{"id":10095,"date":"2024-03-18T19:06:06","date_gmt":"2024-03-18T16:06:06","guid":{"rendered":"https:\/\/revistafamilia.ro\/?p=10095"},"modified":"2024-03-18T19:06:11","modified_gmt":"2024-03-18T16:06:11","slug":"laura-flora-matrici-personale","status":"publish","type":"post","link":"https:\/\/revistafamilia.ro\/?p=10095","title":{"rendered":"Laura Flora: Matrici personale"},"content":{"rendered":"\n<p>Locuie\u0219te \u00een Oradea \u0219i merge contra curentului. Autodidact \u00eentr-un timp \u00een care se caut\u0103 specializ\u0103rile \u00een orice, Laura Andreea Flora ia pe cont propriu fotografia din simpla \u00eenclina\u021bie organic\u0103 spre estetic. Ideea de frumos o preocup\u0103 de mult\u0103 vreme, dar dintr-o candoare funciar\u0103 \u00een rela\u021bia ei cu lumea, lucrurile nu s-au materializat p\u00e2n\u0103 acum \u00eentr-o form\u0103 plastic\u0103 sau alta. S-a \u00eent\u00e2mplat \u00eentr-o toamn\u0103 solar\u0103 s\u0103 fie fotografia, dar la fel de bine putea fi poezia. Sau muzica. Primul aparat de fotografiat a venit cu doar cinci ani \u00een urm\u0103 \u0219i a\u0219a a \u00eenceput totul.<\/p>\n\n\n\n<p>Oricare dintre seriile sale le-am observa mai atent, fie c\u0103 este <em>Nature, De pe strad\u0103 adunate, Simplex, Memento mori, Tempus fugit<\/em>, ni se dezv\u0103luie dou\u0103 tipuri de imagine poetic\u0103, una tradi\u021bional\u0103, explicit\u0103, \u0219i o alta modern\u0103, ambigu\u0103. Prima vine din observa\u021bii strict exterioare \u0219i este cea mai consistent\u0103, vezi cadrul \u00een contra-lumin\u0103 cu cioara cu nuca-n gur\u0103 a\u0219ezat\u0103 pe o cruce \u00een cimitir, imagine de un simbolism aparte, demn\u0103 oric\u00e2nd de Edgar Allan Poe, sau aleea luminat\u0103 de cea\u021b\u0103 pe care se plimb\u0103 nestingherit un c\u00e2ine pestri\u021b. Dincolo, imaginea modern\u0103, ambigu\u0103, vine din senza\u021bii \u0219i st\u0103ri interioare: un peisaj minimalist care se pierde \u00een zare, cu contururi abia schi\u021bate, semn al unei nostalgii subliminale sau ansamblul de nori plimb\u0103re\u021bi deasupra unor tufe anoste, care induc aceea\u0219i senza\u021bie de visare existen\u021bial\u0103.<\/p>\n\n\n\n<p>Vizual, c\u00e2mpul fotografic \u00een cadrele Laurei Flora este ocupat de cele mai multe ori de c\u0103tre un singur obiect: un copac, un nor r\u0103zle\u021b, un cerc desaturat \u00een iarb\u0103, o banc\u0103 stingher\u0103. \u00cen alte cazuri cadrul se l\u0103rge\u0219te, distan\u021ba cre\u0219te, fotograful contextualizeaz\u0103 \u0219i subiectul nu mai monopolizeaz\u0103 \u00eentreg cadrul, ca \u00een imaginea cu c\u00e2inele \u00een u\u0219oar\u0103 alergare pe aleea ce\u021boas\u0103. Realitatea este redat\u0103 de fotograf c\u00e2nd \u00een permanen\u021ba ei (\u00een acela\u0219i plan), c\u00e2nd \u00een aparen\u021ba ei \u00een\u0219el\u0103toare (\u00een planuri diferite).<\/p>\n\n\n\n<p>Exist\u0103, de-asemenea, o simetrie flexibil\u0103 \u0219i degajat\u0103 \u00een imaginea cu podul, luciul apei servind ca oglind\u0103. Liniile puternice de contur accentueaz\u0103 forma \u0219i cap\u0103t\u0103 valoare grafic\u0103, mult mai evident\u0103 \u00een redarea alb-negru dec\u00e2t \u00een cea color. Foarte rar \u00eent\u00e2lnim \u00een imaginile sale o ambiguitate criptic\u0103; metafora e transparent\u0103 de cele mai multe ori \u0219i \u021bine mai mult de \u00eensu\u0219irea obiectului \/ subiectului dec\u00e2t de obiectul \/ subiectul \u00eens\u0103\u0219i, de atribut dec\u00e2t de substantiv, de vocal\u0103 mai mult dec\u00e2t de consoan\u0103.<\/p>\n\n\n\n<p>\u201eYou just have to live and life will give you pictures\u201d, spunea la un moment dat marele Cartier-Bresson. Aser\u021biunea i se potrive\u0219te ca o m\u0103nu\u0219\u0103 Laurei Flora care, cu camera ei inocent\u0103, se \u00eenv\u00e2rte prin lume \u00een modul cel mai empatic cu putin\u021b\u0103 \u0219i f\u0103r\u0103 at\u00e2t de enervantele a\u0219tept\u0103ri absurde: am aparat, sunt fotograf! Scenele surprinse sunt o extensie a unei fragilit\u0103\u021bi artistice rareori afi\u0219at\u0103 \u0219i a unei simplit\u0103\u021bi lipsit\u0103 de ornamente inutile. Actul fotografierii vine dintr-o fr\u0103m\u00e2ntare interioar\u0103, nu dintr-o vacuitate existen\u021bial\u0103 care trebuie neap\u0103rat umplut\u0103 cu ceva, mai ales \u00een cadrele socotite abstracte, conceptuale.<\/p>\n\n\n\n<p>O alt\u0103 caracteristic\u0103 esen\u021bial\u0103 a fotografiei sale este echilibrul compozi\u021bional \u0219i c\u0103utarea unei pove\u0219ti, a unei emo\u021bii. Lucr\u0103rile Laurei Flora nu ies prea mult din temporal, excep\u021bie fac doar unele cadre aparent descriptive, \u201ef\u0103r\u0103 subiect\u201d, suspendate circumstan\u021bial \u00een echivoc, cum e norul singuratic evadat dintre confra\u021bi. Pentru a nu mic\u0219ora \u00eens\u0103 for\u021ba expresiv\u0103 a imaginii, fotograful caut\u0103 mereu un acord \u00eentre idee, sentiment \u0219i ritm.<\/p>\n\n\n\n<p>Un melanj fericit guverneaz\u0103 cadrele fotografului or\u0103dean: esteticul nu subordoneaz\u0103 mesajul, cum nici mesajul nu dilueaz\u0103 esteticul. Seria publicat\u0103 \u00een acest num\u0103r al revistei este una eclectic\u0103, cu schimb\u0103ri de azimut (grani\u021bele sunt penetrabile, cum e \u0219i firesc \u00een cazul unui fotograf \u00eenc\u0103 \u00een c\u0103utarea unei matrici personale \u00een fotografie), astfel c\u0103 reg\u0103sim \u00een portofoliul s\u0103u imagini apar\u021bin\u00e2nd mai multor genuri: peisaj, street, urban landscape, conceptual. Lucr\u0103rile sale ies acum \u00een lume sub umbrela unui statut care le a\u0219az\u0103 justificat \u00een buna r\u00e2nduial\u0103 a artelor plastice \u0219i sunt primul ei testament artistic.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_7524-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"10098\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_7524-1024x683.jpg\" alt=\"\" class=\"wp-image-10098\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_7524-1024x683.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_7524-300x200.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_7524-768x512.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_7524-1536x1024.jpg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_7524-2048x1365.jpg 2048w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_7524-720x480.jpg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_7524-480x320.jpg 480w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/BEST-MUSAI-INCLUSA.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"10099\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/BEST-MUSAI-INCLUSA-1024x683.jpg\" alt=\"\" class=\"wp-image-10099\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/BEST-MUSAI-INCLUSA-1024x683.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/BEST-MUSAI-INCLUSA-300x200.jpg 300w, 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href=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_8472-resize.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"10102\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_8472-resize-1024x683.jpg\" alt=\"\" class=\"wp-image-10102\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_8472-resize-1024x683.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_8472-resize-300x200.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_8472-resize-768x512.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_8472-resize-1536x1024.jpg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_8472-resize-720x480.jpg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_8472-resize-480x320.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/MG_8472-resize.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 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1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/82-Cover-copy-720x480.jpg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/82-Cover-copy-480x320.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/82-Cover-copy.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/84-copy-bw.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-id=\"10108\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/84-copy-bw-1024x682.jpg\" alt=\"\" class=\"wp-image-10108\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/84-copy-bw-1024x682.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/84-copy-bw-300x200.jpg 300w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/84-copy-bw-768x512.jpg 768w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/84-copy-bw-1536x1023.jpg 1536w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/84-copy-bw-720x480.jpg 720w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/84-copy-bw-480x320.jpg 480w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/84-copy-bw.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/85-cover.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-id=\"10103\" src=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/85-cover-1024x682.jpg\" alt=\"\" class=\"wp-image-10103\" srcset=\"https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/85-cover-1024x682.jpg 1024w, https:\/\/revistafamilia.ro\/wp-content\/uploads\/2024\/03\/85-cover-300x200.jpg 300w, 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