{"id":11431,"date":"2024-10-14T08:27:21","date_gmt":"2024-10-14T05:27:21","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=11431"},"modified":"2024-10-14T08:33:24","modified_gmt":"2024-10-14T05:33:24","slug":"brauner-pictorul-clarvazator","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=11431","title":{"rendered":"Brauner. Pictorul clarv\u0103z\u0103tor"},"content":{"rendered":"\n
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\u201eLumea spiritelor pe care a v\u0103zut-o era una a animalelor fantastice, plin\u0103 de simboluri cosmogonice \u015fi sugestii ancestrale. Era chemarea spre traducere a necunoscutului prin pictur\u0103 pe care o sim\u0163ea de ceva timp. Mai mult ca niciodat\u0103, a \u00een\u0163eles c\u0103 menirea lui de pictor dep\u0103\u015fe\u015fte reprezentarea realit\u0103\u0163ii. A recunoscut chemarea, contactul cu alte lumi. S-a \u00eent\u00e2lnit parc\u0103 cu un alt Victor Brauner, un Victor infinit, victorios, iluminator. S-a \u00eent\u00e2lnit cu sine, o parte ascuns\u0103 a sinelui. Sinele vr\u0103jitor, sinele scrib, sinele care decodific\u0103 mistere. Sinele medium, permanent legat de lumea spiritelor.\u201d<\/p>\n\n\n\n

Victor BRAUNER<\/strong> (15 iunie 1903, Piatra Neam\u0163 \u2013 12 martie 1966, Paris) a fost al treilea copil dintre cei \u015fase ai lui Deborah \u015fi Herman Brauner, o familie modern\u0103 de evrei din Piatra Neam\u0163. Copil\u0103ria \u015fi adolescen\u0163a \u015fi le-a petrecut \u00eentre Piatra Neam\u0163, Hamburg, Br\u0103ila, Viena, F\u0103lticeni \u015fi Bucure\u015fti. A urmat cursurile \u015ecolii de Belle-Arte din Bucure\u015fti, la care a renun\u0163at ulterior \u00een favoarea unei form\u0103ri autodidacte, libere, \u00een inima experimentului avangardist. Pornind de la interesele constructiviste din primii ani de crea\u0163ie, a experimentat apoi \u00een direc\u0163ia c\u0103ut\u0103rilor interioare suprarealiste. S-a reg\u0103sit \u00een suprarealism \u015fi a devenit un nume de referin\u0163\u0103 al grupului interna\u0163ional. A deschis prima expozi\u0163ie personal\u0103 \u00een 1924, \u00een tandem cu lansarea publica\u0163iei avangardiste 75HP<\/em>, num\u0103r unic tip\u0103rit \u00een condi\u0163ii grafice excep\u0163ionale. Stabilit \u00een Fran\u0163a \u00een 1930, l-a cunoscut pe Br\u00e2ncu\u015fi, care l-a ini\u0163iat \u00een arta fotografic\u0103. \u00cen decembrie 1934, a deschis prima expozi\u0163ie personal\u0103 la Paris, coordonat\u0103 de Andr\u00e9 Breton. Ulterior, artistul a devenit o figur\u0103 cunoscut\u0103 \u015fi recunoscut\u0103 a grupurilor de avangard\u0103 din Bucure\u015fti \u015fi Paris, cu o ampl\u0103 activitate expozi\u0163ional\u0103. Dup\u0103 perioada suprarealist\u0103, \u015fi-a \u00eendreptat aten\u0163ia spre pictura simbolic\u0103, proprie, figurativ\u0103, de sorginte primitiv\u0103, mistic\u0103. Marcat de angoase existen\u0163iale \u015fi de o depresie profund\u0103, s-a izolat treptat \u00een propria art\u0103. Lucr\u0103rile sale sunt prezente \u00een majoritatea marilor muzee ale lumii. Cea mai ampl\u0103 colec\u0163ie de lucr\u0103ri \u015fi documente se afl\u0103 \u00een prezent la Muzeul de Art\u0103 Modern\u0103 \u2013 Centrul Georges Pompidou.<\/p>\n<\/div><\/div>\n\n\n\n

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Fragment<\/h4>\n\n\n\n

\u2014 E\u0219ti turmentat, \u00eei spuse Br\u00e2ncu\u0219i calm, \u00een rom\u00e2n\u0103. Potole\u0219te\u00adte, acest circ e absolut ridicol.  Lumea se uit\u0103 la noi.<\/p>\n\n\n\n

\u2014 Auzi la el! r\u0103spunse Tzara \u00een francez\u0103. Eu sunt turmentat?<\/p>\n\n\n\n

Nici nu apuc\u0103 bine s\u0103-\u0219i termine fraza, c\u0103 un b\u0103rbat veni spre el \u00eenjur\u00e2ndu\u00adl \u0219i \u00eel apuc\u0103 de guler. \u00cencepu o \u00eenc\u0103ierare ce atrase aten\u021bia tuturor celor prezen\u021bi. Andr\u00e9 Breton l\u00ad-a pocnit pe Tzara \u00een fa\u021b\u0103, iar Tristan Tzara l\u00ad-a luat la pumni din toate direc\u021biile. Greta, Marthe \u0219i Lizica au \u00eenceput s\u0103 pl\u00e2ng\u0103, \u00een timp ce Br\u00e2ncu\u0219i \u0219i Chagall \u00eencercau s\u0103\u00ad-i despart\u0103. Victor privea scena \u00eenm\u0103rmurit. Chagall, scund \u0219i supraponderal, a \u00eencercat, cu mi\u0219c\u0103ri st\u00e2ngace, s\u0103-\u00adl imobilizeze pe Breton, care, agitat de parc\u0103 era turbat, l\u00ad-a r\u0103sturnat pe masa lui Marx Ernst \u0219i a c\u0103zut peste el. Victor a alergat s\u0103-\u00adl ajute pe Marc \u0219i s-\u00ada trezit la r\u00e2ndul lui cu o serie de pumni din partea lui Breton \u0219i cu multe \u00eenjur\u0103turi. Ernst, deja enervat de c\u00e2teva glume proaste la adresa germanilor, a profitat de ocazie ca s\u0103 \u00eenceap\u0103 s\u0103 arunce pumni \u00een toate direc\u021biile. \u00cen mai pu\u021bin de zece minute, toat\u0103 terasa p\u0103rea angrenat\u0103 \u00eentr\u00ad-o b\u0103taie f\u0103r\u0103 niciun sens. Tzara urla la Breton ceva greu de \u00een\u021beles despre succesul piesei Mouchoir de nuages<\/em>, care se juca de la premier\u0103 cu casa \u00eenchis\u0103.<\/p>\n\n\n\n

\u2014 E\u0219ti invidios, recunoa\u0219te! Ce crezi c\u0103 o s\u0103 schimbe pamfletele tale manifest care nu intereseaz\u0103 pe nimeni? Nimic, nici pe tine. Cine are nevoie de suprarealism?<\/p>\n\n\n\n

\u2014 Suprarealismul este arta nou\u0103, eu sunt arta nou\u0103! Suprarealismul este ceea ce va s\u0103 fie! Toat\u0103 lumea are nevoie de suprarealism. \u021ai-\u00ada trecut vremea, s\u00ad-au pensionat admiratorii t\u0103i. Eu sunt viitorul, i\u00ad-a replicat Breton, plin de el, \u00een timp ce a dat un pas \u00een spate ca s\u0103 se fereasc\u0103 de avalan\u0219a de pumni.<\/p>\n\n\n\n

Urlau am\u00e2ndoi \u00een acela\u0219i timp, motiv pentru care mai mult de jum\u0103tate din ce spunea fiecare era doar zgomot de ne\u00een\u021beles.<\/p>\n\n\n\n

\u2014 Suprarealismul t\u0103u este o emula\u021bie a tot ce au f\u0103cut al\u021bii, nu ai inventat nimic, e\u0219ti o copie paradoxal\u0103, strig\u0103 Tzara, de data asta c\u00e2t \u00eel \u021bineau pl\u0103m\u00e2nii, suficient c\u00e2t s\u0103 acopere strig\u0103tele lui Breton. S\u00ad-a oprit apoi s\u0103\u2011\u0219i trag\u0103 suflarea, suficient ca Breton s\u0103 continue cu \u021bipetele.<\/p>\n\n\n\n

\u2014 Hai, recunoa\u0219te c\u0103 Dada e revolta unor burghezi care nu au tr\u0103it r\u0103zboiul pentru c\u0103 \u0219i-\u00adau permis s\u0103 huzureasc\u0103 prin Elve\u021bia, \u00een timp ce genera\u021bia mea lupta pe front. Suferea pe front. Habar n-\u00adai tu ce \u00eenseamn\u0103 munca de psihiatru pe front. Habar n-\u00adai tu ce am v\u0103zut eu c\u00e2t te distrai tu pe banii p\u0103rin\u021bilor la Z\u00fcrich. Genera\u021bia mea a v\u0103zut moartea cu ochii la scar\u0103 larg\u0103 \u00een timp ce voi v\u0103 distra\u021bi prin cabarete elve\u021biene.<\/p>\n\n\n\n

\u2014 Genera\u021bia pierdut\u0103, strig\u0103 Gertrude Stein \u00een timp ce p\u0103r\u0103sea terasa, siderat\u0103 de \u00eenc\u0103ierare. To\u021bi ni\u0219te be\u021bivi prost-crescu\u021bi.<\/p>\n\n\n\n

\u2014 \u0218i voi ni\u0219te burghezi \u00eempu\u021bi\u021bi, \u00eei strig\u0103 Breton \u0219i scuip\u0103 \u00een urma ei, un gest care i\u00ad-a enervat pe mul\u021bi din jur.<\/p>\n\n\n\n

Au mai s\u0103rit c\u00e2\u021biva s\u0103-\u00adl bat\u0103.<\/p>\n\n\n\n

Scandalul \u0219i b\u0103taia au mai continuat poate o jum\u0103tate de or\u0103, timp \u00een care to\u021bi cei prezen\u021bi s\u00ad-au ales cu cel pu\u021bin un pumn \u0219i ni\u0219te \u00eenjur\u0103turi. S-\u00ada terminat la fel de brusc cum a \u00eenceput, dup\u0103 ce Breton a c\u0103lcat din gre\u0219eal\u0103 peste monoclul lui Tzara, f\u0103r\u0103 s\u0103 \u00ee\u0219i cear\u0103 scuze. Ca un gest de victorie, i\u00ad-a \u00eentors spatele \u0219i a plecat. Tristan i\u00ad-a mai dat un \u0219ut, care nu l\u00ad-a nimerit, apoi a plecat, sprijinit de Victor \u0219i Greta, \u00eenc\u0103 furios, bomb\u0103nind \u00eenjur\u0103turi. Au traversat Jardin du Luxembourg \u0219i au pornit la pas \u00een direc\u021bia Montmartre. Victor locuia \u00een continuare cu Tzara \u0219i Greta, avea camera lui \u00een apartamentul foarte spa\u021bios \u00een care cuplul tr\u0103ia provizoriu \u00een timp ce \u00ee\u0219i construia o cas\u0103. Drumul era lung, aveau de mers mai bine de o or\u0103, \u00een urcare. To\u021bi erau be\u021bi \u0219i excita\u021bi de evenimente. Tzara pufnea de furie. Au dezb\u0103tut situa\u021bia p\u00e2n\u0103 spre diminea\u021b\u0103. Victor nu a reu\u0219it s\u0103 \u00een\u021beleag\u0103 de unde a pornit scandalul, cine a \u00eenceput \u0219i cum. \u00cen orice caz, evenimentul nu era nici pe departe ceva excep\u021bional. Arti\u0219tii se \u00eenc\u0103ierau frecvent, iar discu\u021biile aprinse duceau vr\u00e2nd\u00ad-nevr\u00e2nd la b\u0103t\u0103i stra\u0219nice.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fragment din volumul \u201eBrauner. Pictorul clarv\u0103z\u0103tor\u201e de Valentina Iancu.<\/p>\n","protected":false},"author":353,"featured_media":11432,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[29],"tags":[625,2261,1764,2262],"coauthors":[2260],"class_list":["post-11431","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictiune","tag-biografii-romantate","tag-brauner-pictorul-clarvazator","tag-editura-polirom","tag-valentina-iancu"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/10\/Brauner_Pictorul-clarvazator_Biografii-romantate-a.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/353"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11431"}],"version-history":[{"count":2,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11431\/revisions"}],"predecessor-version":[{"id":11437,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/11431\/revisions\/11437"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/11432"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11431"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=11431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}