclusiv prin imaginile de pe coperte, ambele ilustra\u021bii\/tablouri: la Pere\u021bi sub\u021biri <\/em>(Quint Buchholz), un cuplu spioneaz\u0103 vecin\u0103tatea din cartier de pe acoperi\u0219ul blocului, \u00een timp ce coperta Salvatorilor<\/em> (Roman Tolici) ne arat\u0103 doi muncitori stradali purt\u00eend veste reflectorizante care privesc \u00een jos, de pe plafonul norilor, spre omenirea de dedesubt. \u00cen ambele imagini exist\u0103 ni\u0219te obiecte cu valen\u021be simbolice evidente: \u00een prima un ochean, o portavoce-goarn\u0103 \u0219i dou\u0103 antene TV, \u00een cealalt\u0103 dou\u0103 conuri de semnalizare.<\/p>\n\n\n\n

\u201e\u0218ase povestiri despre cupluri, iluzii \u0219i dorin\u021ba de a fi iubi\u021bi… Personajele, indiferent de v\u00eerst\u0103, \u00ee\u0219i doresc o rela\u021bie adev\u0103rat\u0103. Cineva va fi mereu dispus s\u0103 ri\u0219te \u0219i s\u0103 joace rolul salvatorului\u201d, a\u0219a este descris\u0103 pe coperta din spate a volumului tema prozelor al c\u0103ror subiect se arat\u0103, a\u0219adar, pe c\u00eet de banal\u0103, pe at\u00eet de incitant\u0103.<\/p>\n\n\n\n

Primele trei povestiri s\u00eent plasate, m\u0103car par\u021bial, \u00een str\u0103in\u0103tate. \u00cen proza de deschidere, intitulat\u0103 \u201eK.\u201d, o rom\u00e2nc\u0103 \u0219i un francez, am\u00eendoi la patruzeci de ani, se cunosc pe fug\u0103 \u00een Bucure\u0219ti \u00een primele zile ale pandemiei, pentru ca ulterior s\u0103 dezvolte o rela\u021bie la distan\u021b\u0103 a c\u0103rei finalitate se arat\u0103 la fel de incert\u0103 precum lockdown-ul: \u201eNu s-au mutat \u00eentr-o \u021bar\u0103 sau \u00eentr-un ora\u0219 anume, ci \u00een dou\u0103 ecrane de telefon. Habar n-aveau dac\u0103 se pl\u0103ceau cu adev\u0103rat. Dar se ata\u0219aser\u0103 unul de altul, de apeluri video regulate, de discu\u021biile lungi, p\u00een\u0103 t\u00eerziu \u00een noapte. Vorbeau \u00eentr-o limb\u0103 care nu era a ei, ci doar a lui. Asta f\u0103ceau \u00een fiecare sear\u0103…\u201d. Zoom-rela\u021bia celor doi \u00ee\u0219i atinge climaxul erotic c\u00eend femeia se dezbrac\u0103 \u00een fa\u021ba ecranului, dar rela\u021bia astfel mimat\u0103 \u0219i senzualitatea decorporalizat\u0103, mai exact exersat\u0103 \u00een lipsa celorlalte sim\u021buri, se afl\u0103 \u00een curs de epuizare \u00een afara realit\u0103\u021bii. Asta p\u00een\u0103 c\u00eend b\u0103rbatul revine \u00een Bucure\u0219ti, datorit\u0103 jobului, \u0219i cei doi, b\u0103iatul din Paris \u0219i \u201ela fille de l\u2019Est\u201d, au astfel ocazia s\u0103 se \u00eent\u00eelneasc\u0103 pentru prima dat\u0103 dup\u0103<\/em> ce \u0219i-au consumat o bun\u0103 parte din rela\u021bie. \u201eCe faci c\u00eend te \u00eent\u00eelne\u0219ti cu un necunoscut at\u00eet de familiar?\u201d, reia naratorul, \u00een stil indirect liber, temerea femeii.<\/p>\n\n\n\n

A doua povestire \u201ede grani\u021b\u0103\u201d se intituleaz\u0103 \u201e80 de franci\u201d (\u0219i a ap\u0103rut ini\u021bial \u00een antologia KIWI. Trecuturi<\/em>, Editura Polirom, 2023): o femeie, nevoit\u0103 s\u0103 se \u00eentoarc\u0103 cu autocarul din Lausanne \u00een Bucure\u0219ti \u00eentruc\u00eet c\u0103l\u0103tore\u0219te \u00eenso\u021bit\u0103 de pisica ei, se confrunt\u0103 pe traseu cu moartea subit\u0103 a animalului de companie. Desp\u0103r\u021birea recent\u0103 de partener face ca moartea pisicii, \u201eodrasla\u201d cuplului, s\u0103 o confrunte pe femeia \u00eensingurat\u0103 cu sentimentul supersti\u021bios al vinei: dac\u0103 nu cumva ea este cea care a \u201eucis\u201d deopotriv\u0103 iubirea \u0219i pet-ul cuplului? Aceast\u0103 povestire \u0219i urm\u0103toarea s\u00eent, de fapt, culmile volumului.<\/p>\n\n\n\n

\u00cen \u201eSolitude\u201d o femeie din Foc\u0219ani, divor\u021bat\u0103 \u0219i cu doi copii r\u0103ma\u0219i acas\u0103 \u00een \u021bar\u0103, ajunge menajera unui octogenar italian, a c\u0103rui so\u021bie se afl\u0103 la azil. \u00cent\u00eemplarea face ca rom\u00e2nca s\u0103 cunoasc\u0103, \u00een preajma cimitirului din apropiere, un b\u0103rbat italian surdo-mut care devine, astfel, confidentul perfect pentru femeia \u00eenstr\u0103inat\u0103 \u0219i nevorbit\u0103 \u00een limba matern\u0103. \u201eP\u00een\u0103 la urm\u0103 o s\u0103 vorbe\u0219ti, Jane, ascult\u0103-m\u0103 pe mine! N-o s\u0103 te las a\u0219a, ai s\u0103 vezi\u201d, \u00eei promite femeia \u00een limba rom\u00e2n\u0103 italianului botezat ad-hoc, a c\u0103rui singur\u0103tate nu are nevoie de traducere. De data aceasta, spre deosebire de bucure\u0219teanca din \u201eK.\u201d, femeia vorbe\u0219te \u00eentr-o limb\u0103 a ei, deci care nu e a b\u0103rbatului, dar pe care limb\u0103 b\u0103rbatul nici nu are nevoie s-o cunoasc\u0103.<\/p>\n\n\n\n

Celelalte trei povestiri s\u00eent plasate \u00een \u021bar\u0103 \u0219i s\u00eent, \u00eentr-un anume fel, mai conven\u021bionale. \u00cen \u201eVacan\u021ba de iarn\u0103\u201d, o t\u00een\u0103r\u0103 student\u0103 suferind din dragoste se \u00eentoarce acas\u0103, \u00een provincie, transform\u00eendu-\u0219i vacan\u021ba \u00eentr-o escapad\u0103, memorabil\u0103 \u0219i vindec\u0103toare, cu un b\u0103rbat mai \u00een v\u00eerst\u0103 (\u00een mod curios, aceast\u0103 povestire are un aer comun cu prima parte a romanului Clandestin<\/em> de Marin-M\u0103laicu Hondrari, publicat cu o lun\u0103 mai devreme la Editura Trei). \u00cen \u201eDispari\u021bia\u201d, o femeie \u00een v\u00eerst\u0103 are o interac\u021biune misterioas\u0103 cu un t\u00een\u0103r vecin de scar\u0103, care o ajut\u0103 \u00een urma unui accident minor; pentru ca \u00een proza titular\u0103 o petrecere de zi de na\u0219tere, \u021binut\u0103 \u00eentr-un apartament, s\u0103 fie deturnat\u0103 de apari\u021bia unui b\u0103rbat, misterios \u00een sensul dubios, aciuat \u00een scara blocului \u0219i \u201esalvat\u201d de gazdele care-l invit\u0103 \u00een cas\u0103.<\/p>\n\n\n\n

Cele dou\u0103 conuri de semnalizare de pe copert\u0103 func\u021bioneaz\u0103 din plin, \u00eent\u00eempl\u0103tor sau nu, c\u0103ci fiecare proz\u0103 expune, mai mult sau mai pu\u021bin previzibil, o anume form\u0103 de blocaj \u00een traficul de cuplu.<\/p>\n","protected":false},"excerpt":{"rendered":"

Flashbook de Marius Chivu<\/p>\n","protected":false},"author":9,"featured_media":12295,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[59,52],"tags":[88,87,2352],"coauthors":[1242],"class_list":["post-12293","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-flashbook","category-rubrici","tag-flashbook","tag-marius-chivu","tag-nr-11-12-2024"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2025\/02\/coperta-1.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12293"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12293\/revisions"}],"predecessor-version":[{"id":12297,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/12293\/revisions\/12297"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/12295"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12293"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=12293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}