{"id":10899,"date":"2024-07-03T11:53:43","date_gmt":"2024-07-03T08:53:43","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=10899"},"modified":"2024-07-03T11:53:50","modified_gmt":"2024-07-03T08:53:50","slug":"posta-redactiei-%f0%9d%91%80%f0%9d%91%92%f0%9d%91%a1%f0%9d%91%8e%f0%9d%91%a0%f0%9d%91%a1%f0%9d%91%8e%f0%9d%91%a0%f0%9d%91%96%f0%9d%91%a0-de-nicoleta-simon","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=10899","title":{"rendered":"Po\u0219ta redac\u021biei: \ud835\udc40\ud835\udc52\ud835\udc61\ud835\udc4e\ud835\udc60\ud835\udc61\ud835\udc4e\ud835\udc60\ud835\udc56\ud835\udc60 de Nicoleta \u0218imon"},"content":{"rendered":"\n<pre class=\"wp-block-verse\" style=\"font-size:16px\"><em>iart\u0103-m\u0103, am p\u0103c\u0103tuit<br>am \u00eenfipt cuiul \u00een granit<br>\u0219i s-a spart<\/em><br><br>I.<br>(the girl in the machines) <br><br>ochiul ciclonului <br>e ochiul zeului metalic cu picioare tubulare<br>a smuls cocoa\u0219ele ora\u0219ului <br>blocuri de rezerv\u0103 pe care-ntr-o zi le va cobor\u00ee peste capetele trec\u0103torilor<br>s\u0103-i zdrobeasc\u0103. <br>de jos noi spunem \u201eiart\u0103-ne\u201d \u0219i nu \u00een\u021belegem lini\u0219tea <br>\u00eenchegat\u0103 \u00een venele de plastic<br>m\u0103cinarea organelor, nervii lega\u021bi la st\u00e2lpi de \u00eenalt\u0103 tensiune<br>trepideaz\u0103. \u0219i dor spa\u021biile interioare, dor vertebrele \u2013 podul dintre \u00eenainte <br>\u0219i-napoi<br>blocurile de la sol \u00ee\u0219i pl\u00e2ng etajele ciuntite<br>pl\u00e2ngem cu ele. vibra\u021biile v\u00e2ntului, cacofonia pl\u00e2nsetelor \u00een d minor<br>privirea lui se \u00eentinde peste noi ca o placent\u0103<br>privirea lui peste ora\u0219ul c\u00e2t o pat\u0103 sub lentila microscopului<br><br>\u00eenc\u0103 de mici am fost \u00eenv\u0103\u021ba\u021bi s\u0103 ascult\u0103m, \u0219i-am ascultat<br>clopotele, am ascultat <br>glasul t\u0103ios al p\u0103s\u0103rilor-arc \u00eentre copaci cu boala parkinson<br>crepuscul<br>faruri obsesive. timpanele acordate ale oamenilor de titaniu<br>corpuscul<br>atingerea lunii cutremura vitraliile bisericii cu u\u0219a scoas\u0103 din z\u0103vor<br>s\u0103 poat\u0103 respira. respira<br>pe-atunci<br>nava-mam\u0103 a l\u0103sat nou-n\u0103scu\u021bii-n tomberoane<br>copii nelegitimi crescu\u021bi de maidanezi<br>pe-atunci<br>nu erau                                                 hidrante<br>se ad\u0103pa fiecare cu ce \u0219i cum putea. din cerneala ochilor alba\u0219tri<br>deus pe afi\u0219e unsuroase<br><br>am pretins c\u0103 suntem bine. <br>ne-am trasat unghiile pe placa de control<br>ne-am sc\u0103rpinat metalul p\u00e2n\u0103 s-a decolorat<br>am descifrat p\u00e2n\u0103 \u0219i textura paginilor din vechile alexandrii<br>cu fiecare liter\u0103 ni se-ncordau tendonii<br>houston \u2013 ne trebuie o c\u0103l\u0103uz\u0103<br><br>c\u00e2nd lucrurile au devenit foarte sumbre<br>nou-n\u0103scu\u021bii au fost    \t                         du\u0219i la abator<br>celulele stem adunate pentru fisurile cl\u0103dirilor erecte<br>\u00eentre tulpini \u0219i cutiile de gunoi<br>se-ntindea s\u0103m\u00e2n\u021ba lor de lapte<br>adul\u021bii dintre noi \u00ee\u0219i \u021bineau dezam\u0103girile        ascunse<br>dar ne-am adaptat. ne adapt\u0103m mereu<br>copiii au primit la schimb membre artificiale<br>                                                       o gaur\u0103 \u00een piept<br><br>am \u00eencercat s\u0103 repopul\u0103m ora\u0219ele, proptindu-ne unii de al\u021bii,<br>lovind sf\u00e2rcuri de sf\u00e2rcuri, gaura de capul prizei<br>dormeam unul sub altul, ca \u00een operele de pe vremuri<br>dar noi scriam underground. neto\u021bi, ne\u00een\u021bele\u0219i, nevrednici<br>la urma urmei\u2026 infertili<br>oameni \u00eengr\u0103di\u021bi \u00een cu\u0219ti de carne crud\u0103 voiam s\u0103 devenim<br>s\u0103 ne intre pe n\u0103ri proasp\u0103t \u0219i fidel mirosul<br>str\u0103zilor<br>de mam\u0103<br><br>ne purtam frumos. ne complimentam ochii de ghei\u0219e temperate<br>mor\u021bi \u00eentr-un \u00eenveli\u0219 aspru la atingere. culoarea mercurului \u00eel invoca pe<br>hermes <br>cabluri \u0219erpuind pe la articula\u021bii<br>s\u00e2s\u00e2itul reciclat anun\u021ba momentul pr\u00e2nzului<br>mere pe birouri pr\u0103fuite<br>pupilele se roteau                                 lent<br>inexplicabil,<br>m-am ridicat dintre confra\u021bii mei de tinichea <br>sim\u021beam nevoia s\u0103 alerg printre cocori. s\u0103 aud pa\u0219ii lor sonori<br>apa<br>cursul apei<br>apa<br>cercuri concentrice-n                           canal<br><br>imperiul nebulos al p\u0103s\u0103rilor-titirez<br>m-am apucat s\u0103 le imit mersul dezarticulat <br>cu ce seam\u0103n\u0103 \u0219tiin\u021ba, cu voin\u021ba<br>\u0219i-am crezut<br>c\u0103 pot gusta capul de prun\u0103, p\u00e2n\u0103-i ajung la creier \u0219i s\u0103-l scuip<br>cu ce seam\u0103n\u0103 credin\u021ba, cu mersul pe asfaltul umed. la cin\u0103<br>umezeala se transform\u0103-n vin<br>privirile stoarse de culoare. stin\u0219i \u2013 ochii petrec spa\u021bii liminale<br>pe str\u0103zi <br>podurile suspendate \u00ee\u0219i scarpin\u0103 rugina<br><br>reconnaissance<br>trupul volant al \u00eengerilor-zeppelin <br>caut\u0103 proscri\u0219ii din buricul p\u0103m\u00e2ntului<br>ultima oar\u0103 s-au pierdut printre scame \u0219i au explodat cur\u0103\u021b\u00e2ndu-l<br>c\u0103ut\u0103turile au continuat \u00een cartierul crucii,<br>din copaci c\u0103deau canaliile<br>canarii<br>prin\u0219i \u00eentre vagoane, c\u00e2inii latr\u0103 anemic \u0219i am \u00een\u021beles ce e frica<br>vocea t\u0103iat\u0103 cu lama \u00eencins\u0103<br><br>la periferii siluete ce miros a sulf. \u021biuitul p\u0103s\u0103rilor-\u0219urub. <br>zgomot de fond<br>demimonde<br><br>\u00eempu\u0219c\u0103-m\u0103! d\u0103-m\u0103 cu capul de pere\u021bi <br>s\u0103 fiu un fost, un artist cu s\u00e2ngele canonizat peste \u0219osea<br>sedimentele se a\u0219az\u0103 la cap\u0103tul cel\u0103lalt al nop\u021bii \u2013 aur viu<br>p\u0103strat \u00een gaura din piatr\u0103<br>s\u0103 fiu o profe\u021bie scoas\u0103 din leziunile interne, o profe\u021bie pentru ei \u0219i pentru ele<br>pentru personal \u0219i impersonal<br>dezordinea sub cerul \u0219i stelele dezlipite din tavan<br><br>t\u00e2rziu am ajuns s\u0103 cunosc oameni de carbon. m-au \u00eenv\u0103\u021bat s\u0103 vorbesc <br>pe limba lor. limba de sticl\u0103, spart\u0103 \u00een buc\u0103\u021bi. cioburi plantate \u00een covor<br><br>de aici totul devine complicat, soarele s-a topit \u0219i s-a scurs \u00een gura de canal<br>zi \u0219i noapte, noapte \u0219i zi, zi \u0219i noapte \u0219i \u2013<br>becul pocnit<br>becul cu mu\u0219te, mu\u0219tele \u00een bec \u2013 adunate ca negrul sub unghie<br>palmele ascunse la spate, loviturile \u00een buzunare rupte, c\u0103ptu\u0219ite<br>istoria mondial\u0103 e istoria fructelor \u00een borcan \u2013 \u00eemi spune<br>omul din tafta<br>\u0219i ridic\u0103 pe r\u00e2nd caii dintre piesele de \u0219ah<br>rostul lor, rostul r\u0103zboiului<br>cuceritorul galop\u00e2nd spre nord <br>rostul foametei \u0219i mor\u021bii <br>\u0219i moartea amprentat\u0103 \u00een gene, \u00een g\u0103urile negre<br>moartea din cuibul p\u0103s\u0103rilor-piuli\u021b\u0103<br>v\u00e2sle\u0219te mai departe \u2013 sub cerul cu s\u00e2nii dezgoli\u021bi \u2013 \u00een gura canalului<br>\u0219i acum <br>suntem doi<br><br>prive\u0219te-m\u0103. te privesc z\u00e2mbind<br>la urma urmei tr\u0103im de dou\u0103 ori \u2013 insomnii cu dou\u0103 vie\u021bi<br>de noapte \u0219i zi<br>de cer \u0219i de stele rupte din anxiet\u0103\u021bi, din ochi purico\u0219i, de soare anorexic<br>de j\u0103ratic. <br>de unghii date cu lumin\u0103 rece, lumin\u0103 ascu\u021bit\u0103, de ascu\u021bitoare, lumin\u0103 de LED<br>prin canale \u00eencol\u021besc \u021biparii<br>\u0219i-nflorim <br>iese din tinichea tulpina sub\u021bire de vie. nectarul din n\u0103ri<br>plant\u0103 cu miez otr\u0103vitor<br>\u00eemi strecor m\u00e2na printre ei. <br>rugine\u0219te <br>o maturizare for\u021bat\u0103<br>\u00eenot\u0103m cu pe\u0219tii<br>pe\u0219ti peste pe\u0219ti peste pe\u0219ti <br>\u0219i zile \u0219i zile \u0219i zile<br>mi-e dor de perioada de secet\u0103 <br>m\u0103 prive\u0219ti t\u0103cut, parc\u0103 dinadins, luna-mbujorat\u0103 se prinde de retin\u0103<br>\u0219i \u0219tiu, cei din urm\u0103 vor r\u0103m\u00e2ne-n urm\u0103<br><br><br>II.<br>(solve et coagula)<br><br>mi-ai vorbit anxios, nedormit, cu vocea t\u0103cut\u0103 la maxim<br>cuvinte ce se lovesc de transfigur\u0103rile metalelor, trec prin gaze nobile,<br>prin \u021bevi de e\u0219apament<br><br>t\u0103cerea se adun\u0103 \u00een saliva din spatele gurii \u0219i se \u00eenghite odat\u0103 cu ea<br>\u0219i iese cu noaptea<br>scatologic<br>e ok \u2013 c\u00e2nd n-ai nimic de zis e mai bine s\u0103 taci<br>s\u0103 p\u0103strezi gramatica intern\u0103 sub lac\u0103t<br>exteriorizarea este ru\u0219inoas\u0103. s\u0103-\u021bi expui mu\u0219chii este ru\u0219inos<br>s\u0103 \u0219tie cineva cum arat\u0103 scheletul t\u0103u de femeie imatur\u0103 <br><br>\u00een spatele meu aud note dezlipite din chei albe<br>\u0219i negre<br>\u00eentunericul cere scurgerea laserelor din spa\u021biu<br>c\u00e2nd e\u0219ti subexpus \u0219i umbra ta (*umbra mea) te \u00eembr\u0103\u021bi\u0219eaz\u0103<br>cu umbr\u0103 rece<br>t\u0103cerea cariaz\u0103 din\u021bii <br>holul e un spa\u021biu liminal \u0219i spa\u021biile liminale sunt periculoase, <br>r\u0103m\u00e2i \u00een camer\u0103. nu te mi\u0219ca <br>baia depl\u00e2nge avorturi e\u0219uate. avorta\u021bii \u00eendolia\u021bi dup\u0103 membrele din borcane<br>timpul din orbite intr\u0103 \u00een matricea calcificat\u0103<br>ceasul de pe perete. un cap retezat<br>\u00eentreab\u0103-m\u0103 \u0219i te voi \u00eentreba<br><br><br>III.<br>(deus absconditus)<br><br>zeul metalic a mu\u0219cat din lun\u0103 &amp; i-a scuipat hoitul \u00een ocean <br>perturb\u00e2ndu-l<br>totul pare scufundat<br>sub plapum\u0103, imaginile sunt amestecuri de amintiri \u0219i vise<br>craniul e un loc claustrofobic. ne sufoc\u0103m \u00een propriile senza\u021bii<br>reflexiv<br>creierul refuz\u0103 tratamentul, chimioterapia \u00eempotriva g\u00e2ndirii<br>plapuma e giulgiul funerar pentru indivizii care mor c\u00e2teva ore<br>p\u00e2n\u0103 ceasul din piept le sun\u0103 alarma<br>de unde aceast\u0103 senza\u021bie de asingur\u0103tate<br>asexualitate, apatie, ateism<br>statuia lui crist a fost mutat\u0103-n pod<br>spre bucuria prafului ce l-a revendicat<br>crucifixul \u021bine hainele scoase la uscat. fantomele<br>cu ectoplasm\u0103 de bumbac<br><br>\u00eembr\u0103\u021bi\u0219eaz\u0103-mi corpul de animal fosilizat<br>\u00een clipele astea de luciditate terminal\u0103<br>de exil f\u0103r\u0103 analgezic<br>doctorul a \u00een\u021bepat pieptul cu bisturiul \u0219i pacienta l-a prins de m\u00e2n\u0103<br>\u0219ocat\u0103<br>\u201ed\u0103-mi drumul\u201d i-a spus \u0219i a continuat s\u0103 taie<br>\u0219i recipientul de fier a str\u00e2ns buc\u0103\u021bi de femeie<br>\u0219i femeia s\u00e2ngera<br>c\u00e2nd mi-a curs s\u00e2nge prima dat\u0103 am crezut c\u0103 sunt bolnav\u0103<br>corpul e femeie. m\u0103duva din oase, pl\u0103m\u00e2nii, pielea de sub microscop<br>at\u00e2t de ru\u0219inoas\u0103, ru\u0219inat\u0103<br>s\u0103 bem s\u00e2nge e sacrilegiu, pentru c\u0103 femeia e murdar\u0103<br>e discordie<br>femeia d\u0103 ulcer, transform\u0103 celulele <br>femeia despic\u0103 firele \u00een patru<br><br>cine sunt dac\u0103 nu-mi pot controla g\u00e2ndurile<br>reflexia <br>vreau s\u0103 ating ramurile ar\u0219i\u021bei<br>s\u0103-mi dau r\u0103nile cu tinctur\u0103 de iod p\u00e2n\u0103 devin altcineva<br>sub plapum\u0103<br>un experiment e\u0219uat<br><br><br>IV.<br>(a complex of loneliness)<br><br>ora\u0219ul mutilat, \u00eel auzi?<br>ciripe\u0219te la geamurile sparte<br>picioru\u0219ele lui de pas\u0103re cariat\u0103 se taie \u0219i ro\u0219ul opac se \u00eentinde <br>pe pere\u021bi<br>a mai trecut o noapte f\u0103r\u0103 s\u0103 \u00een\u021beleg nimic <br><br>ziua e la fel de neagr\u0103 c\u00e2nd soarele st\u0103 ascuns dup\u0103 <br>norii de catran<br>s-a dus \u0219i sim\u021bul timpului <br>totul st\u0103-nclinat ca-ntr-un film experimental<br>o migren\u0103 care umple sinusurile <br><br>camera explodeaz\u0103 sonor. un glonte orb <br>dar peretele m\u0103 prive\u0219te cu ochi de ciclop<br>n-are pleoape, s\u00e2ngele ora\u0219ului \u00eel \u021bine hidratat<br>\u00eel observ \u0219i m\u0103 sperii<br>\u00eencerc s\u0103 te strig<br>dar vocea mi se blocheaz\u0103 \u00een g\u00e2t \u0219i pulseaz\u0103 ca o vietate independent\u0103<br>nu am aer<br>m\u0103 prind de g\u00e2tul care se m\u0103re\u0219te, g\u00e2tul cu tumori<br>\u00eemi strecor degetele-n esofag \u0219i scot avortul numelui t\u0103u<br>\u00eentins pe plapum\u0103, un fetus malformat <br>f\u0103r\u0103 ochi, f\u0103r\u0103 m\u00e2ini, f\u0103r\u0103 piele<br>chipul t\u0103u de dup\u0103 cortin\u0103<br>\u0219ansa la via\u021b\u0103<br><\/pre>\n","protected":false},"excerpt":{"rendered":"<p>poem inedit<\/p>\n","protected":false},"author":282,"featured_media":10900,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[30],"tags":[2186,1900,9,2156],"coauthors":[1899],"class_list":["post-10899","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poezie","tag-metastasis","tag-nicoleta-simon","tag-poezie","tag-posta-redactiei"],"jetpack_featured_media_url":"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/07\/449225343_977806811011620_653927512726806787_n.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/users\/282"}],"replies":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10899"}],"version-history":[{"count":3,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10899\/revisions"}],"predecessor-version":[{"id":10904,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/posts\/10899\/revisions\/10904"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=\/wp\/v2\/media\/10900"}],"wp:attachment":[{"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10899"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/revistafamilia.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcoauthors&post=10899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}